The Ruins of the Imperial City, Opportunities Are Refreshed Every Day

The protagonist's father is like the protagonist's subordinate, younger brother, and a licking dog. It's really ugly.

I just read the beginning, and I wonder why novels nowadays always feature the licking dog being reborn, or being reborn into the licking dog. Are there so many lickers among readers today? Just write it like this to make them feel involved?

What kind of invincible logic is it to deliberately light a fire to allow the gangster to escape from your home and be discovered, so that the other party can fight and you can distance yourself from the relationship. Anyone who sees it will associate the gangster with your home, deliberately hiding the criminal, and an unexpected fire will expose it.

The long description of the inner drama is annoying. Also, every time I get something, I babble a lot. Why can't I explain it again when I get home and feel safe?

Let's talk about the bad points, first: the emperor is an empress, a lot of people mind it, but I'm okay with it. Second: The protagonist's predecessor, I'm talking about the predecessor, the Ouchi guard, who only practiced the Soul-Severing Knife, is better than ordinary people, the food is outrageous, I don't know how big the background is, and he licks women... Third: There are too many opportunities, 6, and then the protagonist has to repeat the content and ideas of the options in his mind, everyone will choose them... It's too watery

Dancing on the edge of the knife every time, why do you want to do this? Just forget it, take it for granted and want it at the same time.

Develop secretly and then set up your luck. At the beginning, you will be targeted by the empress.

I beat up Liu Baihu for more than ten chapters. It's really hard to beat Liu Baihu. Nothing written by AI is better than this.

It's a mess, but one thing needs to be admitted. The author has not opened the permissions. Compared with the permissions authors who just came out of the cesspit, this author just has a mess. I hope the author will work hard for his next book! ! !

No writing skills, no accumulation, no experience, three no writers

First of all, the first point is that I have watched too much of the Empress, and I am a little stressed. I am not saying that I look down on women. The main reason is that if the protagonist is not in the harem, there will definitely be some involvement, and it will be bloody. Then there is the woman whose surname is Tang, I have forgotten her name. It gives me the feeling of a low-level girl. In some cases, this woman's qi-gazing technique can be regarded as a kind of golden finger. She can watch the increase of everyone's luck anytime and anywhere without any cost. It can be seen that she can cut off other people's opportunities, and then she can stare at the protagonist from the first glance and she has been staring at him. I feel like she is the protagonist. There are other things I forgot, but they are all minor flaws anyway, but it's still pretty good and pretty.

Tang Wan'er is extremely poisonous

After reading the introduction of the novel, I lost interest 🙂🙂🙂🙂🙂🙂 Read more, read more newspapers, eat less snacks, and sleep more

A standard short story, the dialogue between father and son is not like father and son, but more like a dialogue between brothers. Secondly, the changes in luck. In a world that has not yet recovered, it is very problematic for a princess's maid to see other people's luck so accurately. It is even more unnatural to be able to tell whether others are lying. Finally, a cult can break into the imperial palace, but then it doesn't even break into the inner palace. Is this reasonable? This cult is giving away? Another point, the most outrageous thing about the writing, is that the princess actually used the word "coin" to a small flag officer. The protagonist has no background, he is just a small flag officer in the imperial guard, and there are only ten people under him. At this time, seeing the protagonist's luck rising, shouldn't he be directly recruited under his command? Do I need to use the word "coin"? You have given him the title of small flag officer. Finally, this princess appears too frequently. It's like you don't know what to do. Your country is almost gone. The emperor is recovering from his injuries. You, the princess, are still running around because of things outside the palace. Isn't it the most important thing to deal with state affairs? In addition, is there only one cult in the country, the White Lotus Sect? If it's just like this, how can the country be in danger? If a cult can bring down the country, why don't other countries from outside come to beat you? Are there no rebels inside the country? Aren't foreign countries watching covetously? How can a princess hold up this country? Can she rely on a female official who can see luck? There are cults around the palace, as well as the army, and the princess in charge of power. Don't you have military power? Don't other princes compete for the throne? When a cult attacks the palace, a princess comes to the rescue. As for the other princes, even if they can't win the throne, it's okay to record a great merit. Does the princess need to win over a small banner official? Shouldn't she win over the six ministers and other princes who have no chance to win the throne? Does a cult need a princess to often step in to deal with it?

When I saw Everyone is Like a Dragon, I knew I shouldn't read this book. But anyone with social experience knows the problem of resource allocation. Isn't it just that a few exercises can make everyone like a dragon? The problem of resources is average in the world? Primary school student author identification completed

The writing is poor, the logic is confusing, the common sense is lacking, and the nine-year compulsory education is not up to standard.

I couldn't figure it out in the first chapter. I wanted to start with a licking dog, and then I could become a guard of the imperial city if I was submerged, and I would start with an empress. Is the author afraid that he will starve to death?

It's the Empress again. When I see the empress, I will know your fate just by looking at Wu Zetian. How much face do you have?

Apart from practicing and being passive, I have never seen you take the initiative.

The so-called gluttonous method has too many logical drawbacks. Things on the earth level cannot even be promoted to a small stage in the human level. So how do you get to the highest level? Is there a highest or the highest above the highest level for you to devour in order to reach the highest level? According to this logic, this book may not reach the end.

A hint of tomato. Keep repeating routines

I especially want to know what the author knows about everyone being like a dragon.

Where is Shennong?

It's been like this again and again. Why should we imitate Xiao Yan's tricks to save people? I was getting annoyed and getting more and more frustrated. The whole story was about taking chances and PKing the boss. After the PK, another one came, and after the fight, another one. After the PK is over, change the routine and come directly to kill. If you are so desperate, you have to retreat until the last moment and the person is almost dead. If the fourth level comes to kill you, you will go find someone and ask someone to kill you hundreds of thousands of people to hold you back. When they call in, they still don't respond, and you still have to wait for someone to come find you. Is this practice in vain? No sense at all?

I know you wrote a new book, but I only felt like I've read it after reading three chapters!

After reading dozens of chapters, it's too narrow-minded. The only chance to improve the earth level is through elixirs. Weapons, techniques, pets, spells, nothing.

If the upgrade is slow, don't write a gold finger. It's useless. The protagonist is slow to upgrade and can't reach a higher level. So what's the use?