Dimensional Hotel

Just draw Irene

100B on the first floor, I wish Big Eyeball's new book a great sale!

Since the protagonist's name is Yu Sheng, let's start with "Together for the rest of our lives"

1. Mr. Yuantong, can you tell us what the story of Hotel Alien is? Without spoiling anything, it is a relaxed and happy story. This book is written in a more free-spirited way, and I kind of found the mentality that I had at the beginning when writing a book just for fun. So I just hope that the book will have a more relaxed tone as a whole, that is, the protagonist group and his gang, and then go around to cause trouble, and then solve the incident everywhere, and then open up such a story. It should be a, how should I say, a story of team adventure and puzzle solving, specifically It can be seen as a story after the world line of Embers of the Deep. The worldviews of these two books are indeed the continuation of the world. And the new world of Embers of the Deep is designed by Xenodu Hotel. There is definitely still a big crisis in the whole. But I plan for the protagonist group to be relatively free of this big crisis in the first half of the book. In the later period, there may be some links with the worldview or plot of Embers of the Deep. This can be spoiled. So there will be some specific linkages later? Yes 2. Hu Li and Irene are the ones who have put more energy into the characters other than the protagonists, and Irene is the one who has devoted the most at this stage 3. How did you come up with some interesting plots for characters like Hu Li and Irene? The premise for me to write this kind of character is to pursue rationality. You first set him as an unreasonable race, a very wonderful race, and then imagine how this race usually lives under the premise of this setting. At this time, you will naturally write such an abstract image, such as Irene, for example, her doll, the doll requires a production process. Since she is made, the process of the production process can definitely be transformed, since the process can be transformed. , Then her materials can be transformed, which is the current idea in the book. For example, Yu Sheng had the idea to use No. 42 Cement and rebar to build the next generation of Irene. 4. There will be many Irene and such plots in the future. Irene and Yu Sheng discussed it and felt that Yu Sheng was rubbing his hands too slowly. Then Irene gave an order to her other Irene clones to let them rub their clones, and then forgot about it. Guess what will happen when Yu Sheng opens the warehouse two months later? 5.​How did you come up with the idea of ​​combining this kind of comedy-oriented story with such a relatively weird worldview after the embers of the deep sea? ​Actually, I didn't make a deliberate combination. My worldview is usually decided long before I write a book, including the map, main characters, and forces. I just lay them out like a sand table, and then lay out the story inside. The story and the worldview sometimes complement each other. The story must take place within the worldview, but The executor of the story is each specific individual, and each individual has his or her own joys, sorrows, and joys, so these individuals can be very optimistic, have their own ideas, thoughts, and enjoy themselves in hardship. I think it is the happy life of these characters themselves and the comedic development of their adventures that match the overall background of the story. Heaviness does not conflict 6. Mainly, some characters are indeed in this state. Before setting, I arranged his character and personality, and then when the story developed to this point, I felt that he should have this reaction, without deliberately arranging it. His current character and his character are placed in this situation, and the atmosphere is here. Shouldn't it be done like this? Is it appropriate that Irene's atmosphere is already here, and she doesn't scold this street? 7. Many fans say that your works are actually very light novels, and then tend to be more nerdy, and then have a strong nerdy feel. Yes, including the portrayal of characters such as these inhuman creatures, you may have such a feeling. Are you yourself such a very nerdy person? ​Actually, I haven't thought about it that way. I just like this style. I don't know if it's home-style, but I do like this kind of more relaxed and family-friendly scene. It may have something to do with my personal hobbies. I watch too many heavy things (referring to life) 8. I am very satisfied with the name Sheng. I have been thinking about the name for a long time because it is too difficult to choose a name. The name Duncan is easier to come up with. When I came up with the name Yu Sheng, I didn't think too much. I just thought of