1979: Starting as a Xianggang Literary Giant

Do you have any misunderstandings about literary figures? Tolstoy and Lu Xun. That is a literary giant. You said he became rich by writing novels and making movies in Hong Kong. That's impossible. The manuscript fee and publication fee for a novel that costs hundreds of thousands are at most fifty or so, seventy or eighty years. Make a movie with a box office of 20 million. Theaters deduct 50-60%. You really have 40% cost and 20%. How many movies do you have to make to be rich. Nowadays, it seems that Hong Kong celebrities are rich because their money has been raised by buying houses.

You will never become a literary giant by writing only science fiction, martial arts, fairy tales, magic and other novels... None of the so-called four great talents in Hong Kong is qualified to be called a "literary giant"...

Just write about being pretty and sensible. Don't write about someone who is pure and innocent. It will make you laugh when you see it.

This author has been stuck in the vicious cycle of writing and selling scripts for the past 10 chapters. He writes a script for this one, and then turns around and sends another script to that one. Author, do you have an idea? Don't keep talking back and forth about writing a script. If you really don't know how to write about Hong Kong entertainment, you can refer to Lao Wang's Dream Hong Kong to see how he balances his career lines and where to write in details and where to omit. I have been reading your book from Chapter 20 to writing a review now, and I have only two impressions: 1. You have written a book that caused a sensation. 2. Write a script.

There is something wrong with the logic of this book. My family made tens of millions from stock trading by running a newspaper company, but I was working hard on the crew to write scripts for others. How can that rich man play?

A small place like Xiangjiang, which smiles at the poor but not at the prostitutes, cannot create much fertile soil to support the survival of literary figures.

Is your literary hero the third young master of the Tang family?

It is recommended that four female protagonists, Guan Jiahui, Zhou Huimin, Brigitte Lin and Wang Zuxian, are enough.

If you insist on getting involved with a married woman, you are simply sick. Otherwise, you would have worn it out a few years earlier and pursued her directly. If you insist on doing this,

Isn't writing a tomb-robbing novel in the 1970s similar to tomb-robbery?