Chinese Showbiz: A Director for Three Generations, Born Rooted and Red

I don't know what the author was thinking. The game starts with a dangerous premise, and you give the protagonist a backstory of being a simp. What's the point of that? You had to twist a mere mention of the past life setting into something poisonous.

The main problem is that the protagonist uses the film *The Eight Hundred* to block the Nanjing Massacre. *The Eight Hundred* itself is riddled with personal biases and fictionalized historical elements. How dare the author make a film based on it? Has the author even seen *Dongji Island*, directed by the same director, which also features *The Eight Hundred*?

I really don't understand why everyone loves to hype up Tian Zhuangzhuang? They all keep saying how amazing he is, but what exactly makes him so amazing? It's like they don't know anything about his achievements, but they just think he's incredible.

Cut it off, kid. You'll poison your uncle. You're not cut out for this.

I'm giving up on the 10 million yuan production cost for "The Maze of Hearts." Are you treating the investors like fools?

Stop writing about Liu Yifei! She's all over Qidian's entertainment novels, it's so annoying!

The opening three chapters are already poisonous: the orthodox directing department at Beijing Film Academy is in cinematography, full of great directors, while the directing department is a bunch of old-school French arthouse films. The author, about to be a senior, insists on switching from cinematography to directing, even stubbornly saying in the comments that he's "tired of carrying a camera…

I'm stunned. The first supporting actress is Yan Ni. Don't tell me about her younger days; I just want to ask, who doesn't immediately picture Tong Xiangyu when they see her? My suggestion is to cast Zhang Shaohua, the one-fingered Xuanyuan. 😒

You're accepting Yan Ni's stuff? You're so desperate! Your taste is terrible. Goodbye!

The premise is that he is Tian Zhuangzhuang's son, and the synopsis is very impressive, mentioning three generations of directors. Then, the story begins with a nightclub film... Let's not even talk about how the market hadn't fully shifted in 2003. At that time, in China, only Feng Xiaogang's commercial films were profitable.