Didn't You Say This Movie Was Guaranteed to Lose Money?

I came here expecting a bad book based on the title, but after reading all the way to the "A Chinese Odyssey" section, the protagonist never lost out. On the contrary, he perfectly missed out on all the bad movies, even selling them off to other producers. There was no female protagonist system involved at all. You might as well just rename it "I'm a Plagiarist in Another World, Never Failing at Filmmaking, and Incidentally Sleeping with a Woman with a Powerful Background."

If you want to lose money, it's simple: just get the lead actor arrested before the premiere. If we're going to make anti-Japanese war dramas, then let's make an anti-China drama. Learn more from the current Spring Festival Gala, where the same old morals are repeated from beginning to end.

I've read 149 chapters so far, and I just want to ask, if you're the director, why are you so eager to act? You deliberately make some main characters disappear, and then when you can't find anyone else to play the roles, you just step in. You've played all the handsome ones, haven't you?

A Chinese Odyssey? Please don't touch Stephen Chow's movies. The chances of finding someone in a parallel universe who could replace Stephen Chow are simply unbelievable.

1. The villain is too brainless. 2. The female lead's family background and her interactions with the protagonist are too realistic, and then she becomes a "people's entrepreneur" and so on... The more I read, the more out of immersion I felt. I just want to see the main characters make movies, then analyze the story in various ways, and then watch the female lead's unconventional approach.

The "Truth or Dare" genre seems to have some flaws. I remember another book about truth or daddy that was quite popular before the confessions, but flopped afterward. Most readers of this type of book are either looking for a quick laugh or are just looking for a satisfying read; the fun is halved after the confessions.

The affair between Liu Xiao Ling Tong and Yang Jie is now being rehashed repeatedly, with conflicting accounts. The only thing that's clear is that the domestic media truly has no bottom line. In the current version, Liu is portrayed as being wronged, just like Huo Chunliang in the book, while Yang Jie is depicted as the culprit for the decline in quality in the second installment due to nepotism.

I didn't even read the content! I just wanted to vent about losing money. Does anyone in the world really think it's hard to lose money? If I had a system like that, I could make it kneel on the ground and beg for mercy!

My personal suggestion is that the male lead shouldn't just keep making films to make money; it gets boring after a while. There should be a balance of gains and losses, with the female lead's emotions fluctuating – that's what makes it interesting and fun.

Why not make a Balala the Fairies series and have Chu Zhongtian play Youle? He's the real lead!