a name related to life and death 9. Why did you think of such a story that opened the door at that time? ​This has something to do with Yu Sheng's true identity ​Where did the inspiration for this kind of door come from? For convenience 10. Are there any commonly used methods for setting characters in novels? Just write a story about a person who you think is interesting. The premise for me usually writing a book is that it must be interesting. It doesn't matter whether the person is good or bad, whether his thoughts are good or evil. Anyway, the person must be interesting first. If he is not interesting, he cannot appear in the book 11. Apart from the protagonist, the character you are most personally satisfied with at the moment is Irene? What do you mean by this book? Irene and Hu Li are the same. I am most satisfied with these two, mainly because they are very suitable for making trouble 12. Who is the person responsible for making complaints in the current work, Yu Sheng or Irene? ​Neither of them is the one who makes complaints, both of them are the ones who make complaints, and the ones who are responsible for making complaints are the readers 13. My biggest hobby is reading chapters and talking about them. I usually write the jokes wherever I want, and I don't have any careful planning when writing the jokes 14. Part 1 In this book, Duncan Alice and Goat Head form an iron triangle, so to speak. Then in Hotel Alien, Yusheng Irene and Hu Huli, they also form a triangle. Why are there always such combinations, whether by accident or on purpose? Three people are more suitable for doing things, and they are easy to fight and retreat, and the scene is easy to unfold. If there are too many people, it will look chaotic. If there are too few people, there will be a shortage of manpower. Of course, it is not necessarily a triangle combination, because in fact, the last book cannot be said to be an iron triangle. The characters that appear in the last book are usually 4 to 5 people. In this book, I deliberately reduced them to control them to Yu Sheng, Irene and Hu Li. Why... Is it because there are too many people? No, the main reason is that the adventure scenes in the early stages of this book may be relatively small, and there is no need for such big scenes. Later, there may be a situation where a large group of people take adventures together 15. Which of the doors that have been opened so far, and the world behind them, is more troublesome to consider or plan in advance? It should be the world of cultivating immortals. It should appear soon. There should be more scenes and more fun, including the senior brother who was hung up and beaten 16. The senior brother will also appear, and he will know the truth at that time (in the alchemy furnace) 17. Just now, Teacher Yuantong said that Yu Sheng's naming took a lot of thought. What about Hu Li and Irene? It took a lot of thought, just these three, no matter how much it is, it is basically a face-rolling keyboard or a generator Yu Sheng said, if there is a little bit of weight on the body, Huli can understand it, but what about Irene? Irene mainly thought of good ones, ones that sounded good to my ears 18. How did the plot in the novel come about, or did it come about through a flash of inspiration? Whether it is the main line or the branch line, the main line must be set in advance. The main line has been set when writing the outline. Most of the branch lines will be in the main line. It was mentioned when making the setting draft. Some small details in the branch line may It was a sudden inspiration. It is unrealistic to rely solely on a sudden inspiration to write a long novel. If you can't write it, if it exceeds one million words, you must make settings in advance 19. The name Xu Jiali is because I forgot to select whether it is a male or female when using the generator to generate it. Female 20. There are many scenes of the Secret Service. The Secret Service will always appear in most of the main plots because the scope of the Secret Service's activities is not limited to the border area. Later Yu Sheng will find that no matter how far away he is in the universe, he can do things. Find work for the Secret Service. The relationship between the Secret Service and Yu Sheng or the protagonist group is that they are cheated throughout the whole process, which means that Yu Sheng has to work overtime no matter where he goes to the Secret Service 21. Why arrange such an official organization to witness every one of Yu Sheng's...? Because it's reasonable. Do you remember what I said at the beginning? All the settings in my book that you think are unreasonable and censorious are actually reasonable. If you think about the big world setting, an official organization