Animation Legend: Starting with Monkey King: Hero Is Back

No dude, I haven't watched it yet. Should I start a harem in the entertainment industry or make animated movies? Can't you take care of both ends? How did you, a producer of animated films, hook up with a female star? Don't tell me that you're a talented female star who just falls in love with you? Look at the current female stars who make a lot of money, but the person they are talking to is not talking to the actor in the movie. It's not like I couldn't make money in the past and wanted to marry into a rich family, or find a director as my husband. If you want to hook up with a female star, how can you hook up with her if you don't go to filming with her?

Jiang Ziya's bad movie still shocked the world, it almost shocked the world

The most profitable thing in the animation industry is not the box office, but derivatives and theme parks. If you are engaged in animation, you must at least do the latter two to form a whole industry chain. In addition, you must maintain the popularity of IP through stable production capacity and TV animation. The most important thing to learn from is Haunted Bear and Disney. Instead of just monkey and Nezha. . .

The subject matter is okay, the plug-ins are okay, and the plot is okay, but is it a bit too watery? There are 160 chapters in a movie. . .

Dude, can we focus on writing animated movies? Don't just focus on this female star or that female star. Two female protagonists are enough for their roles. Nowadays, a harem with multiple women will die very quickly. This title of yours mainly describes animated movies. After reading it for a while, I didn't want to subscribe to the following titles. Zhang Tianai, Meng Ziyi, and Jin Chen. To be honest, if you had released so many female character cards earlier, I would have stopped subscribing. Have you checked whether the author's background data has dropped? Duonv asked that there are too many cuts in the middle now, let's focus on small and precise.

I was baffled when I saw the author writing about a conflict with Lu Chuan. You are writing a novel. Is it okay to bring so many personal items? They just came here to talk about cooperation, and there was no hostility or interest. At first, I thought the author just made Lu Chuan's Jiu Shu Layer Monster Tower bad and didn't do special effects for him, but I didn't expect that he actually wrote the main character to be made for the Great Wall. Wouldn't the Great Wall be even worse? Okay, this is not a big problem, but the writing behind it is a bit explosive. He actually beat Lu Chuan for no reason. This operation is outrageous. We look down on a person and ignore it at most. The protagonist's behavior is a certain kind of seriousness, which is against the rules. You know. This is a public place. Why would you do such an unseemly thing in front of others when you have such a great future? It really poisoned me to death. I really want to put this personal thing into a book and make up a reasonable conflict. China is very particular about people not attacking me and I not attacking others. If you hit someone, you have to show your face first.

It's really impressive to write more than a hundred chapters in a movie!

After reading it, the protagonist's character is far worse than Dumpling. Writing a novel can't even compare to real characters, and it doesn't feel satisfying at all.

The latest chapter is still at the Great Sage Shui's celebration party. Shui is like this and is absolutely amazing and invincible.

The author is a bit pretentious in not taking on the Nine-Storey Demon Tower. If the money is available, it only matters if you do a good job in the special effects. The plot and other matters don't care what you do in the special effects.