The Godfather of Comics: Radio Tokyo's Top Cartoonist

In that era, Demon Slayer was just a passer-by. Even modern Demon Slayer was supported by animation production, not to mention Noragami. It was really just on the roadside... You put these two comics over there? Where are the big comics guys? It's almost as good as fighting on the street 😅

It is understandable that Ichiro Sasan is used at the beginning to show people's impatience after the bubble burst. . . . . . Later, I couldn't find a job, so I bought the manuscript paper and wanted the male protagonist to draw a comic without any preparation. I was like a blind fly flying around, and the male protagonist agreed without any preparation (as if he didn't pay attention to the plot). Although there are some attempts to make up for it later or to highlight that Ichiro is like a drowning person trying to hold on to the hope of life after the bubble bursts, but =_= this kind of person who looks irritable and has an unstable mentality. After all, I personally feel that he is the only one who brings impatience and speechlessness to the male protagonist and the Holy Mother (without thinking).

After reading the first four chapters, the writing was very messy. Many things that are self-explanatory in the book were not shown to the readers, causing the readers to have no sense of involvement.

Seeing it so far, it feels very bland, but overall it looks good.

How come someone of this type can be stained with Lily Dolphin?

The writing is a bit weak, it feels like I was writing in a jittery way

It's a bit miserable, I'm the only one 🤔

Um, it's pretty good-looking, but the writing is a bit weak and looks messy.

When I searched for comics, there were 11 out of 10, and they were all in Tokyo, Tokyo, Tokyo. I'm curious, can't I write in China? Or is it that Hong Kong can't be visited?