A Certain Master Assassin

He's obviously an assassin, but he's still refusing to kill someone just for fun after 30 chapters? Is your sense of morality a little too high?

Forget about female characters who have no interactions. Akemi had so many interactions, and she even made up her mind to send her out to be matched, which is not what Toru Amuro was originally. This makes people feel very uncomfortable. It gives people the feeling that every thought is just pulling the red line randomly. Not paying enough attention to the role you create.

What did you think of sending Belmode to Calvados? Is it worthy? Even if you can do it yourself. It feels like giving Diao Chan to Hua Xiong. My brain is crazy.

Generally speaking, if there is a single female protagonist, a very important role such as this one cannot support the heroine's status. After reading so many fanfics, I found that these under-popular women are more like supporting characters with the title of heroine than heroines. But it's no wonder, after all, even the heroine Xiaolan is like a supporting character in the original work

Can the protagonist get a hidden sword for use, and also get an assassin robe?

The protagonist is of Edenian descent. I can understand that he can extract genes to go back to ancient times. Why can you, an old woman, extract them?

I would like to ask the author, will the plot of Belmod be changed? If you don't change it, you will give up. I hate this kind of gifting of popular characters. It's just official roles, and it's still reluctant to write about their natural development. This kind of forced gifting is really unacceptable.

After reading the first 30 chapters, I feel that the author handled the plot of the protagonist being taken away by the underworld too roughly. The protagonist is an assassin, and he dared to get into someone's car without preparation or development. It makes people feel very bad. The later chapters also confirmed my opinion, and almost didn't kill anyone. This is because they followed the rules and didn't do anything in the car. It's not that this kind of plot of forcing people to take on trouble in the early stage cannot be written. I think two requirements must be met. 1. There must be a reason why you must come forward. I don't see why the protagonist has to come forward. A house worth 7,000 yen? Or was he kidnapped by someone close to him? It's not even that big of a deal, it just comes out as soon as you think about it, and it's over without any brainpower. The Lord of Mysteries and Red Heart Patrol both have plots where they force themselves forward before they are fully developed. The Lord of Mysteries is for the sake of saving more people, while Red Heart Patrol is similar to the protagonist whose enemy is about to get a death-free gold medal, and if he doesn't take action, he won't be able to get revenge. At least there's nothing wrong with these two reasons. 2. The protagonist handles the crisis reasonably through some operations despite lack of strength. In this plot, the protagonist's job is to go up and do it. What should I do if he can't do it? Sorry, I didn't think about it. It's too childish to handle life-threatening situations. I think this plot can be expanded on at least three points. First, the protagonist secretly sends a message to the police before getting in the car, so that at least someone can save him if he is about to be beaten to death; second, make some preliminary preparations before the fight, such as poisoning to reduce the difficulty of the fight; third, set up a listening device to see if he can find information about the underworld boss. The look and feel will be much better. The most important thing about the plot is that there should be no subtle points, and the writing is not brilliant enough. Readers should be patient and read a few more paragraphs just in case they see a plot they like. People are very sensitive nowadays, and if the plot has subtle points, readers will abandon it after seeing it.

There is really no need to be too law-abiding in Ke Xue's world. There are too many heinous sinners in Ke Xue's world. In addition, it is Assassin's Creed. The name Assassin has a long history. It can also be used to scare washing machines.

The combat power is a bit too low, and I am no longer in the mood to continue reading.

Wada Haruna

If I have the ability, I will rob the funds of the Yakuza group and never have to worry about money again. If I were a teenager and had abilities beyond ordinary people, I would find a girlfriend and not become a monk. Is this the choice of ordinary humans? The author doesn't even let the protagonist do this. It's okay to write the protagonist as a reckless man. What the hell is killing all the Yakuza and not grabbing money? Writing a book is so thoughtless and has no sense of immersion. No one would make the same choice as the protagonist, right?

Except for half-way monks like Edward Kenway and his first mate Adewale, basically assassins would not kill people at will. Kenway was focused on making money in the first half of his life and almost the same in the second half of his life, while Adewale fought for people of color! As a black man, Adewale gave me a much better impression than the latest Yasuke. After all, he was a slave liberator!

Question 1. Is the assassin just another form of Goldfinger, and the plot still revolves around Conan's magic transformation? This issue stems from my concerns about the strength of the plug-in and the author's ability to modify the magic. The core is that the compatibility between Assassin's Creed and Conan is not ideal: Putting aside the Pieces of Eden, the Isu bloodline only brings stronger physiological conditions and sixth sense, while the Assassin's training brings the ability to sneak, track, steal and Dark Shark (or Unparalleled), and it also ignores fall damage. Based on the modern time background, the difficulty of Dark Shark (especially at close range) has increased, and the cost is also higher. The remaining skills such as sneaking are even the special skills of Phantom Thieves. Phantom Thieves also have exclusive disguises and card guns. The roles overlap.                                                                                                                                                                                                                                                                                             ating the Piece of Eden. In summary: If there is no combat plot, the protagonist's golden finger is somewhat useless. Considering that the protagonist started growing up as an assassin's apprentice, it is even more useless. What kind of assassin apprentice does a society governed by the rule of law need? It's better to play house as an assassin. If the battle plot is added, then further: Question 2. Which line does the battle plot revolve around, and what will be the proportion of the main line and daily life? This question stems from thinking about the grandeur of the plot: The plot of Conan has two lines: daily and winery. The daily plot is the main one. The criminals are all cows and horses, and Kyogoku can solve them casually. All he can do is save some people who are in trouble and contribute to the brotherhood.          ，，，，，，？ Or should we introduce a new Templar Knights led by the Saint of Juno and then engage in a high-tech cold weapon battle? What kind of divine trial is introduced? It's far from Conan, and it doesn't help promote the plot of Conan, unless the main plot is not to kill the winery but to kill villains like Juno. If that's the case, why should I watch Conan? Wouldn't it be better to write it in an alternative way? There is a problem that I have been thinking about for a long time. Abstergo has been established since 1937. Obviously, under the original setting, world war cannot cause a devastating blow to the Templars. The Brotherhood has inheritance in every corner of the mountain. It is not realistic to interrupt the game, especially as there are a bunch of information storage artifacts.                                                                                                         The United States must have a share of the inheritance. How can the United States, which has inherited the inheritance, allow a defeated country to establish a transnational criminal group in the place where it has garrisoned its troops? Are the Knights Templar reincarnated? How can the protagonist group win? Rebuilding the Brotherhood? Farming and cultivating while living your daily life?

