Mythical Song Dynasty: From the Start, Firefighting Ximen Qing!

The most important thing in a novel is logical consistency. You described the importance of social advancement for scholars. Why doesn't your protagonist have a cheat code that grants them extra literacy skills? If the Xiucai (a lower-level scholar) class is so important, what about the Juren (a higher-level scholar) and Jinshi (another higher-level scholar)? It's incredibly awkward to read. The content is a bit wordy. The writing is smooth. The concept is excellent.

I remember watching Wencha Mijiu's "The Great Song Dynasty Chronicles," and the settings in that arc were amazing—martial arts masters with their divine bones and demonic powers, Taoist alchemy techniques—they were all incredibly powerful.

I took all five of Ximen Qing's beautiful wives and concubines.

As for Wanyan Aguda and the Jin dynasty's elite group of powerful men, well, Genghis Khan had time to grow and could be made up. But the Jin group's rise to power was too short to be easily explained; they started as poor bastards, so how could they have leveled up?

How mythical are myths? All four classic Chinese novels contain mythological elements to varying degrees, with only *Romance of the Three Kingdoms* being more subtle.

A good book, added to my bookshelf. Awake, I wield power over the world; drunk, I rest on the lap of a beauty. Pluck the flower while it blooms, for lest you break a bare branch. Beauties, young women, mature women, and wives are my favorites; the spirit of the Jian'an era, the legacy of Cao Cao, unrestrained and carefree.

It's alright, but it would be even better if it were a little more refined.

Just ask if you've won over Pan Jinlian. If you have, then you can watch.

Well, it would be best if it were an original system, like a mythological version of the Three Kingdoms, otherwise it wouldn't be very appealing.

Are all the novels that appear to have multiple female protagonists?