Red Mansion Soldier Saint

Stop tinkering with the marriage between Wang Xin and the Xue family. If you really want to marry with the Xue family, just choose Xue Baoqin. Looking at the original work, the Xue family has long since died, and their official status has long been gone, leaving only the identity of an imperial merchant, that is, a merchant who supplies supplies to the royal family, a merchant! It has no political status at all. This is one of them. Second, Xue Pan is a murderer! Other people will also kill people, but they can hide it from others. Xue Pan killed Feng Yuan in broad daylight and brought the matter to court. Jia Yucun (the prefect of Jinling) personally determined that Xue Pan was dead and paid compensation. Legally, according to household registration, and officially, Xue Pan is dead, he is a gangster! Correspondingly, Xue Pan's identity as an imperial merchant is actually gone (actually). How can a dead person continue to be an imperial merchant? How desperate was Wang Xinde to marry a merchant family who had a murderer? Wang Xin is already a third-grade official. Thirdly, Xue Pan is a ticking time bomb. Even if his previous murder cases are dealt with from beginning to end, there is no guarantee that he will make a mess and cause messy things again. In official circles, this is a living target. Fourthly, the Xue family's housekeeping skills are no longer good. Aunt Xue's husband died early, and Xue Pan was a bastard. Business in various places was getting worse year by year, and shopkeepers from all over the place were trying to take advantage of her. "It snows heavily in good years, and pearls are like earth and gold are like iron." That was in the past, when life was tight, and treating guests was like a crab feast. The Xue family left Jinling at the beginning and ran to Beijing. After arriving in Beijing, they stayed at their brother-in-law's house and shamelessly refused to leave. If he has a huge fortune and endless money to spend, can he do this? Fifth, Xue Baochai is an ambitious and restless person. The vision is high, to put it nicely, it is to urge the husband to make progress. Let Jia Baoyu study hard and take the imperial examination. Sharing wealth and honor is fine, but sharing adversity is not enough. In the original work, in order to achieve a good marriage, Baochai worked so hard that he almost lost his face. (The status gap between the two families is too big, one is a son of a wealthy family, and the other is the daughter of a businessman) Sixth, if you must marry into the Xue family, choose Baoqin. Bao Qinjia, Xue Biao is much stronger than Dai Bawang, this is a victory. Bao Qin has a father who takes care of the housework. Not to mention prospering, at least he will not decline. Baochai has no father. This is the best of both worlds. Bao Qin has a good personality, travels all over the country and is well-informed. Baochai is more utilitarian (a bit like Zhou Zhiruo) and wants to change her destiny through marriage. Sometimes she is hypocritical and scheming; these are the three wins. Bao Qin and Jia Mu met, and she was very popular with Jia Mu. Jia Mu didn't like Baochai very much. Jia Mu had a first-class taste in choosing girls. Bao Qin didn't have a mother (or she did but didn't appear, at least she didn't play a bad role). Baochai's mother, Aunt Xue, played a big bad role.

The author said several times that the protagonist is neither a good person nor a bad person, just an ordinary person with a bottom line, but it is precisely the bottom line and normal modern people that create a very extraordinary character. This character really stood out, and I was even moved to sigh that maybe those heroic figures in history who can become the backbone of the nation should be like this. I hope that the author will not fall into the trap of the Red Mansion world view and the feudal history view in the subsequent plot. At least I don't want to see a normal modern person with a bottom line twisted into a superior feudal ruler. That would be too boring, and it would be a waste to create such a good protagonist. Of course, let me put my armor first. I admit that social development is spiraling, but even if the protagonist becomes an emperor, he should not be a slave owner full of feudal taste and stepping on the heads of the ancients. Looking forward to the follow-up.

The protagonist has military power, can win battles, and win the hearts and minds of the people? This is not a prelude to rebellion. It's true that the ancients didn't study history. . . 886

The more the author writes, the more he lets himself go. He treats military affairs very casually. Leaders of foreign tribes use excuses to say that he will kill them all. He also treats the surrendered leaders by killing them whenever they want, and they still feel good about it. He thinks that he is shameless externally and noble internally. The moral character of generals can affect the direction of war. Military strategists can do whatever it takes to win. Politicians can do whatever it takes to win. Political diplomacy is not good, especially due to the influence of Chinese Confucian culture. Once betrayal is committed, the reputation will be ruined. The inclusiveness of the 56 Chinese nations is not created by killing. Refer to the Han and Tang Dynasties in handling the issue of the Western Regions, especially how many years Erfeng's policy was ahead of the beautiful country. How much did Huo Qubing cost to separate the wolf and live in Xu? How high is the pressure from the internal people? Look at the answers given by Ban Chao and Wang Xuance. The protagonist must be the judge. Who dares to show his teeth and disobey other alien races and destroy all the enemies? If there is a problem in the Western Regions, the protagonist will stop there. One person can defeat an army of 100,000 people. Then the protagonist will live with the country. You have slept with all the named women in the Jia family. Yan Guan dares to say a word about you. If you beat Yan Guan to death in front of the emperor, the emperor will praise you for your good fighting. The more predatory the jungle is on the grassland, the more the protagonist must be trustworthy and set an example to let other foreign countries know that it is a great honor to be a dog for the protagonist. Now it is impossible for the protagonist to solve the problem through diplomacy, and it is even more impossible for the protagonist to surrender and become a dog. If the protagonist can still write this kind of operation, the grassland nobles are SB, the roads are blocked, and people will only fight to the end. It depends on how the author puts the economic hook on the protagonist. I depends on how the author writes it.

