Kamen Rider from the Super Ancient Times

Regarding the Black God chapter, some people may wonder why the Crow Cage didn't transform at the beginning/directly transformed into the Killing Angel? Why didn't he act coquettishly and beg to be let go after knowing that Kurokami was his father? Possible causes of his behavior: post-traumatic stress disorder, oppositional resistance disorder In the previous chapter, it was mentioned that his pstd was jointly achieved by the ultimate darkness + Gurungi, but a few chapters ago, he had death ptsd in the super ancient period. Chapter 2: Super Ancient Warrior Rick, [The swamp beneath him also violently fluctuated with his state of mind, until the darkness suddenly turned into a twisted dump truck and crashed towards him! "Wow -" Kawahara suddenly woke up and sat up from the bed. The most classic thing about Ptsd is nightmares, recreating what caused him panic at that time. The ptsd in the later period is derived from the ultimate dark loss of control and the death ptsd, fearing the dark self. It is more of an ultimate dark ptsd than a grunge ptsd. Gurangi is just a medium. Items that allow him to recall the village scenes of villagers' death and destruction can also be evoked by replacing Rick's shriveled body and Mio's conch. But he had different negative emotions towards Gurungi, just like hatred. It is different from the hatred of a good life being destroyed (Chapter 10: Daguaba, the King of Gurungi: [Why did he have to encounter this kind of thing? If these Gurungi hadn't suddenly appeared, he could obviously have a second new life here, a second new life. It was obviously difficult to accept coming to the primitive society. Obviously he had already begun to plan a new future. If it weren't for Grunge - the unspeakable "hatred" was growing crazily in his mind, and after letting his instincts go to fight, the idea of destroying everything became stronger and stronger. ]), His hatred for Grunge was more special, and he piled his powerless hatred on Grunge, his sorrow for dying, guilt for Rick, and resentment for death (truck) all on Grunge. This kind of hatred naturally caused him to dislike Gurungi, and he also took other weirdos to hate him. Then, Chapter 161 Just trust Kadashi! : [The power of light blooming in front of the power of darkness was like provoking back and forth on a shaky bottom line. He didn't think at all, he just watched the body act on its own under the control of "darkness". So will "Ultimate Darkness" be the power of "Dark Power"? [Kawahara understands the fact that his actions after being born in this world are controlled by this power. Kawahara, who realized that the ultimate darkness came from the power of darkness, transferred Kurome's disgust to Kurokami. —— "You are the only one who controls me, right? You are the only one who makes me lose control, right? I eat lemons!" ⇠ I probably have this idea. Back to the title: Why didn't you transform and kill him directly at the beginning of the Black God chapter? Known: Yajituo will arouse a dark-eyed, out-of-control self. In order to prevent hurting others again, Kawahara will try his best to avoid transformation and avoid repeating the tragic situation in the village. This also caused the "procrastination" reported by many readers. Because strength was not his first choice, he adopted the method of a three-person team. 2 Parent-child communication: As shown above, Kawahara's early impression of the power of darkness was "the bad guy who controlled him" or "the murderer who indirectly caused him to lose control". His communication with the Black God would only revolve around humans and the power of light, and would not interfere too much with each other. After learning that the power of darkness created him, he once again labeled Kurokami as "the stupid god who created him". By not treating the child (Kawahara) as a child (human), Kawahara allowed Makoto Tsugami to add green plum juice to Kurokami's meal (whether Tsugami dared to do so is another matter.) Oppositional resistance disorder: It is defined as emotional anger, argumentation, or a pattern of retaliatory behavior. Many of Kawahara's behaviors are consistent with oppositional resistance disorder, which can be understood as "Even though I know that xxx is a better way to communicate, I can't calm down when facing you." It is a very typical emotional disorder that occurs when children communicate with their parents. Kawahara: Some people just have nothing to do, so someone asked, anchor, anchor, why don't you have parent-child communication with your dad? Then let me ask you, will it be Hongwen if I communicate with him? Will you be angry? Are my words 100% effective? How much is my purification (power of light) cd? Answer me! Will the power of light be drawn out? Um? Answer me, you angels of darkness, answer me! Look in my eyes tell me why why baby why The power of light is playing hide and seek in my body, the two of them are laughing and joking, am I the one in pain? Speak! Now that parent-child communication is here, let me ask you again, if your dad abandoned you for internal (physical) reasons, would you hate him? Answer me! Then the power of light and the power of darkness treat human beings as Japanese (?). Do I want to persuade them? Can I defeat him (Black God) without the power of creation? The power of darkness is unparalleled and the world is being rewashed. Can humans survive? Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no. Kawahara has been using dissociative identity strategies to relieve his own guilt, splitting himself as a monster, just like talking to the Black God about things that happened 30,000 years ago, Chapter 256 30,000 years ago: [Kawahara preemptively warned: "So, you don't want to tell me that I was a combat weapon created by you from 30,000 years ago, right?"] On the surface, I don't care about my origin, but in fact, it is trauma exposure therapy, forcing myself to face my own existence. Of course, the above is a method of injuring the enemy by one thousand and damaging yourself by eight hundred. Chapter 52 The reason why I have to do it: [That black Kuuga. Kawahara lowered his head, and the noodle soup in front of him reflected his appearance at this moment. This is still a human being. But soon, the humans above turned into monsters. There are many points that I want to express in this chapter. Here I only describe the one of accepting myself. —————— I took the time to write it during class. It was a bit urgent in many places. Many of my ideas were written just as they came to my mind, without an outline

