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The writing about Tong Yao is relatively average, and it has little promotion effect on the plot. There is no value in signing her. A mindless mistress mixed in the protagonist team is very average. Unless she is allowed to accompany others like Huayi, it will be of some use. How to deal with Director Huang later? If he is allowed to be free, he will still fight back. At least castrate him. It's better to just write about the beginning of an ordinary classmate. Her matter has already exploded.
Eh? ? ? I still want to see Yaya's role
Zhang Guoli was described as a fool. Didn't Zhang Guoli hate Director Huang, who ignored him and still cheated on his son, but he hated a student who was accidentally injured? ? ? Just because of 150,000? In 2003, an ordinary private car cost 150,000 yuan. What did Zhang Guoli think of it? ? ? Can the author explain it? It is really very different from the real impression given by Zhang Guoli, it looks awkward 😥😥😥
The writing is really not good-looking
There is absolutely nothing interesting about what you wrote. I sincerely suggest you change your career. This is not your material. Really.
Is it professional enough?
Curiosity killed the cat. A bunch of college students acted in this movie? Is there a match? How about playing house? Can I act in my freshman year of Chinese drama?
It's well written. Zhang Mo's case of getting benefits from his father was handled well, but it wasn't enough to arouse emotions. If you write about Huang being the protagonist in a nursery rhyme, then you have to level up Huang, even if you put him in a sack and beat him up, it's an explanation.
Just the two female protagonists Tang Yan and Wang Zhi? These two don't have much to do, they can't support the needs of the plot.
Wang Zixuan
around
I don't know what to write after Chapter 40