like the Secret Service must be monitored by all walks of life. And then according to the big world setting, A person like this who opens doors everywhere will definitely look for trouble in various places, so a person like this who looks for trouble will definitely cause trouble for the authorities everywhere, so in terms of setting, the Secret Service must wipe Yu Sheng's butt 22. When setting the outline, what reasoning methods are used for the plot and world view? I usually go for the big event, that is, I have set up an ultimate event at the beginning of the outline customization. This ultimate event is either the end of the world, or... Well, for example, a huge conflict in concepts, and then the entire main line is to solve this ultimate event. Then there will be some small difficulties and challenges in the process of solving this ultimate event. In short, the idea of ​​moving forward in the entire outline is to solve the problem. First, put a big and desperate trouble on the camera and then let the protagonist walk all the way in this direction. This is also very recommended. One method for new authors and those who want to get into the industry is to set up such an ultimate conflict and then let the protagonist walk all the way towards it. In this way, all the actions of the protagonist from the beginning of the book are to reflect the ending. In this way, when readers see your ending, they will also feel that it is foreshadowing and so on. It was buried very well and completely But in fact, everything has been buried from the beginning It must be buried well from the beginning, otherwise who has the ability to ensure that hundreds of chapters and thousands of chapters have passed and still ensure the echo? 23. Do you have any suggestions for new people entering the trap now? If you must join, you must be stable and your mentality must be stable. That is, when newcomers come in, they are likely to have a mentality, that is, I must be more successful or the story I wrote is so wonderful. Why don't you understand it? So my advice to newcomers is to be stable. The calmer the mentality, the better 24. The hotel will later be linked with works other than Deep Sea. Deep Sea is the world view of Xiling but has not been written. Facing the Xiling God System, it will be Will it happen again? The big-eyed answer is that I haven't thought about it 25. Yu Sheng's painting skills are as abstract as his big eyes. Yu Sheng has a little bit of the projection of big eyes, such as fishing and procrastination. He may have explosive updates at random. The inspiration for the motorcycle CP is a flash of inspiration, and it will take a long time to double update. He may code more than a thousand words in an hour, and the fastest he can code is more than 2,000 words in an hour 26. How long do you spend coding every day? The pure coding time may be more than six hours, not counting information checking, advance settings and drafting stages Should it be during the day or at night? During the day, I can usually finish writing during the day 27. The big circle is the junction. The junction has no fixed shape, so I will express it abstractly. The triangle in the middle is the council, and the small circle with the word Yu is the Yu Sheng family. Everything that is happening currently is basically around the Yu Sheng family. In a small circle, the three boxes are the Alice Cabin, the Astrology Society and the Archaeological Association. Only part of these organizations are within the scope of the junction. In fact, these organizations are only partially connected to the junction. A large number of their bodies are in other spaces. The negative layer is connected to the subspace. The junction is floating on this layer and can be seen through the subspace. It leads to the old world, which is the destroyed world in the Deep Sea Embers. It will still appear in the new book. It has been destroyed by the captain, but it will still appear in some form in the new book. They are actually connected to the junction, but no one knows about it at present. Only the captain knows that after Yu Sheng. To connect with this place, the way he connected was to open the negative layer. This was the biggest thing he did in the later period, which was to open the door blindly, and then he penetrated the junction. Of course, I won't spoil the specific process. That's all I can talk about at the moment. And many of the worlds where Yu Sheng opened the door before will not appear in this story, including The world of cultivators and the world of cyber elves are both in other places in the universe. The entire space at the junction is an abnormal area in the universe. Except for the junction, other cosmic spaces are normal galaxies, galaxy structures, and