The problem of Kudo Shinichi's public appearance is actually caused by Aoyama's laziness. Although there are a lot of people who look like Kudo Shinichi, the setting is that only Kuroba Kaito looks the same as Kudo Shinichi (the one with plastic surgery does not count), and the others can recognize at a glance that he is not him.

I haven't read the book yet, and I saw the title. I once thought about combining Assassin's Creed and Conan, but the writing was not enough, so I ended it hastily. The outline I made at that time was that people who can take A medicine and survive are all of Isu descent, which is barely enough. Explain why most of them died, but some people survived, and then put all the protagonists and bosses of Assassin's Creed on the corresponding map to fight against each other, and changed them into corresponding consortiums or government units (such as Ezio, the second son of the Italian consortium) etc.), And then select a few cases to turn the motive behind the murder into a confrontation between the Templars and the Assassin organization. For example, the triplets of Suzuki Ayako's fiancé can be set as Templars. The protagonist finds clues and knows that they are one of the triplets. However, because Assassin's Creed cannot kill innocent people indiscriminately and cannot do it at will, so I have been observing, and it is best to find that two of the three are the same, or all three are the same. Anyway, that's about it. I hope my previously immature ideas can provide you with some help. Come on.

I still want to say a few points First, I feel that the plot is too flat. I can't tell whether it is a problem with the plot setting or the author's writing style. The creativity is very good and the world view is also good. But in my opinion, reading this book is like reading a chronicle with a little heart. If you can read it, you can read it, but it cannot reach the level of excellence that makes you feel amazing at first glance. It just barely reaches the passing line. It is not like a book written in 25 years. The author should be a novice reading it for the first time. Second, it's this plot character. I feel like it's a bit of a template. I'm not saying it won't work, but I just feel that if the protagonist says a few words, the plot character will immediately have an epiphany and then change his mind. It looks a little awkward. I think the characters in the later stages can be properly shaped through some chapters, otherwise they look a bit empty and not very lively. Third, I just feel that the protagonist's combat power is lowered or raised, not to mention whether it is lowered or raised. This combat power cannot be well matched to daily life. In daily life and the main line, I feel like two slightly twisted lines, separated from each other and not well integrated. This is like something. It feels like the protagonist who has obviously gained a lot of combat power in the past few years has to live a normal life in Conan's daily life. It doesn't feel right. If the author hadn't updated it every day, it would have been a bit close to the flavor of an early Conan fanfic a few years ago. Every time I go to a crime scene, I open my eagle eye, find clues that were later discovered in the original work, solve the case in a dull manner, and then start living a leisurely life again. I think the author may need to be more thoughtful about the plot, and not be too straightforward. I feel that he doesn't have enough control over the rhythm of the plot. It feels really slow to read at a glance. Because as far as the foreshadowing of these hostile organizations currently laid by the author is concerned, if the plot is not controlled enough, it is likely to fail. But then again, as a novice, this book may not be so perfect, but it is still acceptable for the first time I write it. Later, I think I may need to adjust my writing style appropriately when writing. I hope the author will get better and better as he writes. Above

，， One thing I particularly like in it is that many prisoners met before committing crimes, and some methods were used to prevent them from committing crimes. It was very touching to watch. Compared with other fan fiction, each one is like a small theater of Hakoba. He will never appear in advance when the plot is not with him. At present, the content combined with Assassin's Creed is still limited to Assassin's Creed providing some props and backgrounds. Of course, if it combines too much historical legacy, it may be difficult for those who don't understand Assassin's Creed to understand. Of course, the main thing is that I want to see the protagonist compete with the protagonists of previous Assassin's Creeds. After all, I am an unparalleled assassin who likes to fight and have fun. I hope the author's novels will get better and better.

When will Sera Masumi appear? There are almost no female protagonists who have watched this.

The quality has obviously dropped a lot since it was put on the shelves. After ordering a dozen or so, I feel more and more uncomfortable.

I would like to ask Minoru Odagiri how to deal with it. The protagonist just betrayed them by betraying them. Don't just ignore it. It's so disgusting and just consider it a betrayal!

There are so many typos that I can't get enough of them.

Qualified Lezi article, I hope the author can persevere

The ending is a bit too hasty, but I still want to finish it off with one sentence.

The second brush is over, when will you write some extras?