Detective Jerry

There are just no pictures, there are many movie and TV characters, and there is no character introduction. The character names have no characteristics. They look very confusing and you don't know who is who. The language segmentation is also very poor. The most poisonous thing is that the author himself does not check the information. There are a lot of special nonsense. It is obviously nonsense from a marketing account. Write it down seriously, such as the inheritance tax in the United States. Such common sense things, nonsense is the most disgusting.

Maybe it's because I haven't watched a few American TV series, and I feel like I'm jumping to the next scene before I can follow the train of thought, as if I'm watching a unit drama that I can't fully appreciate... There's no way to set up the time jump, and there's no description of the police training or rules when I first joined the job. I immediately wrote Goldfinger, and after finishing it, I skipped off work and met Rambo. At this time, the narration didn't have any character background to introduce who he is, tell the readers what achievements he has, what stage he should be in, how old he is, or even how strong his body is, etc. His face was paralyzed and his eyes were wide open, etc. Rambo said that he wanted to settle in, and then asked the protagonist to buy tools for off-duty electric cars, how fast and how powerful the battery car was, and he still ordered to buy one. At the beginning of the next chapter, John John's was really not connected. After turning two pages, it turned out It's been half a year... Isn't it that half of the content of the first chapter was deleted and posted 😠? I wrote it with a hammer here and a mallet there. I added whatever came to mind, so I simply joined the job and opened Goldfinger. I met Rambo after getting off work and met him half a year later. My memory is very strange. I only slept with the newcomers, ate a few cans and Snickers bars, the battery car was off duty, and I had some kind of personal pistol. When I looked back, I realized that I didn't even tell the police what weapons they used...

I was persuaded to quit after reading it before (especially the chapters about finding a girlfriend, where I only saw a greasy and humble protagonist). I subscribed to the last seven chapters to see if the author has made any progress, and found that the author is still enjoying himself, and the protagonist is always making soy sauce. Generally speaking, reading the author's novels is not as good as watching these movies and American TV series directly. The author has never figured out what the main plot is and what the readers want to see. The protagonist is so open-minded that I actually feel that the protagonist has no sense of existence, which is outrageous. Anyway, the author can see whether there are many people who subscribe and follow up, so he can only say goodbye to the next book.

I just finished reading the first volume. Personally, I feel it is average, just like boiled water. The author is a bit indifferent. Maybe the author is a fan of American dramas and wants to pay tribute to the characters in the drama, but this is the author's novel. As for the author's protagonist, he has no charm at all. He is a cute and cute new melon egg. He has a system but only a tool. There is no difference if he changes to another person. Qingmei plays the protagonist but it is in vain. No one wants the protagonist's confession, so what should the author use to attract readers, use characters from American dramas?

Alas, the beautiful drug police officer whom Bidong met for the first time drove me away.

The title of the book is American Police, but the author wrote it as a romance.

Why don't you use quotation marks in the dialog box? I feel obsessive-compulsive disorder.

It is recommended that the author simply write down the names of the movies and American TV series that he has connected in the introduction. I came here for the rookie policeman. In fact, the American policeman is a particularly easy subject to write about. The rookie policeman urgently calls for help, and the wonderful policeman and thief explore the criminal mind. There are many classic American TV series, and they are interspersed with various crime movies. It is really good to watch.

Not only every picture, even the plots between the same chapters are sometimes inconsistent, which is confusing to watch. There are also conversations between characters that are confusing to watch.

Then there is a lifelong enemy named Tom

After reading 10 chapters, I don't have any major faults, but it's uncomfortable and not smooth to read. The author's writing skills need to be strengthened.

At this stage, I am a little tired of reading this book. The timeline is messy, there are too many holes to dig, the plot is a bit taken for granted, and it is too compact. To be honest, I want to give up.

Is there something wrong with the author's plot line? The recent plot is getting more and more out of control I feel like I often skip large sections The story line seems very incoherent.

This doesn't involve transcendence, so why does the label have superpowers? Is it extraordinary?

The Hong Kong section is written like shit

The plot is too dull, the main character is still a street patrolman in more than 100 chapters, and there is no change in terms of money and women.

Can you write about bloodthirsty forensic medicine? The resurrected hero starts hunting down various serial murderers again.

A novel with no ideas of its own

The protagonist is either greedy for money or trying to pick up girls, so he needs to have some goals.

What's going on? ? Let the author speak out.