universe structures. They can use normal means of transportation such as spaceships or star shuttles to travel. Only the junction You have to travel through various special time and space channels or rifts or even rules. The old world is still there, really still there 28. There is no plan for CP at the moment. Yu Sheng and Irene are both good at game PK. Relatively speaking, Yu Sheng's operation is more human-like. Irene's main problem is that her hands cannot reach the full keyboard. Irene will be very difficult in the later stage. The great thing is that several puppets can be operated together. The captain will appear but not from the front. Since the hair loss problem of the big eyeball has not been solved, the hair loss problem of the puppet has not been solved either. There will be some farming development plots but it will not occupy the main plot (that is, it will not occupy the main plot). For example, Yusheng in the valley will really develop it into Base Camp, Deep Sea, I started to conceive of Hotel Xeno when I was halfway through writing. The character of Hu Li was inspired a little by a flash of inspiration, but more of it was written in a special way to write about the cultivators in my imagination, that is, how perverted can these people be after cultivating to the extreme. Will there be an overall collection of settings for these characters? Yes, but the things that may not be done can be put out like a set set. I just made a spreadsheet and filled it out myself 29. How to maintain a stable mentality during creation? The more you write, the more stable you become. When I first started writing a book, I was still very unstable as a young novice, but after more than ten years of writing, my mentality has smoothed out. 30. Can you give some advice to newcomers? Can you say it again? Just be steady. The biggest advice for newcomers is to be steady because writing a book is a very emotionally stimulating thing. New authors can not only mobilize their own emotions easily, but also be easily mobilized by the outside world, including book reviews, their own grades, what they write, and what they think in their minds. These gaps can easily affect your mentality. My biggest advice to newcomers is to be steady and not easily affect your original intention of creation. Don't get caught up in scoldings, public opinions and rhythms. Just write what you want to write 31. Will the Carnival of All Realms happen again? I have never thought about this. Although it is really good and I like it very much, I feel that this kind of classic thing is not that good if it is used too much 32. I feel like it is difficult to control the line now that I have an outline? It is normal not only for novices to feel this way sometimes, but also for those who have been writing books for several years. When writing a book, I often have an idea and this thing comes out. I want to write it or not and feel that I am at a loss. I finally made such a wonderful setting and I must plug it into the main line. If you plug in too many main lines, it will be gone 33. The setting that the beaver's tail can be retracted is set from the beginning. The beaver's tail with big eyes has a very detailed setting. The beaver is indeed the best at beating. Yusheng knows that he is not a human but he feels that he is one. The thing that the beaver and Lily have in common is that there are more ways to play with the tail. The bookshelf with the big eyes: Ring of Fate, then Hotel Dawn Deep Sea, Apocalypse Forecast, Ming Dynasty Imperial Master, this game is too real (big eyes are reading this recently), the days when I was a spiritual mentor in American comics, Transformation of the Heavens, Night without Borders 34. Nowadays, I watch more documentaries and popular science Reading, I have recently been obsessed with recharging and accumulating some knowledge. The documentary I am watching recently is a new BBC documentary about the ecology of the earth. I usually keep about 10 chapters in my archive 35. How to advance the plot? Can't advance the beginning written by a newcomer? It depends on whether the main plot has been completed in advance. Once the main plot is completed, it is actually good to advance the plot. However, if the main plot is not completed in advance or an ultimate goal is not set, this situation will easily occur. If your book has been written, quickly think of a big trouble that the protagonist has to solve 36. Now the main plot has actually begun, and some things involving the ultimate main plot and ultimate trouble have actually appeared. The dark angels will account for a large proportion in this and will be accompanied by the final big trouble.

After counting again, I have finished writing the fan and book circles posted above.

