Big Han: the Disaster of Witchcraft at the Beginning, I Will Fight Hard Against Han Wu

Is what I said wrong? Is it because I didn't give you a monthly vote? You just started writing, but you couldn't help but delete other people's comments without saying that what you wrote was wrong

Kill your son, kill your daughter, kill your wife, kill your uncle, kill your grandson, give yourself a family-wide entertainment. I suspect that Liu Che has a serious mental illness and personality disorder. Even the emperors of foreign races are not so cruel 🙂

You have to understand clearly that the man behind the attempt to get rid of the prince's power was Emperor Wu. Emperor Wu just didn't expect that the prince would die.

With Liu Che's behavior, I really can't think of a reason why the protagonist and the prince can survive. Unless he does something more thorough and kills Liu Che, or else Liu Che kills everyone and then creates some kind of Sizitai, and then turns the protagonist into a villain who instigates the relationship between father and son and wants to gain power. After all, the protagonist is forcing Liu Che to admit his mistake. Killing his whole family in front of him is even more difficult for him to accept, because in his view, it means that you have to let him completely deny his life. This is unacceptable for an emperor like Liu Che. If you kill his whole family, he will give himself the motivation for revenge. If you kill him himself, he will feel that his life is right and he will not accept it. If you want to punish him, he will only put everything involved in this matter. He couldn't sleep at night until his whole family was reunited. Don't think that the Luntai imperial edict was an imperial edict to blame oneself. After reading the entire article, you will know that it was just a government announcement. In it, the turmoil in Chang'an and the tens of thousands of people who died were dismissed with just one sentence of "treacherous ministers messing around." As for why the traitorous ministers did this, don't ask. There is no intention of admitting mistakes. Until the Song Dynasty, no dynasty classified the Luntai imperial edict as an imperial edict to blame oneself.

If you fail to convince Emperor Wu of the Han Dynasty and still mutiny, wouldn't all your previous preparations be in vain? After writing so much foreshadowing, I read them all. The foreshadowing for you now is that you have not grasped military power, you have no confidants, and you have not won over anyone. You are still the same people in history. And you also threw yourself into a trap and scolded Emperor Wu of the Han Dynasty. You are equivalent to throwing yourself into a trap. Then Emperor Wu of the Han Dynasty did not wake up by scolding him for doing this. Then I want to see now, how do you write whether the prince succeeds in making a comeback, or whether the prince fails, and then you start a rebellion?

In his later years, Liu Che has turned into an evil dragon hovering over the empire, using his aging and huge body to guard his greatest treasure - his posthumous name. Anyone who tries to touch this treasure will be mercilessly devoured, even the person he once loved most. The dragon's saliva turned into demons and devoured the flesh and blood of the people, nourishing the immortal ambition of the old emperor. When the sun, which had never set in these decades, discovered that his son wanted to be Hou Yi, the demons immediately pounced on the once-high-ranking prince, while the old dragon secretly breathed out flames to cleanse the earth, and shed a few more drops of crocodile tears.

There is no way to persuade people like Liu Che. The only way is to mutiny.

Hahaha, there is a high probability that I will guess it. When I saw the titles of "Lucky Coin" and "Strengthening Han Wu" in the first chapter, I thought the author might use superstitions to make Emperor Wu of the Han Dynasty "admit his mistakes and reconcile". Whether it's a bad round or not depends on the author's ability. Actually, I think no matter how round it is, it will be lame, because the cruel political struggles in history tell us that there is no turning back when the bow is fired. Either you have to learn from Li Shimin, who conquered the world by himself and had substantial authority, so that he could have an emperor or abdication, and these are very rare; once the internal struggle breaks out and things are not done, it is just waiting to dig his own grave. It is impossible to try to get back together. Therefore, no matter how round the protagonist is, it will be crappy, and it cannot speak to the majority of more rational readers. I think the author's approach is not to get too carried away and think that he has made up some reasonable logic and write it in a big way in an attempt to convince the public. Otherwise, it would be child's play to simply skip the rebellion and it may not be a good method. Right now, I personally think it's nonsense. Looking at the comment section, it seems that the recent controversy has been relatively large: maybe we can make a quick transition, and then start a new climax plot to attract readers to divert their attention, so that there will be readers who like this book to defend it. Finally, why are so many of the sons of princes in time travel? I wonder if there is anyone who catches a cold and is frowned upon by the world. If he directly time travels and becomes a prince, he successfully rebels and directly kills Emperor Wu of the Han Dynasty, it would be a good idea to have a Han Dynasty version of the "Sand Dune Revolution".

Unless the Xiongnu were defeated, Emperor Wu of the Han Dynasty would not believe that his strong man was dancing on a wire rope. The big man was in danger, his wife died, his son died, and his daughter died. He definitely regretted it, but he had to wake up after the Battle of Tianshan.

