Tokyo: I'm the God of Marriage

Neko Kaji, do you still remember? When you were a shrine maiden at a Japanese shrine making chewing wine, I often asked you to give me chewing wine.

Let me avoid a surprise first. I originally thought it was a unit drama about matching marriages, but it turned out to be about orthopedics. Although we are not close, 16 years of family relationship can turn into love. I can only say to be cautious. If you have brothers and sisters, you can think about your discomfort level before deciding whether to watch it. Okay, I'm leaving.

It is recommended that the word "marriage" be removed from the title of the book

Have you ever been a fox🦊? Just write it down here!

I still have this person's books on my bookshelf just so I can pop in from time to time to see how many he can read. I'm so impatient that I deleted my comment on the first book. I don't even need to change my vest to open the book directly. 👍

Still coming? The crazy eunuch then changed his vest and took the readers who recognized him for another 50 years?

I knew about eunuchs, but I didn't spend a penny, and I didn't even read them. I just wanted to see when the person showed his ponytail. It was like this in the last book. First, I made mistakes, then slowly updated, and finally stopped. Your reputation is ruined.

Everything else is well written, but I really don't understand the author's portrayal of Qingmei. The first one failed to confess to the person he liked and found out that it was a woman. The second one came to the protagonist and wanted to pursue the protagonist? So casual? It feels like a money-worshiping girl who can't stand up to a rich man and seeks out the loser she once liked as a child... Even if there is a buffer in the middle, your seamless connection gives people a feeling that the love of childhood is very cheap. After seeing a lot of sex life, I am really afraid that you will make a move in the future where the protagonist will immediately switch to other boys after rejecting it...

It seemed like I had seen Chapter 54 in one go, and I couldn't stand it anymore. The author is very capable, but the portrayal of Qingmei is a bit poisonous, I can't say poisonous, it just feels a bit inappropriate. She first confessed to the person she liked, but failed. Then she said she liked the male protagonist, which was very abrupt and casual. She gives me the feeling that her feelings are cheap and casual, and she is really not worthy of the position of a heroine. When I see her plot now, I will think of several assumptions that came to mind when I watched "The Lost Dog Heroine". Assuming that she doesn't really like the person she wanted to confess to before, then does she really like the male protagonist now? Assume that she really likes that person, then does she really have two feelings? Are two or even more sincerities still sincerity? The answer is a matter of opinion. Personally, I think this is hardly sincere. So, the gap between her and Yusheng is very big compared to her sister, and what I saw is basically her line, so I don't want to read on. I don't know if there are many people who think the same as me, but if someone with the same taste as me reads this book later, I think this will be a point of dissuasion. This green plum is really not pleasing to me.

As the title states, I really dislike the plot design of Ikeda and Asakura. In terms of character setting, it's hard for me to like Asakura. Such scumbags who betray the trust of those close to them for their own selfish desires should receive an education, change their ways, and atone for the wrong things they have done. In terms of plot, after the small explosion of the previous plot point, this overused plot is simply feeding my mouth that has just eaten delicious food💩. The plot setting is extremely poor and has a negative effect on the protagonist's image. Judging from the previous article, Ikeda and the protagonist are good friends. Faced with the childhood sweetheart who caused his best friend's personality flaws, he did not try to help the two correct their shortcomings and make up for their mistakes before getting together. Instead, he directly brought the two together to become a couple and let them hurt each other. With this kind of behavior, you, the God of Marriage, are truly worthy of being a fox and a beast. From the perspective of the protagonist's character creation, the creation of the protagonist's social interpersonal relationships is undoubtedly negative or even failed. As a good friend, Ikeda asked the protagonist to introduce him to a girlfriend, but he failed because of his own character. As a good friend, the protagonist not only did not point out his problems and help him correct them, but also continued to introduce women to him. To sum up, this part of the plot is extremely failed in my opinion. The protagonist is portrayed as an image who knows small etiquette but no great righteousness, and is strict about trivial matters but no great virtue.