Great Ming: I Can See the Prompts
大明：我能看见提示词
- Status
- Completed
- Length
- 735k Words
- Genre
- Historical
- Subgenre
- Song-Yuan-Ming Dynasties
- Updated
- 1y ago
- English
- Request a translation
Synopsis
Stats
272Chapters
1.5kRecommendations
27.7kFans
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In booklists 1
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Reader comments 11
Google Translate
Zhu Yuanzhang could never have been benevolent. All the writings claim he loved the people, but historically, how many civilians did he kill? Are you kidding me? Rebellions were most frequent during the Hongwu reign. You could only say he was quite cruel, and his ideology was family-oriented. What difference does that make with aristocratic families?
Sometimes I find it laughable that novelists like to show off their use of punctuation when writing in classical Chinese. Although ancient times lacked punctuation marks in the modern sense, they used conventional characters as beginnings and endings, such as: , , , ...
Treatment of smallpox in ancient times
The first chapter describes treating smallpox, something that can't be claimed to be cured in today's society; the only known cure for smallpox is supposedly growing beans to provide immunity.
The eldest son of three generations, who grew up with Empress Ma and Zhu Yuanzhang, still had to find evidence at the beginning. As long as there was reasonable suspicion, he could forcefully punish the Lü family.
Zhu Yuanzhang only treated his descendants and family members well. As for the common people, they were merely livestock raised by the Zhu family to produce food for them. 😁
Both Zhu Yuanzhang and Empress Ma knew that Lady Lü was causing trouble. Although there was no direct evidence, given their attitudes towards Zhu Xiong Ying, could Lady Lü possibly survive? While they couldn't execute her openly, there were countless other ways she could die suddenly.
Given the protagonist's position, these illogical and questionable points at the outset should have allowed Zhu Yuanzhang and Empress Ma to forcefully persecute Lady Lü. At the very least, Lady Lü wouldn't have had any other opportunity to do so.
It's alright, but the writing style is like playing house.
Why do almost all historical time-travel novels involve soul transmigration, and why do many protagonists have systems or personal spaces? It would be better to write about protagonists being able to travel between the modern era and the ancient era through time-space channels, since there is Einstein's theory of relativity as a basis for this.
Gu worms, and they even have backlash? Is that so fantastical?