Personal opinion, product of boredom. There are few descriptions in the article of Kawahara's independent and strong emotion of "wanting" something. Is it because he doesn't want it? I'm noncommittal. In other words, this emotion was dismantled and transferred to humans and Kamen Riders. He very much hopes that human beings can have a future, which itself represents the level of his demand for the things around him. Because of his high demand for human beings, his material needs will be reduced. Here is a quote from what blade Noboru Urojima said to Kazuma Kenzaki: You regard fighting as your mission and obligation. In the super-ancient period, Kawahara's out-of-control and failure to protect the villagers caused him great fear and guilt, which transformed into strong self-loathing and psychological self-interest to relieve his sense of powerlessness. At this point, he began to look for reasons. Kuaga, [Then he shook his head: "No, I am not fighting to protect anyone important, nor am I fighting for something in my heart. I am just following the trend." Kawahara raised his lips and said: "The police officer is fighting for the justice in his heart. He wants to do his best to protect the people like his father, so he took the initiative to become a policeman and worked hard for it - but I No. "] Yajituo, [Kawahara changed his posture and leaned against the front desk and said: "Don't worry about me, I don't have that stone in my body now, but I and Yajituo also have some connections in the ancient times, so we will definitely be involved. "] Use half-truth and half-false news to convey to others that he also has his own reasons, without talking about the benefits that others have gained from it. The lower the material return, the more it can strengthen his spiritual pursuit. When Godai and Kame Tsugami want to challenge the final boss, he will separate them and deal with it alone. He will think to himself, "Others/he is not suitable to be here." The first time he lost control and was swallowed by the ultimate darkness, he had already decided that he was a monster, and it was natural that he would not have a place for himself in the future he envisioned. It can be said that it is not the humans in Eva/Yajita who need him, but he needs humans to support him. Then, now I have something very clever to say: Anchor anchor, according to what you said, doesn't Kawahara treat humans as medicine to treat PTSD? Brothers who don't have it: These can only be his potential consciousness, but it does not mean that he himself has no feelings for human beings. Initially (Kuga period) it may be due to the compensatory psychology caused by guilt. After the passage of time, his emotional ties on the earth (Rick, Mio, the Fifth Generation, Tsugami, etc.) Have long exceeded his own negative feelings (the late Yajida). Supplement: As I wrote in a small analysis before: I think Kawahara has a great escape mentality, so I won't go into details here. Hebei Traditional Chinese Medicine mentioned: An important reason why some people have an escape mentality is the lack of correct pursuit of life. More than 300 chapters up to now, Kawahara is still looking for the existence that can support him. In Chapter 52, The reason why you have to do it: Kawahara asked Mr. Kanzaki, "Do people have to seek something in order to persevere?" The answer he got was no. In this way, a fruit was planted in his heart. And in the final battle with Black God, the fruit exploded. If in the Empty Self Period, he was pursuing the meaning of his own existence, then in Yajida, he was pursuing the meaning of living as a human being. 1 The answer he got was copied from the fifth generation to protect the existence of others. 2 The answer he got was thought out by the power of light and the power of darkness, living for the future of mankind. But this is just a template obtained from others. He himself is still confused. Kawahara is like a newborn baby, with a lot of questions about the world. So back to the original point: What is he fighting for? If you ask me, rescue plot. He not only desires to gain satisfaction by saving others, but also hopes to feel saved in this way. To put it simply: love —————— Actually, this article has been in the manuscript storage box for about a month and a half. My writing is really bad, and I encouraged myself for a month before I had the courage to post it.

