My Daily Life Doesn't Need a Romantic Comedy

I read 14 chapters in one go. Pretty good. The starting point of the current decline of love literature is quite prominent. The only thing that is a little uncomfortable is that the setting of the male protagonist is a bit deliberate and stiff, with some old-fashioned basic settings. Let's see what happens later. The three female protagonists are all very unique, much more normal than those in the Tokyo setting. It is an introduction that is in line with the unsystematic and more daily life. It is a rare pure daily life when system/time travel literature is popular. The writing style is also good and there is nothing poisonous about it. Currently it has a score of 85+, which is worth watching, especially if you like this kind of daily love style. Of course, all these evaluations are based on the fact that all the female protagonists have been included. If you are speculating on stocks, I can only say that I will remove unfriendly books from my bookshelf.

Times have changed. The last time I was playing Karabichu and chatting with the author in the Internet cafe, now I am a college student after the college entrance examination. I don't have the money to read the starting point during the summer vacation. I didn't expect to come back and see that the author has changed his name and written. Time is indeed a sharp knife.

It is neither stock trading nor a harem. It is written in a GALGAME style and grows together to a point in time. Then the male protagonist chooses different people to write three endings, and everyone will win. The current number of words is also all in rotation, there is no excessive preference for anyone, and the scenes are average. It's very clear. If you attack someone with a hat, they will be clicked directly without any explanation. If it's either/or, you must draw a circle to attack each other. What type it is is decided from the beginning. I don't mean to praise myself for being deliberately innovative. It's the first time I've written a story about not being able to have a harem. The characters of the male and female protagonists don't accept this possibility. I only choose one and I feel sorry for the others, so I adopt this method. In addition, I am not a newbie. I only focus on results. I have completed 5 books in the site and outside the site. I gave up immediately on 4 books if the results were not good and I lost a few cents. I never lie to people. The current results of this book are no longer possible. It only goes up but not down. Watch with confidence. The background of the opening chapter draws on the life of the adopted sister, but that's all. You will know after a little reading.

Because this is determined by the novel mode. According to the author, the protagonist and the three heroines grow up together and finally write an if line for each one. The problem lies here. Take the game Sweet Girlfriend as an example. There are also three heroines. Each line can only choose one person. But in the game, the choice actually starts at the beginning of the plot. After making the choice, you will find that the plot of the other two heroines will be greatly reduced to weaken the sense of existence. Focus on the content of a single heroine and enter her exclusive if line. But this book doesn't work. The game has an archive where you can re-select the heroine to advance the plot, but the novel can only proceed at the same time, which means that the protagonist advances the relationship line with three heroines at the same time and finally chooses one of them. Isn't this just stock trading? Everyone will have an if line in the so-called ending, which has nothing to do with the main text. The galgame style writing mentioned by the author should open the if line after all the heroines appear, directly reduce the other two heroines to female supporting characters, and only focus on one. However, it is impossible to write a novel like this, which is equivalent to writing three books. According to the author, she will arrange an if line for each person, but that is the ending. For readers, the content of this book is the campus love between the protagonist and the three heroines. There can only be one ending to choose from. What about the other two? What is the difference between the so-called if line and the extra story? I'm afraid there is no difference. The if of the galgame game is to choose a character to cultivate feelings, but this book is to choose after cultivating feelings. I think this is no different from stock trading, but the author does not treat the characters differently according to their popularity. Let's talk about some more complaints. For this kind of campus romance, a single female protagonist is indeed the best model. If there are multiple female protagonists who are all lovable, this problem will arise, because the lovable female protagonist must be well portrayed and have her own personal charm. When you were a student, it was hard to imagine that. Women with their own thoughts and charms are willing to share a lover, but if the heroine who spends so much pen and ink is not accepted in the end, most readers will definitely be dissatisfied. Therefore, in my opinion, if you do not intend to accept the heroine, you should control your pen and ink and not describe and shape the character too much. If it is a single female protagonist, there will be no above problems, but the problem comes again. It is more difficult to write a plot for a single female protagonist in a romance novel, because there are not so many female protagonists with weird personalities to develop the plot, so there are advantages and disadvantages. I haven't read this book yet. Although it really appeals to my taste, and the heroine is pretty good, I just want to forget it if there is only one ending. It's better to get out of the relationship early, otherwise I'll feel uncomfortable when the time comes

In terms of plot, it feels like the stepsister wins. This unexpected setting attracts the hero's attention. If she is the step-sister without a name, it is just a family relationship, but her name is very important at first glance, so she is definitely the winner.