First of all, let me talk about what I think is the biggest problem. The previous Deep Sea by Big Eyeball is essentially an invincible style, but he wrote the protagonist Zhou Ming's puzzle solving of the entire world very well, especially in the beginning he used an ordinary person's perspective to view the extraordinary world. But in this book, I can't see that it is described directly from the perspective of an extraordinary world from the beginning, and he does not describe much about how the world itself works. This makes the reader's sense of exploration of the world view of the entire work much weaker, so its puzzle solving is not well written. Of course, if you can't write well about solving puzzles, you can also write about upgrading. The key is that the ability of this book is also biased towards the invincible flow, so it is inherently impossible for it to be a big impetus for upgrading. Then let's talk about the daily life of this book. After all, the daily life of this book is much more than that of the previous book. I think it accounts for about 40% of the whole book, but the interaction between the characters and the protagonist is not done well. Let's give an example. Let's say you are in reality. You essentially have unlimited means of production, money, and rights. Would you rather have someone with a sense of boundaries interact with you, or would you rather have someone with no sense of boundaries interact with you? The protagonist and a puppet next to him, this is a typical example of no boundaries. His puppet can actually hurt the protagonist. To be honest, I can't understand this. That puppet is like a blood-sucking leech, with no sense of boundaries. Of course, I am not very familiar with Big Eyeball. I read a small part of his previous book and the early period of Sword of the Dawn, but there was no such problem. What I remember particularly deeply is that in his Big Eyeball in the Deep Sea book, the portrayal of Vanna in the early stage was good enough. Although I didn't like the jokes about the sports students in the later period, Shirley's portrayal was also good, but in this book I completely I didn't see it at all. I originally thought he would give a good description of the role of Director Baili Jing, but now it seems that he didn't spend much pen and ink Let's talk about the fun part. I mentioned in the previous paragraph that there is no sense of boundaries, which itself weakens the fun point. After reading a book, even if the captain also has a doll, the doll respects the captain as a whole. There is a sense of boundary, even if he does not brag about how invincible the captain is or there are very few clips of himself bragging about how powerful the captain is, but this will not make people hate it. Secondly, the protagonist of this book has too much contact with official forces at the beginning. Sometimes it is difficult to understand how the officialdom has changed, and there are very few characters who appear. In the previous book, there were only Serifanna is portrayed as a judge and a bishop, but in fact, these roles show that there are many in a church, so the official in the book has his own majesty. Think about it, if you are in reality, do you want a person who knows nothing to brag about you, or a very majestic and well-established figure in society to brag about you? Would you feel more comfortable? To be honest, in the passages in this book that praise Yu Sheng, I even felt a little bit of a novice, so I didn't write it well. To be honest, I am a little bit disappointed with this book. I thought it could continue the previous book's good performance and summarize the advantages of his writing, and then continue it to his next book. Unfortunately, he didn't seem to summarize it, and I don't know how to write this book. Knowing how many words he has to write, if he had to write the same 4 million words as before, the performance of his book would be even worse. It is already bad enough now. After all, the first order was only 50,000, and I estimate that the current level of 50,000 is still far behind his last book. This can also support my own point of view. If he still wants to write a slightly shorter book, then I can only say that he should make a big change as soon as possible. In addition, he also said in the previous book that he wanted to write a few shorter books that could show more of his inspiration. However, the overall character creation is lagging so far behind. I feel like there is a problem. Of course, do you think there are any advantages? There is some, too. His own writing skills, I think, are almost online. Sometimes the description of the environment is quite delicate, and there is still a warm undertone as always. I feel that the writing is also very good. Does he have to fight and kill every day? I don't think so. Does it have to be so dark every day? I don't think so either, so I really hope that Big Eyeball can write a good book.