The more I read, the more confusing it becomes. Your protagonist is even more confused than the real protagonist of Knight. Then what am I looking at? There's a little back and forth, and the protagonist is often killed by the Riddler. Or just be the Riddler, I couldn't get enough of The Riddler when I watched the original. If you have a goal but don't push for it, you'll just be messing around all day. Dial it and move it. To me, the protagonist doesn't have a strong sense of purpose and logic, and his brain is always pushed offline. The power system is also messy. Whether you can beat it or not depends on the new plot. It will be weakened and strengthened. The result of this is that the battle you wrote is boring for me because it has no meaning.

In fact, I have always felt that Kawahara is a bit self-destructive. He is the kind of person who is in the trolley problem and chooses the lives of others between himself and others. He said that the tram was about to hit I said that neither of you were standing on the track Whether it was the battle with Da Cuba in the snowy mountains or the battle with Black God, his choice was always 1 for 1 and death would not be a loss What Kawahara said in the original text was: "Mio... You are asking me to come back to life and wait to die again..." The key is the words "waiting to die again". It is difficult for me to imagine that the first feeling after a person is rescued is to wait to die again. Perhaps as he said, there is nothing in him that can no longer be given up, so his concept of death is equal to sleep. Although, many people say that Blade's character is a bit out of character/a bit like the Riddler. But Kawahara's character design (I think I'll be happy if someone refutes it) has always been a secret escape. In the super ancient times, he chose to give Rick the power of lightning to seal Grunge instead of himself. In Kuuga's present day, after learning that he was responsible for Rick's inability to wake up, he ran to the coffin and secluded himself. This is actually similar to Tsugami hiding under the quilt. When Godai and Ichijo asked whether he was Kuuga, he directly denied it. When training Rick and Godai, he taught them everything he knew without reservation. As for the news that some angels would not kill ordinary people, he chose to keep silent. What is certain is that he will tell the truth about known and certain information, and keep silent about uncertainties (Blade is not sure what will happen to the earth after it leaves the sealing stone, so he does not answer.) When something confused him, his first reaction is to escape. For example, when he learns the real reason why Rick cannot wake up, and is asked what will happen to the earth in Blade.... When he was gay, he found a job. After receiving the power of lightning, Rick felt that everything was perfect and was sealed with peace of mind.) When facing the fifth generation, he saw the shadow of Rick in the fifth generation, and his guilt for Rick and his apology for hiding the fifth generation were mixed in him. During the relationship between the two of them, he (Kawahara) had complicated feelings for Godai, including not wanting him (Godai/Rick) to cry, guilt for not being able to fight together as promised, feelings about being short on me before time travel, and friendship for Godai as an individual. Kawahara's character is complex, just like human beings. He has strong beliefs and can give people around him a sense of security. At the same time, he is an evasive, guilty, and confused human being. While human beings have beautiful qualities, they also have the desire to destroy. Just as the nature of human beings is not programmed, I think the good point of the author's setting is that the Kawahara he created is imperfect.