The writing of the if line is far worse than before it was put on the shelves. The if line is especially not suitable for an author like you who has no detailed outline. My evaluation of the if line is that it is abrupt. I can't see the reason why the male protagonist chooses the female protagonist of the if line instead of others. It can be said that It completely avoids this point. It only describes how the female protagonist likes the male protagonist in the if line, and the feelings of other female protagonists towards the male protagonist seem to be wiped out out of thin air. It is really just because of this jealousy that this dumpling is made. This kind of logical loophole makes me really uncomfortable. If before the if line, the heroine has no feelings for the hero, this ignores what others have said about the past, but the problem is that the favorability level is full. As a result, in the if line, except for the heroine in the if line, everyone else seems to have suddenly given up on the pursuit of the hero. What is the meaning of such a victory?

I think we should find a nanny for the male protagonist

Personally speaking, stock trading means Shura Field, and what follows is a very sad plot. Both harem and single self are acceptable. I think stock trading is the kind of multi-sided pulling and pulling. One moment you are this boyfriend, another moment you are that boyfriend. You engage in ambiguity and pulling, and you end up with one of them, which hurts the others. It is inevitable that there will be a disgusting plot in the middle. The male protagonist wants to have a harem, but the author won't let him. So why write this kind of plot? The two most impressive books were named and criticized, "My Girlfriend Comes from the Future" and "I Really Don't Want to Be Reborn." Take Lao Liu's book as an example. Many people have read it. Chen definitely wants to have a double harem, and even some female lovers. At that time, the plot and character design of the two female protagonists were indeed not good, so it is understandable that they both won. The female supporting role is handled very well. But Xiao and Chen handled it very poorly. Not to mention the funny child-swapping plot, the compromise between the two women who had a grudge against each other in the end is a double win. To me, it was a bad ending. It was hard to accept that it was a mess at the end. I like Shen more. Even if Lao Liu cruelly abandoned Shen and downplayed her and only wrote about Xiao, I can accept this ending. I felt that the plot was really out of control at that time, so I had to write it with a firm scalp. You said that it is okay to use if lines. The if I can accept does not have a stretched if. Don't be like that where multiple female protagonists have been fighting each other for a long time, and you and the male protagonist are separated and reunited, and then you only engage in if when the male protagonist finally chooses you. This is how disgusting stock trading is. I think a better if is when both parties feel that the relationship has been established, and they immediately open a timeline. In this timeline, the main thing is to write about the relationship between the two parties, and slowly downplay the other people. The heroine is finished. Just open a new volume and start writing a new world line from this point in time, express your rejection at this key node, and then write a timeline for the heroine. For example, in Chapter 100, the relationship with my sister is in place and the relationship is established. The others slowly fade away and exit, and then the sister line ends in Chapter 200. Then Chapter 201 returns to the point of Chapter 100, rejects the younger sister, and then develops a schoolgirl. . . And so on. I think this kind of calculation is the if. Just express your own opinions and communicate in a friendly manner. It's a two-way choice. If it doesn't work, just try the next one. The important thing is that the author writes according to his own plot and does not let comments affect the plot. "My Super Power is updated every week" It feels like I'm being coerced. In fact, there is an audience for whatever you write. Don't try to please both sides. Just want both. "My Girlfriend is from the Future" feels at least unaffected. Although it is not entirely to your liking, I really like the parts I like.

Generally speaking, stock trading is not good, but this time is different, speculate, speculate hard, not only write a single line, you can also write a double line +1 losing dog, a single line +2 losing dog, a three-line hatchet, harem, single, 3+3+3+1+1+1, twelve types The ending can be written in twelve chapters, and can be read as a galgame. You can even add a dlc at the end, or expand the story of The Fourth from Heaven. This is how the old devil reincarnation guarantees the quality, but if the results are not good on the shelves, it may be a eunuch. . . . (Update, update me hard, how can I spend money if you don't update, take my money and write!!!)

I took a look at the comments, is this stock trading?😰