Steam Ming Dynasty: Dragon Empire

The protagonist is a great man. His idol is Lin Zexu. His life goal is to ban smoking. It is not enough to emphasize such an important thing three times in each chapter. Even if everyone around him does not understand or support it, he will strengthen his belief in banning smoking and move forward bravely.

I am not opposed to banning opium and destroying opium fields, but the protagonist's actions and words are so childish, which made me embarrassed to death.

Write the protagonist as a smart person, but do not suppress the IQ of the supporting characters.

I feel that these novels with historical elements have a characteristic. Basically, few protagonists take the issue of heirs to heart, even in the world without demons, especially those that are passed down by a single line. The protagonist is particularly favored because of a single lineage. From the beginning of the article, it is said, The elders in the family urged him to have a few children as soon as possible to continue the love and stabilize people's hearts. Then by the 200th or 300th chapter of the novel, he was not even married, and he was going through life and death all day long. If he was not the protagonist, if something happened casually, wouldn't this power be over in the ancient setting? Especially the kind where the person in power points to the protagonist to take over when he gets old. I'm very curious, why do historical novels have to be written like this? Is it because you are afraid that writing about women-related plots will disrupt the rhythm or you are not able to write?

There are heavy machine guns and artillery in the era No one has thought about the building where Jiajing was? We also want to build airplanes. Can Jiajing agree to building airplanes? No longer allowed to hide in the bunker? The technology tree is wrong, the Immortal Pill comes once every three years, and the Magical Power Pill is clearly a rule system. And no one wants to study it? No theft or copying? Back then, when atomic bombs were used to invest in each other's materials, weren't the people in your world's only formula for immortality crazy?

What a good routine. I find that the current routines that coerce the feelings of the people are really effective. The protagonist always starts to go head-to-head with the nobles of the aristocratic families for the sake of the people. He is wronged and wronged, and then turns the tables. After one overturn, another one comes.

The smoking ban is indeed a good thing, but why are you writing so many chapters in such a fantasy world? If you solve it earlier, you can write other more attractive stories.

The author's writing is indeed good, and the creativity is very good, but success or failure depends on creativity. The author may have forgotten that the characters you write may have magical powers or immortality, but these all rely on Jiajing, especially those who live forever must take medicine once every three years! As a result, Changshengtian has appeared twice so far, but none of them has maintained the rule of the Ming Dynasty 😅

I passed the first round of PK. I feel great. Brothers, I took a selfie to thank everyone. Please read more

The protagonist is not the emperor. The Ming Dynasty uses the Ming Dynasty's rotten worship system to rule the world, and there is also the most disgusting ruling class (the Zhu family)

For hundreds of years, those who cannot live forever will do things crazy if they don't cause trouble. There are not many direct descendants of Jiajing who have immortality and have some rights.

Why is Watt immortal? Watt is really just an engineer. Newton's immortality should be more effective in doing academic work for the Ming Dynasty: a heretical theologian, a scientific and mathematical genius, and a shadow chancellor. I don't even dare to think about what will happen to this immortal.

The subject matter is very novel, the writing is very imaginative and brain-burning, and there are still some logical flaws. All immortality comes from the royal family's elixir, which must be taken every three years. The protagonist is a direct royal family, and his grandfather is one of the strong contenders for the position of prince, and he is himself. Grandpa is one of the few heirs in this line. When the power of the royal family has not declined, and the position of the prince has not been settled, the local coward is too unwilling to show his respect to the protagonist. It is simply tough. Besides, except for Emperor Jiajing, it seems that there is no immortal in the royal family yet. This is unreasonable.

This setting, this world view, opened my eyes

I want to say——Jiajing must die But, how can such stubborn and powerful paranormal fanD forces surrounding Jiajing's extraordinary Holy Seat be overthrown and destroyed? Master the secret of immortality, go straight to the Yellow Dragon, kill with one blow, and become a super evil dragon in the eyes of the fanD faction 🤓 The author has something to write about later - but it is easy to mess up or compromise and surrender to Gai Liang 😐

The subject matter is good, but it's not fully written.

The first plot about making peace and banning smoking was well written! Support! 🙂

It feels like the author wants to get some secrets or dark plans after debugging all the "Eternal Life Sky", and debugging all the old and immortal remnants of the old era to get the two elixirs. After reading the latest chapter, it can be seen that the Ming Dynasty, a prosperous, decayed, rigid and deformed giant ship, is already very stupid. If there are still two wars, it is best to rebel during the First World War and the period after the First World War.

Why are historical time-travel novels almost all about soul travel, and many protagonists still have systems or personal space? It is better to write that the protagonist can travel between modern and ancient times through time and space channels. After all, it is based on Einstein's theory of relativity. It is very interesting to write about the protagonist traveling between modern times and ancient times through time and space channels. This can show the direct collision between modern times and ancient times. There are already many stories about the protagonists rebelling in the early Qing Dynasty, including the Kangxi Dynasty and the Yongzheng Dynasty. It would be interesting to write a book in which the protagonist rebelled between Kublai Khan and Yuan Dynasty in the Yuan Dynasty or Zhu Yuanzhang and Hongwu Year in the Ming Dynasty.