Do you have any recommendations for good knight stories?

An interesting journey ends here, come on! Looking forward to a more interesting trip next time 🙏

After reading this book, I felt it was okay. The author is the same author I have read before. Now I have to follow it.

Some thoughts while reading About Black God: Black God's idea is very simple. It's not that he doesn't know what humans can do, it's just that the proportion of evil he has seen exceeds the light of humans, so he takes it for granted that he doesn't trust humans. Just like "The Boy Who Cried Wolf", lies dominate the truth, and the villagers will only think that the boy is lying again, rather than that a wolf is really coming. Hypothesis: Kurokami did not see Godai in the final battle, nor did he know why some people would fight even in pain. I think Kurokami's final reluctance was also attributed to Godai. Without what Godai said: "There is no right or wrong in power" to lead the Black God to realize that humans do not actually need him, he would still blame the power of light for being wrong. Kawahara/Kurogami: It feels like Kawahara treats Kurokami differently in terms of time. In the early days, he just didn't want humans (the power of light) to be killed by Kurokami (affiliated), and wanted humans to have a future of their own, not a future controlled by Kurokami. Mid-stage: After knowing that he was created based on combat weapons, is he more of a revenge? Mentality? Whether it was after the conversation with Kurokami on the topic of weapons, Tsugami asked Kurokami about his expression, or the second time he talked about the battle 30,000 years ago, deliberately irritating Kurokami and saying that he failed. Hmm... It's a bit like an angry child putting mustard in the parent's water bottle, and then being detained by the parent ( Later stage: Ah, this god is hopeless, go back to sleep (why does it smell like a mother This change is the result of me repainting my talents again. I feel that Kawahara is not one of those people who likes to leak his emotions (or maybe I am too slow)

The first is identity, an adventurer, to put it bluntly, a civilian. What is Gurungi? Is it a monster? To be precise, a humanoid creature with intelligence and human language. It's nothing to the audience, but to Godai himself, he is killing people. In order to protect the killing, let's not mention whether Gurungi has human rights or not. In short, no matter inside or outside the drama, most people would not think that Godai did something wrong, and in fact he did not do anything wrong. But for Wudai himself, even if they are a group of bastards, a group of villains, and a group of creatures that should not appear in the world, they are also intelligent creatures. Fighting in battle will bring a mental burden to the soldiers, which is inevitable. In the first few episodes, Ichijo directly treated the Fifth Generation coldly. Firstly, he felt that the Fifth Generation was a hero on a whim, which was too frivolous. Secondly, because the Fifth Generation was a "common man", he should not participate in the battle. And even if it was subsequently approved, until the end, Ichijou always hoped that Godai would end the battle as soon as possible and take risks. The police and soldiers have long been prepared to kill, and are equipped with psychological counseling, but Godai did not. Ichijou must have known it well, so every time he was as reckless as Godai, and wanted to share the pressure as much as possible. I personally think the mentality of Godai is worthy of being written in the novel. He doesn't like fighting but he has to fight. He is not forced by others but forced by himself. He hates killing but still does it for everyone. As the protagonist is the "senior", the two of them are suitable to mediate with each other, get together and stabilize their mentality. After all, no matter how strong a warrior is, it is possible for him to suffer from PTSD.