If you want to understand the Zero Quadrant trilogy (Dawn, Deep Sea, Hotel), you must first study and understand what the Great Annihilation is. The following is a little personal opinion. I will say it this way, and you will listen to it ~ ξ·ω·ʔ 1: The Spiral Rift Battle and the reasoning related to the Zero Quadrant The emergence of the Zero Quadrant itself is because of the Spiral Rift Battle. Previously, Uncle Tong and "The New Anomaly" The director of "Preface" did a Q&A live broadcast, and I snorted and asked about the Spiral Rift Battle. Uncle Tong's answer confirmed that the three books of Dawn, Deep Sea, and Alien are all based on Quadrant Zero. To put it simply, the five major gods of the void have gone through all the detectable universes on both sides of the void. My idea is that the "Spiral Rift Battle" should be a long-term large-scale campaign, and it will eventually be named after the place where the climax of the battle took place. The things that led to the Spiral Rift Battle are currently showing phenomena. Unlike the Abyss and its derivatives, it does not have the power to make things chaotic. It seems to exist entirely for destruction. Apart from the Abyss, the only thing that can make the five void gods jointly dispatch is the Void Cataclysm. That is, the asymmetry on both sides of the void leads to periodicity. All creations except void creatures disappear out of thin air, and the ultimate disaster in which the world restarts. Although the Void Bridge has reduced the intensity of the Cataclysm, it seems to have spawned a brand new Void natural disaster that is likely to be transmitted between universes that have been branded with divinity (such as the Merova people in the Dawn Universe, and the cross logo similar to the Imperial Servant Army in the deep sea). It is a residual natural disaster protected by the Void creature brand. Thus, in the universe that has escaped the great cataclysm, the reverberations of the void cataclysm still have the property of void return to zero and the tendency to annihilate the universe. This kind of disaster should be the culprit that leads to the "Great Annihilation", hereafter referred to as the "Great Annihilation Ontology" (I personally feel that the word Great Annihilation itself was learned by the people of the old age from the Imperial Servant Army, and then misunderstood it). This kind of disaster should have been brewing since the beginning of the Cataclysm. Just think about it, Holy Father finally found time to take the whole family out for an outing (after all, he had just finished building the bridge, and then the abyss broke out again. He needed to take some time to relax and relax. (The style of painting changed from serious to serious), and then encountered a series of unfortunate events. A new natural disaster in the void that was different from the abyss overlapped with the concentrated outbreak period of the abyss. The five major protoss were so distressed that they had no choice but to start sealing, controlling and disinfecting all universes in the void that were branded with divinity. Judging from the chat between Monina and the big goose at dawn, "The Battle of the Spiral Rift dragged hundreds of universes into the Zero Quadrant, and sentient beings' observation of these universes was greatly interfered with." The void gods "have not found a way to rebuild the waterway in this quadrant yet." I retain my previous idea that the Zero Quadrant is a "void bridge" in another sense, at least something with a similar nature. West, satisfying the properties of "both sides of the void cannot be accurately observed and cannot violently enter the Void Bridge" - the fragments left over from the universe that were driven over by the Void Gods and affected by the Great Annihilation ontology are probably the same as Hao Doudou, and are at the same level as the world itself/the heart of the world on the void level. That is to say, these universe fragments may have similar functions to the heart of the world, that is, what is necessary to open the void bridge. To deduce, it was probably around 7000 years after the Xiling Empire ascended to the gods (Chapter 1183 of the anomaly mentioned, "The Battle of the Spiral Rift Valley broke out 3000 years ago". As we all know, the anomaly occurred 10,000 years after the empire ascended to the gods). The sealing and eradication of the Great Annihilation ontology was progressing smoothly and was approaching completion. However, an unexpected event caused a large number of cosmic fragments affected by the Great Annihilation ontology to be destroyed somewhere in the void. The point where the Void Bridge is opened is the "Spiral Rift" where they gather (most likely within the territory of the empire). Just like what the Abyss Empire wanted to do before, it violently tore apart a semi-finished product of the Void Bridge, and uncontrollably began to inhale the universes adjacent to the void, trying to perfect the Void Bridge through the world hearts of these normal universes. The five major gods wanted to stop this situation, that is, the final "Spiral Rift Battle" broke out. As for the ending, the Great Annihilation itself was stopped, but Quadrant Zero was still taking shape. It seemed that the five major gods did not really solve this