Starting from Mistaking Li Chengqian for His Uncle

Can a talented person like you leave the palace every day? Why do I feel wrong? There is a chance that Li Chengqian will meet the protagonist when he leaves the palace. You, Wu Zetian, are a harem concubine. Why can you leave the palace and meet the protagonist outside? How many times? If he hasn't entered the palace yet and doesn't bother to say anything, it has already been proven that he is a talented person. In name, he is already Li Shimin's little wife. Still outside the palace, he frequently sees the protagonist? Are you giving up your brain for a woman?

I don't understand Qin Qiong's part. The protagonist knows that money is not as important as power, so why is he fighting for those shares? I'm really convinced, and it's obvious that the protagonist doesn't have much background or background. He started talking about 10% of the shares, and showed no sincerity at all. I really felt that the protagonist didn't want to get things done. At this time, asking for 30% to 40% or even 50% means that the protagonist at least has the backbone to face powerful people, and then the other party will bargain for six or seven levels, accept it when it is good, and sell it to the powerful person on the other side to save face. This opening of the first floor really doesn't take the opponent seriously at all, and when I talk about the first floor, I feel aggrieved to death. Why not ask for help and resign myself to fate, and let the family live in death row It is said that those who understand the current affairs are heroes. Not to mention that even if the six or seven floors of shares are given, the remaining three or four floors are probably enough for the protagonist and his family to be prosperous and wealthy. Even after making money later, the powerful may even want to take the remaining three or four floors, but I estimate that the money will be enough at that time. If the protagonist is still an ordinary person at that time, then the remaining three and four floors will be given to them, and they can pack up the family and find another place to develop. If the protagonist has the identity, then the other party on the third and fourth floors will probably not be so confused. Even after you have money, even if you don't want those three or four floors, will you be suffocated to death if you don't sell tea? The protagonist is not a god, even if he is a time traveler, he is just made of flesh without a system I feel that the behavior in this plot is not spineless, but purely stupid.

You have now given Li Chengqian a plan to suppress Fatty, and you don't want to get involved too deeply. Even if Fatty doesn't become emperor in the end, the period between Li Chengqian being dismissed and Fatty losing his last chance will be enough for you to die ten times.

Qin Qiong, please revise this paragraph. I sincerely advise you to quit.

Reopen it, buddy. . . . As soon as I read the first chapter, I felt like it was so poisonous 😥 that I couldn't watch it anymore.

After reading more than twenty chapters, I got the feeling that the protagonist is a time traveler? No social experience? It is unavoidable in modern times that assets plunder laborers' houses, but in ancient times there was no problem! The main character's behavior is really confusing. . . .

The protagonist is indeed a bit miserable in the early stage. Those who say that power is greater than money are suppressed by power, and those who see everything clearly are oppressed by the world. If he had not met Li Chengqian, he would have been depressed.

Li Chengqian: I have a "satisfactory", but I still need a "fulfillment"... (Looking at the protagonist with bright eyes like a platypus)

Xu Hui really wants to enter the palace? Then your book comment area will be lively 🙂

It is recommended that newbies avoid serious historical texts as it will be difficult to get confused.

Why are today's novels all about business and making money? Either selling tea or selling wine! Make glass!

As a martial artist, you'd better not have anything to do with the protagonist. If this is the case, the book can be thrown away.

When writing about family daily life, the traces of Dafeng are too strong.

Also, there are too many women, and their characters are all similar to those that have appeared many times in other books or anime, which is very likely to be used to enrich the plot.

No details, no plot, no content, a typical three-no work.

Deliberately creating conflicts. Readers are here to read refreshing articles to have fun, not to find sadistic stories.

Don't be too ignorant, otherwise I really won't be able to support you. The opinion of an old bookworm