[Readers who are angry because of the setting can leave. If it has nothing to do with the plot and just don't like the setting, then the audience for this book is not you. Please leave as soon as possible! If you find that it is a setting that you don't like, please go out and turn left immediately, so that everyone can save the time of criticizing each other. P1: ★This book is purely about knights. It does not integrate other special photography worldviews and comprehensive comic worldviews, but there will be team extras. ★The main plot of this book is a non-pretentious and refreshing novel! No pretense, slap in the face, cool writing! No pretense, slap in the face, cool writing! (P2) ★There is no combat power system in this book! ★There is no combat power system in this book! ★There is no combat power system in this book! (P3) ★This book focuses on the battle between setting flow and idealism flow! (P3) ★This book is not about darkness and darkness, but about truth, goodness and beauty. It is the light of the right path and fights for human freedom and the future. ★The growth direction of this book is not invincible in the early stage, nor invincible in the later stage. ★The heroine of this book is uncertain in the early stage. If the plot does not collapse and readers do not reject it, there will be a single heroine, and the heroine's presence is not strong (she belongs to the category of soul mate). Otherwise, there will be no heroine. When the time comes, we will notify you in the book (there is no more heroine). (P3) ★You can buy shares on your own, but you are responsible for your profits and losses. ★The protagonist is optimistic and motivated by nature. ★The protagonist dotes on humans and hates monsters. In a rational state, he will never take the initiative to harm any ordinary person/even if the person is guilty (beating him up does not count), but when he is out of control, it will not count. (P2) ★The protagonist has the superpower of Yajida, but the direction of evolution is empty self, and he is definitely the child of the Black God. ★The protagonist is not sad, dark or pitiful. ★The protagonist does not show off and slaps you in the face! ! (P2) ★The protagonist will also travel to other Kamen Rider worlds, but most of them are Heisei Knights, and the stories of Reiwa Knights will be described as appropriate. ★Except for Decade and Zi-O, which may not be avoided, I basically won't write about the All-Knight Leather Battle. I can't stand those illogical scenes in Toei... ☆This is for now, if there is more, I will add it in P2. ☆P1 edited on 2024/7/26 ☆P2 edited on 2024/9/24 ☆P3 edited on 2025/8/10 [I know that some readers have all kinds of weird points, but I am an omnivorous reader who doesn't have any interesting points, so there are probably some points that I don't understand and haven't written them down. In short, I will delete any book reviews that are based on the settings. If you want to complain, just complain about the plot. If you complain about the setting, I will mess it up by default.

The more I go to the end, the less I like the protagonist's character. I feel more and more self-righteous and arrogant. I obviously don't like the existence of the Black God, but I am becoming more and more like the Black God. In the last part, the author gave every Ultraman the same respect and admiration, but in this one, the protagonist's interference has obviously increased, and he also has a preference for knights. Coupled with his unlikable personality, it is not as good as the previous part.

In order to understand this book, I have successively filled in Kongwo, Yajituo, Dragon Knight, Sword, and now I am filling in Fourze. When I looked at the back, why was there still something about the team? ! Although the dramas are very good to watch, but... Wow, because I have been following the drama for a long time, my memory of this book has become pineapple-pineapple! How many more worlds will be sewn next?

It seems that the author also likes sic. I don't know what the ultimate mini horn is like. I tried three different size horns so that the author can see which one he likes. I have become a mummy

Taiga: Transformation tool. Teliga: Repeat the slogan. Dekai: Confused and swaying. Blazer: You have to drag it out. Aque: In summary. Do you think Aqe is a masterpiece?

