Mountains and Rivers: The Sacred Dominion

#Masterpiece Collection# 515

I feel like a lot of people in the comment area have been saying that the personality contrast between Ye Tinglan and Ye Tinglan is too big and unacceptable. But in my opinion, a lot of preparation has been made for the difference in behavior before and after. The internal logic has its own rationality and is not divorced from the character. So below I will organize it based on the content of the text and analyze Ye Tinglan's character, behavior patterns, internal logic, etc., Hoping to calm the debate. First of all, Ye Tinglan, as the Holy Lord of Tianyao, is like the emperor's loner. There is a natural "sad thick barrier" between herself and others. Her status requires her external performance to be in line with the temperament of a leader and an expert, which is the sense of mystery created in the early books. But as the plot progresses, her activities as "Mr. Ye" all reveal that Ye Tinglan's actions are more out of the sense of responsibility brought by her identity. She is trying to play the role of the "Holy Lord of Tianyao" rather than her own serious and old-fashioned personality.       ,, This is why Lu Xingzhou is so persistent in tearing off her veil, taking off her disguise layer by layer, allowing her to try to let go of her burden and be herself. Now Ye Tinglan's behavior is a manifestation of Lu Xingzhou's success. Even if I try to save my face, I am still your Mr. Ye, not Holy Lord Tianyao. Acting coquettishly and flirting is not only a release of one's own nature, but also recognition and reward for Lu Xingzhou's hard work. Don't forget that Ye Tinglan is Yuan Muyu's sister. The sisters have somewhat similar personalities. Ye Tinglan also lived a youthful and wanton life in the early years. Now she is justan old aunt who was trapped by her identity and responsibility, had been depressed for many years, and met her sweet little nanny.        ,,, But clues can still be found from the character's identity and personality, and there is a hidden line involved.                                                                                     Ye Tinglan, as the person with the best combat power on the surface, can at least be clear about his mind and his nature in practice. The so-called epiphany only lasts for a moment. Since Lu Xingzhou had made him realize his own heart, and facing his lust head-on had indeed loosened the bottleneck of many years, there was no need to hide it. A mature big sister who has freed her inner defenses and has seen pigs running even if she has never eaten pork, does she still need to go through a hundred chapters of psychological construction like a Huaichun girl to tease you, a little bitch? What's more, Ye Tinglan always maintained a rational attitude, always reminding Lu Xingzhou and himself not to cross the bottom line. And there is a hidden line here that is not fully stated—Ye Tinglan's path to inquiry. As Ye Tinglan's beloved disciple, Xiao Baimao has devoted Ye Tinglan's emotions and efforts, and represents her early understanding and pursuit of Tao - Being ruthless and becoming an immortal. Ye Tinglan is stuck in the secular world and has difficulty advancing in cultivation, but he has high hopes for Little Baimao. "The Innate Human-Machine Holy Body" is indifferent to emotions. In the end of his cultivation, he gave up all love and desire, leaving only the pursuit of the great path. This undoubtedly allowed Ye Tinglan to see the possibility of success, and it was also the underlying logic why she always subconsciously ignored Xiao Baimao's special feelings for Lu Xingzhou. Although they always make fun of Huiyang's troubles, in essence, this is a seeker's search in a world with no way forward and full of fog.  Ye Tinglan's plan for Little Baimao's future represents her ultimate ideal, which is what she considers to be the highest state - Taishang Wangqing. The indulgence between her and Lu Xingzhou at this moment, even though there is an irrepressible part of her nature, from the perspective of a seeker, it seems to be more of a helplessness and compromise in confusion. Regardless of whether the relationship between her and Lu Xingzhou is out of revenge for her sister or appreciation for Lu Xingzhou, the core driving force of many of Ye Tinglan's actions is still the word responsibility. As mentioned in the previous article, Ye Tinglan's way is "Guarding". She could not let go of her responsibilities to Daqian and mankind, and faced with the broken mountains and rivers and the inhuman emperor, Lu Xingzhou was undoubtedly the person most likely to help her mend the world and rebuild the world. The first thing Lu Xingzhou wants is revenge, which requires overthrowing the Huo family and their protective emperor, and supporting Shen Tang to ascend to power. This is consistent with Ye Tinglan's interests, and this is consistent with the Tao; the second thing is beauty, so why not give myself to you? In Ye Tinglan's understanding, the ultimate state of cultivation requires supreme forgetfulness of emotion. So what is the difference between being ruthless and forgetful of emotion? It's just an extra detour. If you want to understand your thoughts and advance your cultivation further, you need to save Daqian, and saving Daqian requires Lu Xingzhou's help. Ye Tinglan has nothing to repay, so he can only try his best to respond to Lu Xingzhou's emotions during this process. After the mountains and rivers are restored and the world is at peace, he can go to the Supreme Being to forget his feelings and pursue a higher realm. (What a scumbag's idea, little 🦌 teach me hard) As for Xiao Baimao, Ye Tinglan has high hopes - the master is already like this, but you are different. You must pursue the supreme road and don't be slowed down by feelings. (Inexplicably, there is a sense of deja vu of a single mother who is committed to Huang Mao and hopes that her daughter will become a talented person 🤔 Xiao Baimao said I will definitely slap you in the face) This hidden line involves emotions and moral disputes. It is an eternal discussion point in the Ji Cha universe. It is also related to the reason why Yuan Muyu was confused about Lu Xingzhou's feelings when he broke through to the super level. In the future, it may lead to the deeper reasons for the break between the two. We look forward to the subsequent plot development.  In fact, there are many similar contrasting characters, such as Luo Ning and Nangong Ye next door. However, Guan Guan's handling method prefers to keep the characters tough-talking to the end, and finally play them into fun, supplemented by more psychological descriptions, so it looks smoother in terms of look and feel, but in fact, the shaping logic is the same. Sometimes book friends are not used to the differences between characters, but I feel that in a book with a complete world view and character behaviors that have their own internal logic, it is these different performances in different environments and experiences - those entanglements and struggles, as well as the changes made after adapting to one's heart, that truly highlight the vividness of the characters. Maybe this does not fit the character in your mind, but it further proves that these are flesh-and-blood people who actually exist in the book. Welcome to discuss, but don't quarrel~