mess, but settled for the next best thing and controlled the disaster within an acceptable range. It was a bit ruthless, but necessary. Just like Lin Banxian said, one day, the survivors in the zero quadrant will rebuild a stable waterway and rely on their own strength to break through the mess that has made the Void Protoss miserable. The "Loren-Noi" fleet and the deep-sea "New World" are all part of breaking through the shackles. This is a miracle that belongs to mortals. Two: Reasoning for the phenomenon of "Magic Tide" in the Dawn Universe The battle of "Spiral Rift Battle" was extremely fierce. Some kind of attack could even directly hit the surface of the crystal peak and tear part of the crust of the North Pole. It can be seen that the enemy's attack It can destroy or ignore the divine defense, and the most important point: the attacked "Crystal Peak" planetary battleship is the frontline headquarters of the empire's psychic/spiritual warfare force. It can be assimilated by Sandora's divinity into the Soul Reaver Soul Stone, which at least shows that Sandora is still commanding the troops here all year round after building a bridge and fighting in the abyss. I remember Raven 12345 talking to Hao Ren, over-reliance on divine power may be harmful. As for disasters such as the Demonic Tide, which are carried by waves, I am afraid that Sandora lost control of its divine power in this battle. It was probably because the power of Eurasia was not contained when the imperial power of Eurasia was deployed to pull the enemy and explode. It spread to the universes with "adjacent" coordinates in the void. At the end of the battle, these universes were sucked into the zero quadrant, thus forming some kind of reverberation across the universe - Xilingli's spiritual attacks basically use waves as carriers. The deflection of the observation effect by the demonic tide in "Dawn" can also be explained as the reverberation left by a spiritual attack. To be honest, there is no similarity between Demonic Tide and Great Annihilation except that they both use waves as carriers. As for the God of Thoughts... I am afraid that it is a common phenomenon in the universe of the Zero Quadrant. It is a universal rule in the Void Quadrant that was born due to the Great Annihilation. Most of the dark angels in the hotel are also Gods of Thoughts. Three: Speculations on some phenomena in "Deep Sea" and "Hotel" For the new world created by Zhou Ming, the Great Annihilation is over, but the "Great Annihilation" is still chasing the new world. Mainly, the word "annihilation" is really interesting. I originally thought that the Great Annihilation might be a demonic tide in the void (I had always thought this way before the end of Deep Sea), but the explanation of the Great Annihilation in "Deep Sea" is that "universes collide with each other, and the different laws lead to incompatibility. In the end, the two "Double Annihilation" made me give up this idea and instead think about the meaning of the word "Great Annihilation" itself - the Great Annihilation in the eyes of people in the old world and the real Great Annihilation should be two completely different concepts. This is also the source of my speculation above. Is the essence of the Great Annihilation a cosmic impact? Not necessarily, this involves how Quadrant Zero was developed. The high probability of the Great Annihilation that Zhou Ming and the people of the Deep Sea Old World understood was the process when a large number of cosmic fragments affected by the Great Annihilation body collided with each other in the spiral rift valley, opening up the zero quadrant. However, the Dawn Universe, which also existed in the zero quadrant, was relatively normal, and not only a trace of embers remained, which formed a control group. This shows that for the void bridge in the Zero Quadrant, the hundreds of normal universes that were sucked in are actually innocent victims. They did not contribute to the end of the Great Annihilation or the stability of the Zero Quadrant. It is just that the rules of the universe have changed a lot, probably when the Zero Quadrant was opened. It has the characteristic of absorbing other worlds to stabilize itself, which is why these universes were affected - this also means that the universes of the Sen'jin people, Silantis World Tree... These civilizations have long been destroyed, and they survive in the remaining universe fragments after the worlds infected by the Great Annihilation Ontology were cleaned up and disinfected! Only "existences that have experienced the Great Annihilation have self-stability" and can build deep-sea shelters in areas where the aftermath of the Great Annihilation is shaking. The captain completed the "Great Annihilation" through the particularity of its inverse singularity, and as a non-Void God, completely completed the Void Bridge, stabilizing the void on both sides again. This also means that there is an explanation for the phenomenon of "deep red streaking across the horizon" seen by people before the end of the world - this should be the visible red shift of the universe caused by the rapid expansion of the inner space/quadrant of the new bridge at the moment when the collision of cosmic debris caused the zero quadrant to be opened up. Four: Some