This time I discovered another thing. I feel that you have gone off topic again. What you wrote is about the theme, you are against witchcraft and want to save yourself, but you also pretend to be a ghost and pray to God for rain. Aren't you just slapping yourself in the face?

The author has an outline, so far. It just looks a bit awkward, and it can be considered poisonous. An alchemist pretends to be a magician and fools the ministers into believing it. The protagonist performs miracles one after another. Or is it in full view of everyone that he forgets about them after seeing them? Then he pretends that nothing happened and does whatever he should do. He is so loyal to other princes? Just to help fight for reserves. This is ancient times, the emperor is just the emperor, even if you look at modern miracles, there are not so many cults and brainwashing. . . . Will it improve in the future? Although the tone of Goldfinger's book is that Brother Flathead is blaming the sky and the earth, we should also change some new NPCs and give them some normal reactions. Don't keep following the fixed procedures of the old NPN. .

In fact, Liu Zhi's only chance for a comeback was to kill Emperor Wu, but this was almost hopeless. So I think the protagonist might as well wait for Huo Guang to pull him in later. 🙂

Prince Liu Ju was a great threat to Liu Che. Liu Che had set up a plan for Liu Ju from Yao's mother's sect. Yao was an ancient sage. Liu Che, Yao's mother's sect, clearly told the world that Liu Che wanted to kill the prince. In all likelihood, the disaster caused by witchcraft was one of the methods used by the Han Dynasty to add fuel to the flames and target the prince.

In his later years, Emperor Wu had completely become a slave to power and lost his humanity. Unless you do what Li Shimin did, you can't change him.

You keep saying it's auspicious and auspicious. What can you do if Emperor Wu doesn't recognize you? Emperor Wu became extremely comatose in his later years. If he wants to live, he must rebel and kill Emperor Wu.

I took a look at the comment section and it was pretty lively. They were all normal comments. I couldn't stand it after reading three chapters. It felt like someone was deliberately trying to find trouble with the protagonist and use his cheats and imagination to fight wits and courage. Personally, I felt like it was like a god. It's boring to watch the protagonist dodging at the limit. It's a classical agricultural society, plowing and planting, and planting rice in the south. It's so tiring. Agriculture has been very important since ancient times. The protagonist takes out a plow and movable type printing (can Being able to be protected by aristocratic families (cough cough) will give you a righteous defense to take a breather. Looking at the introduction and the three chapters I have read, I guess the plot is like a turn-based game where the powerful or famous are forced to talk and fight, spending time in the court. Isn't it good to take a breather from the crisis and go to the boundary between the grasslands and the Central Plains to engage in woolen business and develop one's own power? Who dares to say that you have entered the door with your left foot or that you are not like a wise king and compete for the position of emperor or prince with a strong army or a large industrial power? Even if the reality is more outrageous than the novel, the emperor insists on having a protagonist. Enemies come one by one. The protagonist's knowledge and knowledge are the reincarnation of sports students, right? He doesn't know anything. I just read a book the day before yesterday. The patch was very good. He just set the protagonist's sports specialties and didn't pay much attention to anything else. The nine-year compulsory education is as useless! Agriculture, industry, production and life, if you pretend to be a sage and write in front of others, production and life will be threadbare! In this book, the emperor is so awesome that he has to be the protagonist, like in the news, Europe and the United States are trying to get us, (the enemy is strong and they can't take detours, etc.). The emperor's awesomeness is not a foil to the aristocratic family. At the most extreme, he recruits a group of people, ahem, a group of world maps, specialties from various places, and uses those knowledge and knowledge to create them. When the protagonist enters the palace to "see" the emperor, someone will come out and say that it's cold and he should put on more clothes. The door to the palace is no longer obstructed. In front of the emperor, he should say, "Father, why are you sitting where I am?" That's not very good. I'm very shallow. Cognition, after reading three chapters, I couldn't help but spray these. By the way, the imperial power doesn't go to the countryside. Even if it goes to the countryside, things in the world are still interests. Can the protagonist bring a big cake? Does he still have that kind of phobia of insufficient firepower? Is there that kind of crisis-ridden feeling? Now it's just hard work.

Nonsense, just rush in, kill them all, leave no one alive, then start industrialization, talk nonsense to them, chop it off, chop it off.

The protagonist's tricks are not as bad as those of the natives (Liu Xiu)

Without Huo Guang, the Han Dynasty would be really miserable. I read on Zhihu before that Huo Guang's end also left future powerful officials with no choice. If he didn't usurp the throne, he would die.

And the eunuch book 😥 I just found out that you were in the book and I'll take a look at it, it's still a eunuch.