The master Qidian published a new book with only two chapters and no more than 10,000 words. It felt like it was not as good as Laser Bottle, another new author, so I stopped reading it.

Golden Alliance Tower, ten thousand towers established (ps: Nickname is my wish 😍)

A little bigger

A man only cries 8 times in his life: Ji Cha's Dream Broken 19 Platinum Ji Cha's Dream Broken 20 Platinum Ji Cha's Dream Broken 21 Platinum Ji Cha's Dream Broken 22 Platinum Ji Cha's Dream Broken 23 Platinum Ji Cha's Dream Broken 24 Platinum Ji Cha's Dream Broken 25 Platinum Ji Cha's Dream Broken 26 Platinum

No. 159, Now I'm waiting for when to write what I want to read

It feels like it's not written well, and I feel like I want to recreate the glory of the Spring and Autumn Period but I can't get up or get down. I have always wanted to complain about Ji Cha's current writing style. It is really sparse. The Internet slang mixed in the writing can be seen as an attempt to make the novel more relaxed and humorous. And I feel that the battle of wits part of this book is really subtle, a bit hard to describe, and it doesn't feel like there is much battle of wits. I know that Ji Cha has always wanted to break through himself, and Ji Cha himself also knows that his ability to write dramas is poor. Ji Cha also said before that she wanted to get rid of the plot by promoting female characters, but why the main plot is still about the thing in the crotch. The description of the male protagonist in this book is also a bit greasy, especially since I re-read Spring and Autumn in the past two days. Although Manager Xue is also lustful, he gives the impression that he is a romantic, not the so-called "destroyer of romance". The harem still has some limitations. I suggest that Ji Cha write something different in his next book.

I read half of the last book on troubled times and didn't finish it, but the early stage was still very attractive. I bought this one at half price out of trust in 🐔🍵, but after reading it for a few days, I felt that something was wrong the more I read it. If in the early stages of the Book of Troubled Times, the more you read it, the more you get addicted to it. The only motivation for reading this book is to buy it all, not wanting to waste it and waiting to see the wooden fish deflate. But even so, I can't stand it anymore after looking at more than 200 pictures.​ ​ One is that the plot is really unattractive. The story development is like a bland declarative sentence, and there are frequent villains and plots that are as mentally retarded as white novels, which makes me frown. The image of the protagonist is also getting lower and lower, as if he knew which characters were the heroines from the beginning, and then aggressively targeted them to increase his favorability. Even though the descriptions of the heroines were indeed good, but driven by the greed and desire of the male protagonist eating the food in the bowl, looking at the food in the pot, and reaching out to fish out the pot, all the descriptions were just to become a member of the harem. Even the emotional drama, which is the core shining point, is made to feel fragmented by the ugly appearance of the male protagonist. On the one hand, I was reminiscing about the past with this character, and on the other hand, I was openly flirting with another character. The emotional line also became like a joke, alas. In short, whether it's the author's writing style or my personal taste, I really can't say I like this book, but considering the money spent, I should still read it bit by bit. I hope Muyu can provide enough fun to cheer me up. Also, do you have any recommendations for books with good emotional lines? Just have less female protagonists and not be too lustful. As expected, I still prefer upright protagonists.

After reading more than 30 chapters, I feel like it's a very stereotyped, pretentious and slap-in-the-face story. The villain is portrayed in a quick and witty manner, and the plot is also very cliche.