Shinhwa Professionals Are All My Employees

The logic above is clear. Up to the last 70 chapters or so, the logic is completely confusing. Obviously knowing that the centaur has a level 30 outstanding ambush protagonist. The protagonist actually went on a mission to expose his whereabouts without any preparation. Moreover, knowing that he could not kill 30 outstanding centaurians, he actually exposed the life-saving skill of space teleportation within the barrier. A completely brainless protagonist. Writing such a protagonist as Gou Daoliu is a complete logical error in the novel. If you want to write a hot-blooded story, you must give the protagonist three life-saving means. Such a protagonist's passionate and passionate character is what makes it possible. Take a look at the Black Iron Castle written by Zuihu. The three life-saving methods are directly used. 1. The fortress has space skills that can be used to save life. 2. The fortress can be stayed indefinitely and can directly observe the external situation. 3. The fortress can continue training to improve its combat power. 4. The protagonist, who is a bit of a hot-blooded idiot, did not directly use space movement skills in front of the enemy again, and told others 100% that he had space life-saving skills.

The latest employee, Qingmei, became someone else's girlfriend. It was explained that someone wanted her to be his girlfriend or else he would kill the protagonist's employee. Qingmei became his girlfriend to prevent the protagonist's employee from being killed by others. The person who wanted to kill the protagonist's employee was killed by the protagonist's employee. The follow-up has not been updated yet. I don't know if the author will write that Qingmei returns to the protagonist's employee, and this employee is adopted by Qingmei's parents. You can decide whether you want to watch this plot or not.

I really didn't understand the plot of the latest chapter. There were a few obvious poisonous points. It can be said that I was already eating up the setting. First point, as mentioned earlier, how rare and powerful the epics are. Two epics even went to the extent of starting a war with aliens. As a result, knowing that the three epics and one legendary in the paradise were guaranteed, which is equivalent to the level of human nuclear weapons, two or three people came to the park. Is it true that in the early stage it only exists in the sky, but in the later stage it is not as good as a dog on the roadside? ? ? The Novice Village hasn't even been released yet, brother! ! ! Second point, if the human race is a strong race, it can fight one against two, one against three against the alien race. I can understand that the people above are afraid that the protagonist will share the cake. The critical crisis of the genocide of the human race is right in front of us. The high-level envoys also push the paradise to the hostile side of the human race, which is equivalent to hanging a Sword of Damocles over the head of the human race, which may be in danger of genocide at any time. The third point, logically speaking, the most enjoyable part of a book with this kind of setting is that the members of the park usually show off, and the protagonist pretends to be awesome at critical moments. As a result, the protagonist is always running around, and the band members have been reduced to tool people who provide experience. They occasionally mention a few words during the settlement and then disappear. Last point, during the first Rabbit dungeon, passers-by on the roadside said that the protagonist's approach was unwise and forcibly subdued him. Now the protagonist also said that the emissary was stupid and bad. The author clearly knew that these were mindless subjugation plots that readers did not like to read, but he still wanted to write them to disgust the readers. The original intention of writing this is also to hope that the author can handle some details in the book better, and the book can go further. The author's writing, fighting, and setting are all in line with my taste, so I read it every day, but this kind of poison from time to time is equivalent to a rat droppings appearing in a pot of soup. It is really unbearable!

It's too deliberate. When the enemy is strong and we are weak, it is normal to be angry. Little Japan has suffered a lot from the Yankees, but he still swallows his anger. His writing is not even as good as Little Japan. A little verbal dispute exposes himself. He has no scheming, but he still feels that he is very shrewd and strategic. .

Forget it, copy it, the pace is not as fast as that of Tomato 😥Who has the heart to slowly watch your plot progress?

It has been removed from the bookshelf, but I can't help but come back to say a few words. The author is crazy about feeding readers💩

This is it, and it can be included in the selection. As expected, there is no best, only the best. If you have a stronger contrast in the same direction, you will stand out.

A certain 🍅 has a book with the same setting, the same theme, and the same name. That book is really enjoyable, but this one is not as enjoyable as it is. It is a brainless and aggrieved book.

It's tasteless, and it's a pity to abandon it. I like the style and structure, but there are too many poisonous points. I can understand it as a new author, and I hope it will be better in the future. After writing it, first look at the logic to see if it makes sense. Why is the villain a villain? What interests are there? You can't just write a villain and say he is the villain. You have to write out why he does what he does. For example, why does this God teach him to do what he does? If he can lurk for so long, at least his brain should be fine. It must be because of some interest issue that makes him do this. Is it possible to be anti-human without logic? Also, your protagonist's background is a time traveler. How many years has he lived? Why does he still have the mind of a little kid? He couldn't write an IQ story, so he just wrote it as a battle. It's like a 01 business war movie. It's a child's play house. Your subject matter is very good, but the way you write it is problematic. You really can't find a few popular articles on immortality, science and technology, etc., Copy their character descriptions and battles of wits and courage, and change them. Also, your background is about the survival of the race, so why is this internal fighting method? Don't talk about trying to win over, at least stay neutral, or observe, if you look unhappy at first sight, just arrest him, right? Are there any conflicts of interest? Also, the protagonist's early abilities are so limited, but in the end, he catches just one of them, and he catches a lot of traitors by following the clues. Everyone else is doing nothing for him. How can he stay undercover for so long if he is so easy to catch? The character descriptions are also not good. I saw more than 120 pictures, and the only one that is more distinctive is the professional war director of the city where I start. I don't understand how they got others to sign the armistice agreement when they were so cowardly. It's not about taking the overall situation into account. Can you write about the three pillars? Why are the other two parties all targeting one party? Are you strong? Being targeted like this, he still managed to survive. There are many places that I don't understand logically. Why does the protagonist take so many chances when dealing with things? I've suffered losses twice, but I'm still arrogant. It's been more than 100 chapters, and it's time to grow up. After all, I traveled through time and lived for a few more years. It's better to set it as a local, and even a local is not so brainless in this crisis-ridden situation. Let's be less poisonous.