conjectures about what Uncle Yu is like From the perspective of "Hotel", the foreign land of the new world looks like a large number of descriptions, contents, concepts or laws of the same thing (in multiple world fragments with different underlying laws), such as the concept of "hunger", "fairy tales" formed by different stories, and "bridges" to the new world. These concepts A natural disaster caused by the abnormal superposition and enrichment of sexual things; The Dark Angel is different from the ancient Holy Spirit (that is, the god in "Embers of the Deep", who survived after the Great Annihilation, a planet-level creature with high void status and powerful individual power similar to Doudou). It was born from a huge number of ideological trends in the fragments of the world that were destroyed due to the Battle of the Spiral Rift. It is an interstellar and even universe-wide ideological god similar to "Sword of Dawn". As for Yu Sheng, it is obvious that he does not belong to the foreign land or the dark angel, but seems to be the product of the combination of the two. First of all, there is no doubt that he is also the "remnant" of the old age. The god of death "Batok" who originated from the deep sea world gave up and went to the remaining kingdom of God in the new world. His inherent ability is immortality (life and death before death): eliminate the impression of his own death by others who have not been touched by him; open "doors" to travel between any place in the world; bring things from outside the body and "infect" them into a part of himself. The ability to assimilate is very interesting. The final answer of this book must be to explain the source of Yu Sheng's "assimilation" ability. Let me make a bold guess - all the worlds in the zero quadrant have the same basis of existence, that is, they are affected by the Great Annihilation Ontology. Then Yu Sheng... Could it be the serum and vaccine produced by some kind of Great Annihilation Ontology that was naturally or artificially rendered harmless? I have always had a feeling that since the life in the world fragments has not been completely wiped out and there are still embers remaining, it means that as a first-level product of the void, similar to the abyss, the Great Annihilation Ontology will also produce an inert Great Annihilation Ontology similar to the Inert Abyss, which can coexist with the order in the void relatively calmly. So, it is possible that Yu Sheng expanded the concept of "death" in Bartok's Kingdom of God, causing all the inert Great Annihilation entities in the new world to gather in the Soul Wilderness, and the "foreign land" was born. As for consciousness, it is probably the captain who packed a copy of the Anti-Singularity Operating System and threw it away, or it was purely Yu Shengyi from the old generation who kept wandering around Bartok's Kingdom of God, and finally took advantage. The so-called "assimilation" ability should be to use the inert Great Annihilation Essence as a serum to inoculate the New World and normal order individuals, inoculate the serum for abnormal phenomena such as Dark Angels and Foreign Lands, and wash them from the inside out to make them immune/get rid of the Great Annihilation Essence. Although the negative impact is relatively large, the remaining smaller negative impact is almost invisible because Uncle Yu is relatively harmonious and anthropomorphic. In this way, the existence outside the new world is assimilated into a part of the new world - which is very consistent with the characteristics of the captain's new world running on bugs.

Hope Ling is in the second phase of the middle school. The emperor returns to his loyal Terra. Of course, the time travel is a comprehensive comic, as well as the harem, and some big scenes; Exception is entering society, and he must be a good civil servant, start traveling at public expense, and then chase his wife for thousands of years, improve the family position; Dawn, just entered middle age, of course it is hard work, look Hey child, when you were born, the whole empire echoed your name; Deep Sea, Daddy, I am the strongest; In the hotel, I am old and tired, so I just want to have a secret base, where I can do some work to ensure the harvest during droughts and floods, and go out for leisure when I have nothing to do, and bring back some cute little ones to raise (I am sure I am not a fisherman). It seems that the next step is to live in old age🤭🤭.

Pinched with SD, I have to say that AI pinching is becoming more and more convenient now...

Hello book friends, in order to thank you for your support of the physical book of "Embers of the Deep Sea", all readers who purchase the physical book on the Qidian app and attach a picture of the physical book to this post will have the opportunity to draw a gift package personally presented by Yuantong. Deadline: January 11, 2026, number of people to draw the gift pack: 2 people. The spree package can be extracted: theme backpack, theme USB flash drive, theme standing card, theme playing card, theme picture album, theme scroll. And please look forward to the follow-up activities related to the third volume of the physical book, there will be surprises. If you need to purchase physical books now, please go to surrounding shopping malls.