Ruins of the Imperial City, Fortuitous Encounters Refresh Every Day

I just read the beginning, and I wonder why novels nowadays always feature the licking dog being reborn, or being reborn into the licking dog. Are there so many lickers among readers today? Just write it like this to make them feel involved?

What kind of invincible logic is it to deliberately light a fire to allow the gangster to escape from your home and be discovered, so that the other party can fight and you can distance yourself from the relationship. Anyone who sees it will associate the gangster with your home, deliberately hiding the criminal, and an unexpected fire will expose it.

The long description of the inner drama is annoying. Also, every time I get something, I babble a lot. Why can't I explain it again when I get home and feel safe?

Let's talk about the bad points, first: the emperor is an empress, a lot of people mind it, but I'm okay with it. Second: The protagonist's predecessor, I'm talking about the predecessor, the Ouchi guard, who only practiced the Soul-Severing Knife, is better than ordinary people, the food is outrageous, I don't know how big the background is, and he licks women... Third: There are too many opportunities, 6, and then the protagonist has to repeat the content and ideas of the options in his mind, everyone will choose them... It's too watery

Dancing on the edge of the knife every time, why do you want to do this? Just forget it, take it for granted and want it at the same time.

The protagonist's father is like the protagonist's subordinate, younger brother, and a licking dog. It's really ugly.

Develop secretly and then set up your luck. At the beginning, you will be targeted by the empress.

I beat up Liu Baihu for more than ten chapters. It's really hard to beat Liu Baihu. Nothing written by AI is better than this.

A standard short story, the dialogue between father and son is not like father and son, but more like a dialogue between brothers. Secondly, the changes in luck. In a world that has not yet recovered, it is very problematic for a princess's maid to see other people's luck so accurately. It is even more unnatural to be able to tell whether others are lying. Finally, a cult can break into the imperial palace, but then it doesn't even break into the inner palace. Is this reasonable? This cult is giving away? Another point, the most outrageous thing about the writing, is that the princess actually used the word "coin" to a small flag officer. The protagonist has no background, he is just a small flag officer in the imperial guard, and there are only ten people under him. At this time, seeing the protagonist's luck rising, shouldn't he be directly recruited under his command? Do I need to use the word "coin"? You have given him the title of small flag officer. Finally, this princess appears too frequently. It's like you don't know what to do. Your country is almost gone. The emperor is recovering from his injuries. You, the princess, are still running around because of things outside the palace. Isn't it the most important thing to deal with state affairs? In addition, is there only one cult in the country, the White Lotus Sect? If it's just like this, how can the country be in danger? If a cult can bring down the country, why don't other countries from outside come to beat you? Are there no rebels inside the country? Aren't foreign countries watching covetously? How can a princess hold up this country? Can she rely on a female official who can see luck? There are cults around the palace, as well as the army, and the princess in charge of power. Don't you have military power? Don't other princes compete for the throne? When a cult attacks the palace, a princess comes to the rescue. As for the other princes, even if they can't win the throne, it's okay to record a great merit. Does the princess need to win over a small banner official? Shouldn't she win over the six ministers and other princes who have no chance to win the throne? Does a cult need a princess to often step in to deal with it?

No writing skills, no accumulation, no experience, three no writers