Gurungi script

This is the aesthetics of empty violence

Kamen Rider AGITΩ opening theme oil painting story: The god of creation (Black God: Teos) created everything in the world and created seven archangels (El Lords, the only archangels in the play include the water angel [the whale, corresponding to Gabriel in the Bible], the wind angel [the eagle, corresponding to Raphael in the Bible], the earth angel [the lion, corresponding to Uriel in the Bible]), and ten angels ( Ma'lakh (meaning messenger of God, but collectively known as Lords, and Unknown in the play), then created humans in his own image, and animals in the image of angels. Human beings and animals lived together on this planet, and from then on the world became a paradise on earth. But with the increase of human beings, humans began to think that they were children of God and that they had the ability to control the world, so they began to enslave and kill other creatures to prove their power, and human crimes arose from this. The angels were not willing to let their people be treated in this way (because animals were created in the image of Ma'lakh, so animals are equivalent to their people), so they launched a long war against humans! Among the seven archangels, the archangel representing light (White God: Promes "Promes", corresponding to Lucifer in the Bible, the archangel on the far right with his back to us in the oil painting) decided to betray God and help mankind. He gave up part of himself Power was given to a woman, allowing her to successfully give birth to a "Nephilim" (Nephilim, meaning giant or giant, the Nephilim in the oil painting is the green Gills). This Nephilim also became the leader of mankind, leading mankind to fight against the angels! Because of the betrayal of the light angel, God started a fight with him (that is, the duel between light and darkness between the two in the play). In the end, God won. The light angel turned all his power into starlight and spread it in the world, giving mankind unlimited possibilities for evolution. In the end, he fell to nine stars (like Lucifer in the Bible, the nine stars represent the birth and destruction of nine stars, which in the play is similar to tens of thousands of years or traveling through time and space), passed his last remaining power to a human being (that is, Tsugami Shoichi) and disappeared. Humanity was also defeated in that ancient war, so the archangels decided to launch a forty-day flood to restart the world by submerging everything in the world. But God had mercy on the life of the earth, so he ordered the Nephilim to build a giant ship (this giant ship corresponds to Noah's Ark in the Bible, and also corresponds to the Daybreak/Daybreak in the play), and took a pair of males and females of all living creatures into the giant ship for refuge. The archangels called this move of God an excessive mercy, but God said that the children should be given a chance and ordered them to conduct another world cleansing in the future (the main timeline of the play) to judge whether humans should continue to exist, and then left their genetic factors in a certain civilization's device and fell asleep (the Opaz machine that appeared in the first episode). When the flood subsided, two strange creatures appeared among the humans stepping out of the giant ship. One of them was the new Nephilim wearing red armor: "The inheritor from beginning to end-AGITΩ", he awakened among humans, silently Protecting mankind from being hunted down by angels again, and enabling mankind to self-awaken and evolve; the other is a warrior wearing blue armor: "G3", these are humans who have not inherited the power of the angels of light, but can make their own weapons to fight against the angels. In the oil painting, humans and these two creatures step out of the giant ship hand in hand, which means that humans must move forward hand in hand with them in order to escape from a future controlled by fate (life and death controlled by gods and angels). (PS: The reason why Weihara Ryo will awaken as Gills is that his ancestors are very likely to be the Nephilim [the first generation of Gills] back then.) On the surface, this painting is the last few episodes in the main timeline of the play, which is the final decisive battle. But if you observe carefully, you will find that each character in it actually represents a special meaning- The camp on the left: Black God (Teos), Wind Angel, Earth Angel and Water Angel, actually represent: darkness, sky, earth and ocean, that is, the earth and the world. The camp on the right: White God (Promes "Promes"), red AGITΩ, green AGITΩ, blue AGITΩ, they represent: light, spirituality, nature and civilization. The red AGITΩ represents human spirituality, because fiery faith can inspire unlimited potential; the green AGITΩ represents nature, the green plants in the forest and all the creatures inside; the blue AGITΩ represents pioneering wisdom, the progress of science and technology and the development of society. Technology and society have become symbols of human civilization. Therefore, these three AGITΩ also represent the final form of AGITΩ, GILLS and G3. They also represent the Trinity, which is an indispensable operating system in the universe. The corpses of angels lying on the ground: MA'LAKH, represent the end of all things; the fingers of the two gods above are touching each other, representing the starting point of all things. The starting point here refers to the beginning, birth, creation and beginning; the end point refers to the last, death, destruction and end. The two rows of human believers standing in the back represent faith, spiritual sustenance and reverence for gods. The GILLS and alternative AGITΩ kneeling on the ground represent: GILLS are Nephilim (great men) who fight for justice and are martyrs who are willing to sacrifice their lives for people; while the alternative AGITΩ are aliens who fight for themselves and are lonely warriors who go their own way. They will kneel down in front of AGITΩ because they are just thinking about protecting mankind or safeguarding their own beliefs, not like AGITΩ. AGITΩ is a new god who leads the evolution of all mankind and makes mankind become like himself, free from being controlled by fate. Therefore, GILLS and the alternative AGITΩ can only surrender to him. The overall meaning represented by the whole painting is: the universe. This painting is the embodiment of the universe. It represents good and evil, good and evil, light and darkness, right and wrong, as well as fate and fate.

