Killer Lords: Start with the Rogue

It can be felt that the author wants to lean towards the Ke series, but what is actually shown is the appearance of monsters with similar elements and a similar world view. The essence of the Ke series lies in the indescribable and unknown horror, just like that basement. The most terrifying time is when no one goes in and masters keep coming out of it. Once you actually go in, there are just bug-like monsters inside, so it will be no different from an ordinary monster spawning copy.

The combat pressure is quite strong. The protagonist has a pistol shooting talent. Normally understood, it should be to improve the pistol shooting ability in all aspects. The result is to strengthen the power of the next shot, which is still a kind of cooldown. The key is that the power is still rubbish. The enhanced blow cannot kill a seriously injured necromancer, and it only increases the damage. That is, if the protagonist fails to hit an agile target, the talent will be completely useless.

This is the first time I read a novel with this theme. It's quite novel. The plot is very attractive. I can't help but guess what new monsters the protagonist will encounter next and whether there will be a golden finger. It's just too little and not enough to read (the author will try his best to update). The overall feeling is good. I'm looking forward to the next story 🤓

The setting is pretty good. The main character doesn't have much growth at all, so everything just comes up one by one. It's too compact and has no buffer.

The events are arranged too frequently, the pace is too fast, and they happen in a short period of time. One thing ends and the next begins immediately. There is no intermittent training, which makes it a bit tiring to watch. In addition, although the protagonist can obtain destiny points and skills in events, the benefits of these skills are not reflected. It is entirely to enable the protagonist to better solve the next event, but what can the protagonist gain from events again and again? Interest, money, longevity, power, status or what? Also, if the protagonist saves someone, can the other party give the protagonist any feedback and help? It's as if the protagonist is a tool that exists to solve the incident. In the process of solving the problem, he loses a lot of men and money every time. As a result, he gets nothing, no sense of accomplishment, and feels unspeakably aggrieved.

The first point: The protagonist is a noble, with no guards or servants around him The second point: The protagonist's predecessor is dead, and there is no further mention of it. Was the murderer caught, or was there no clue found? Gotta say something. It gives people a feeling that the death of the predecessor is natural, and the protagonist takes the body and feels at ease The third point: knowing clearly that bandits are running around in the territory, there is only one knight (stronger than ordinary people) to pick up the protagonist and no one else. The fourth point: Town Citizen Patrol, if the protagonist doesn't know them, just let it go. But as one of the only two knights in the lord, he didn't know each other. What's the difference between soldiers and officers not knowing each other. .

This is the design of Jose's image (tentative). Welcome everyone to create more fanart~

Bandits, aren't the ones in the west called bandits? There are also special J8s that mix Chinese and English, which is a bit awkward.

When you see the part about rescuing the professor, it's like you have some security guards equipped with riot shields, anti-riot forks, and electric batons. Then a classmate comes to ask for help and says that the teacher is in danger and asks you to help. Based on the classmates' reports, you most likely confirm that the teacher encountered a gun-wielding gangster. However, you still take the security guards to rescue the teacher. During the rescue process, you not only encounter gunmen and even find gangsters with heavy firepower, but instead of retreating, you rush forward. Is this a normal person?

These two active skills are ridiculously weak. What's the use of increasing the damage if you can't hit them? What should I do if I can't activate the attack? What should I do if I get stuck at a critical moment when I don't know how to maintain?

I opened a post about a character. Friends who want to make a cameo in the article can leave a message. The appearance will be arranged in the appropriate plot according to the progress of the plot and the character stuck. Format: Character name + personality and hobby introduction + other requirements (not all may be adopted)

The only problem is that the events are too dense and the protagonist doesn't have much time to grow on his own. Everything is done through adding points. The protagonist needs to settle down.

I don't even read the comments I see.

It has some dark dungeon feel, which is pretty good. I hope I can write more about it, but it's too little and not enough to read.

Brothers who are passing by, collect and fatten~