Are tomatoes the same?

Are you complacent about releasing poison? At around Chapter 100, if you make an enemy with a strong background, it's okay. If you make an enemy that's unbeatable, that's normal. Then you know he's going to use his background power to check you. You have a perfect way to avoid it. So why do you have to leave a tail for others? You also ask whether it is better to fight Tyson or Tutu? The way you beat Tyson is to tell Tyson the location of your home, and then tell him that my mother will stay there. If you catch her, I will let you eat her? It is indeed a good idea to sign employees and reset Tyson's level to zero, but you didn't know it afterward? Yes, he can give you a job, but is the career you gave him bad? And since he can't find you anyway, avoiding him perfectly is also a good solution. Negotiating, deceiving, or even changing the location can still deliver the contract to Tyson if you do it again. You have to expose your skills.

One moment the country is righteous, the next moment there is internal strife. How did the Chinese in the novel survive? Not to mention anything else, the whole clan is about to be exterminated, how can they still start fighting among themselves? It cannot be said that there are no such idiots, but such idiots will never reach high positions! The Zhuguo family, are you so stupid? There is a genius in my own human race, do you want to cultivate it without wanting to do it, do you want to kill him? Just to prevent the tenth family from appearing? Then I would like to ask how the first nine appeared? According to this routine, the front person suppresses the person behind him. If someone is awesome, isn't it just to retaliate against the person in front? Can't these nine aristocratic families fight together? Isn't the premise for internal strife that it will only happen if one's own country is awesome and there are no foreign enemies? I can't even understand the logic and I really can't stand it…

Opening the latest chapter, I really don't know if these idiots are like this. What qualifications do humans in this world have to live, or are they really just AI?

，，，，？ Can you be more thoughtful when writing character dialogue? The professional setting of this protagonist is basically a group portrait, but what kind of trouble are you going to make with such childish character dialogue?

The plot is very difficult to maintain after it is released. There is absolutely no need for the role of Sister Yue to exist. It's normal for you to start with a time-travel orphan to bring up a younger sister. As a result, the bond of the orphanage was suddenly added to involve the protagonist, as well as the professional awakening of Arrangement Moon. At present, it seems that they are all to pave the way for Xu Jin to grab invitations in the city and be cleared to the first level. But the moon has no effect other than forming a bond with the protagonist's brother and sister. Frankly speaking, you can change your profile to anyone in this profession, so you don't have to have the poisonous point of being forced into danger in an orphanage. Why forced distress? Because when the protagonist terminated the contract with Yue, he said that it should be terminated one day earlier. Obviously, he deliberately tried to calm the protagonist in order to make Xu Jin feel better in the following part (the protagonist controlled the information and knew that he could avoid it, but didn't do it) This resulted in happiness, but not happiness, because Xu Jin only fell to level 1 instead of being completely solved, and he also got a better career. Moreover, the team has not improved since it was launched, and the legendary profession has also suppressed a wave of expectations to pave the way for it. In terms of my personal opinion, I would not have subscribed to this episode before it was released.

The free one next door is much better than yours.

This opening chapter is more to my liking and can be followed

The copy of God suddenly switched to the cultivation type, and the style of painting changed drastically. So what role does the protagonist's professional boss have, and what role does the boss's skills play? I could still take a look at it, but now it's basically broken. Let's see what you write after the copy is over. Don't subscribe now.

A world of awakening career panels. The genius awakening panel has awakened useless professions and become useless???? Do you mean that career determines everything? Then where did the genius useless talents come from before the awakening panel? Isn't it true that the genius geniuses are useless after they have awakened first? Is this introduction really reasonable?

I think it looks great, looking forward to the follow-up! Already invested, I discovered this book too early, and it's painful to wait for the update... It's just that the author has a lot of typos, I hope to check more (or correct them after seeing the corrections I left), please come on 😡

Author, you spent half a month trying to teach me how to practice... You really worked hard 😅 Updates are already slow, but your plot is still so delayed

The whole book revolves around women, and also around women, they are constantly poisoning

The early themes are okay, but the shortcomings are that I can't write the data and it's just making up, the hooks are too big and can't be rounded out, the characters can't stand up, the aliens are forcibly reduced to intelligence, and the plot is all based on poisonous points. Sure enough, the game board has reached 250 chapters and I can't write it anymore, but the rewrite of Cultivation is something I never expected. I guess it's almost eunuch, so everyone should withdraw as soon as possible 😵😵😵

A eunuch? ? ? It's in vain that I keep ordering. . . .

I'm excited to see you. Is this a eunuch?

The idea is pretty good. This kind of group portrait should weaken the protagonist and focus on the supporting characters. Unfortunately, the imagination is not wide enough.

I've seen the same thing before, but it was cut.

Hahahahahaha, luckily I didn't watch it

Only a few employees have been mobilized, how can you admit defeat? This book and yours are both old editions. If you have a copy, they are both very good. The theme of yours is quite good, but it is not well written.

Hey, eunuch? No update for two days!