Be violent at every turn, power is power, power is the extension of will

Card surface to punch

I probably couldn't watch it until around chapter 220 and it felt bad. To be honest, after finishing Chapter 130, I can quit the game. I can't say that the story will continue to improve. I can only say that the level has dropped sharply. After finishing Chapter 130, I'll be done with it. Thanks for accompanying me.

. . How can I put it this way? I felt very awkward when I saw it being released. I said before that the protagonist was not afraid of fighting even though he had died once. But later on, I felt that I was being held back and that there was no enjoyable battle. And the time is described in detail, making it look like a running account to me. It's a bit hard to get.

Kuuga's line is really at its peak. The more I write, the more I write. Maybe I should just start a new book. Now that I think about it, Kuuga's writing was really good.

Let me explain in advance that this is a small account, and the large account will not be available for a while. That account has more chapters ordered, and this one was also chased by Black God, so don't complain about my fandom level. Then there is the question of the title. This author really likes to make the protagonist of the book disconnect, especially after Kuuga, and basically before the villain or semi-villain (such as Senji Reima), what the hell do you want to do? Is it possible to write about such poisonous points? I've been disconnected several times, and it's amazing that the plot can be written like this. If you want to ban the protagonist, this is not how you ban it.

The person who lied to you is actually the super hero

8. October Yue Jiang's progress Yue Jiang: I have a chance to finish the painting before the end (with emoticon package: hahaha jpg.) Because the book is almost finished, I feel that I will have no chance to see the finished picture, so...

Kawahara, who was sitting at the dining table, frowned slightly, as if he sensed some invisible disturbance. He put down his chopsticks, stood up calmly, and walked straight to a decorative retro floor-length mirror in the store. "I've eaten." There wasn't much emotion in his voice. "Eh? Are you leaving now?" Store manager Xiu Yu leaned half out of the kitchen, still holding the steaming curry fried rice that had just come out of the pot. Godaime shook his head helplessly. After all, it was rare for her, Kawahara, to stay in the store, and she was all too familiar with this situation of disappearing from time to time. Kawahara entered the mirror. In the distance, the Chosen Workers blew up a series of creatures he had never seen before. Kawahara glanced at them and stopped looking at them. He passed through another mirror and came to a strange world. Kawahara, who possesses the power of creation, can feel that this world seems to have been affected by the power of creation many times. "Danger, get out of the way!" Jinghe, who had transformed into a whiteboard form, was pulling with the two demons. He saw the sudden appearance of Kawahara and shouted. Although he didn't know why an ordinary person suddenly appeared in the game venue, Jinghe's kind heart still didn't want others to be harmed. Keihe fought off the evil demon on the left and was about to rush to Kawahara, but was hit by the evil demon on the right. When he was about to fall to the ground, Kawahara moved.

How can I put it, the writing is okay, but the disadvantage is that the protagonist is always the Riddler, which is very annoying.

I want to see the main character in the ring, not to mention being the master of Tomorrow Dream, but to fuck that disgusting guy first.

I don't know where that inexplicable circle of white came from, Anjing I don't know how to continue painting, so I'll just leave it like this.

Kawahara during the Yajita period, ID photo. Serenity