Can you stabilize the character of the protagonist? In the beginning, he was an ordinary person who used cheats to get around but had a certain moral bottom line. I can accept this. Later, he turned into a careerist who was loyal on the surface but secretly used cheats to get around. There was no problem. Now it's better. The cheats are no longer needed, the interests are gone, and the layout is ignored. He wants to be a moral perfect person. I don't understand. Isn't the protagonist dormant in the middle just to wait for the opportunity? You can show weakness to the enemy in your actions, but you cannot be a true Buddhist in your thoughts. Are you pretending to be a pig and eating the tiger and really become a pig? It feels like the author wanted to be a paper framer in the feudal dynasty, but it got too bad and he couldn't stop it. He could only keep patching the protagonist, and forcibly set the protagonist to have no interest in zz and power, and just wanted to be a soldier 😒

The male protagonist only knows how to go with the flow. Was he a bastard in his previous life?

It's so time-consuming. How long did it take to write just training troops to suppress the Japanese? After dozens of chapters, there is still no exciting point that makes readers stick with it. The plot always revolves around machinations, but it is not shocking enough, so it stumbles, draws in and suppresses. When it comes to military, it's not enough, and when it comes to strategy, it's far from enough, let alone romance, and the protagonist is completely fake.

It is a very comfortable book to read. The protagonist of this book has a much better character than most of the protagonists nowadays. This is how people who have memories of their previous lives should behave.

It's really good, it has more than one million words, and in a real sense, it just took a Ping'er who has been a concubine. Sharp.

This is the first Red Mansions novel I've read where the original plot is better than the Garden Opera.

The writing style seems very comfortable, and it is a pretty good Red Mansion. I personally think there are a few minor flaws. The restrictions on plug-ins are a bit large. The number of loyalty points is limited and there is a cooldown. Moreover, this template currently does not seem to have any real bonus to the army's combat power. It is a bit too testing for the protagonist's operation. The author may not be able to grasp the plot later and can appropriately increase the plug-in strength.

Hey, I feel that the plot is getting more and more confusing. The protagonist is stepped on in the east and west. After being stepped on, he does not explain the consequences. Xue Pan just said a few words and put a pen on it, and it is over. Wang Ziteng is also inexplicable now. What about the follow-up plot? Also, Lin Ruhai has been offline for a long time. There is almost no trace of this person. He tells a lot of plots where the protagonist is defeated and then brings troops to the border. The co-author is that other people are crazy about the protagonist. The protagonist has no resistance and just goes to the border to bully the barbarians.

The protagonist is too twisted, I don't like it, so I leave.

The writing style is very comfortable, the characters are vivid and three-dimensional, the male protagonist is brave and resourceful, upright and kind, and will repay kindness. Although I have followed the military route as the main line in several Red Mansions novels, I have to play it slow and steady, and I won't be able to become a marquis immediately if I don't show off my extraordinary skills at the beginning. I have written some Yuanzi dramas, but it is rare that there is no pointless plot about promoting girls. With the help of Lin Ruhai, the scenes with Daiyu were laid out very naturally. I hope the author maintains his standards and the quality of his work.

After reading the first hundred or so chapters, I feel that there is nothing wrong with the plot, but the character of the protagonist is too twisted. I joined the army because I have a system, but I always emphasized that I wanted to live a peaceful and stable life. When I joined the army, I wanted to maintain peace, but it was only peace. I can understand the various party disputes and corruptions in the entire dynasty, but I just want to be a paper framer. It would be fine if he were a pure ancient, he would be a master of heaven and earth, but his mother is a time traveler. In short, he is very awkward. I can't understand what he wants to do, and I don't know how to shape it later.

It's over written. What kind of bullshit court is this? The warlords below are all divided and dare not touch him. It's not enough for someone to come forward to deal with the warlords. All kinds of conditions must be met. After everything is done, can we just sit back and enjoy the happiness together with the imperial court? Why do you want your court? If I were Wang Xin, I could directly separate the empire!

The chapters are too watery, 200 chapters in, and the protagonist still doesn't have a basic base. His old foundation is fighting. To be honest, the character is not likable.

Literary youth, father's disease, holding the Red Mansion flag and writing inexplicable historical articles, writers like you can't always distinguish the priorities of Red Mansion fans. If you really think you have the writing skills to write an alternate history, why bother to apply the Red Mansions structure so far-fetchedly?

Wen Qing, Wen Qing, no matter how good the writing is, it will be ruined if it suffers from this problem.

The Red Mansion is not like the Red Mansion, and it is not as empty as it is on the ground. Why do it look so different?

The writing is good, each character is relatively three-dimensional, and the broad social background and various ecological circles are reflected.

I got into trouble as soon as I read about the stock exchange. The first few hundred chapters were about human rights, equality and so on. But I turned around and realized that ordinary people are not smart enough to change. They need an emperor, so I can accept it. But then I turned around to a stock exchange. Why can't I accept it without an emperor? I can accept stock trading.

. . . . . . . . . . . . . . . . . . . .

I originally came to see the courtyard drama, but I didn't expect to be able to watch the battle of wits in the officialdom. Fast forward to the red ghost hovering over the Great Zhou Dynasty.

Chapter 567, Lin Daiyu is still not the heroine, the author of this strange, garlic bird garlic bird

Keep reading, come on, author!

Good-looking, unique work in Qidian Red Mansion

Logical and exciting, it is not just a superficial exposition, but also focuses on the deeper content in the development of events. The protagonist has very upright values ​​and principles, but the author describes the harsh environment, factional struggles, and the unpredictability of people's hearts very realistically. The author grasps this scale very well and does not make the protagonist look brainless. While highlighting the protagonist's own persistence in troubled times, he is also flexible. The plot is excessive and smooth, natural and not stiff and dragging. It is a rare good book

System text, can you add system to the label?

Are those big turbans awesome? At night, I dressed up as a Japanese pirate and killed several families to see if they dared to fart. It was still too pedantic.