Chinese Showbiz: The Diary of an Actor with Standards

Go and see for yourself which author's first heroine has been in ruins for a long time. Others either write less, cut off the beard when it's not bad, or just take the kidneys. How can there be a first heroine like you who has written dozens of chapters and is almost indistinguishable from a chicken? Do you really have no awareness of drug avoidance?

The author should write more about Fan Xiaopang 🥺

I don't know why some authors like to write about Zhuzhu, a girl with a Brazilian steak, who came back from playing abroad. The first time this woman worked as a reporter, she only worked with foreign guys.

I thought the writing in the early stage was a bit weak, but the daily writing in the mid-term was quite good. Let's not talk about the career line. It's like shit. I made one or two movies almost 300 chapters and did almost nothing. After more than 280 chapters, I started to continue to poison. The male and female protagonists have all kinds of holy hearts. The female protagonist was scolded on Weibo by Qin, a person who is nothing. Then the male protagonist didn't dare to say anything in depth when he replied to Weibo. He expressed in his heart that he was afraid of this and that. You are capital! What are you afraid of Qin Hailu, who is nothing? If you're afraid of being scolded by the teacher, afraid of this, and afraid of bad repercussions, then you might as well just don't do anything to commit suicide. The description of your family's background is so impressive that the assets are hundreds of billions, and then I haven't played any high-end things except playing games every day. I have assets of hundreds of billions, and almost 400 chapters in. I don't even buy a private jet. I go abroad many times a year. I don't know where the male protagonist's family background is reflected.

It's good, but I have a pretty girl, so I chose to skip the booking.

has opened many companies, covering various fields such as alcohol, film and television, investment, beauty and cosmetics. Many of them are in the industry of making huge profits. There are actually many civilians who have cleared the ground for shady tax capitalists like . Nausea! The total amount of tax evaded by Baoyan is the largest in the domestic entertainment industry, and he is not a little Kalami. Support the state to ban all tax evasion in the entertainment industry.

Have you ever written one? . . And Xin Zhilei and so on. . . . Always feels very familiar

The author's writing style is really bad. It's hard to find a writing model with a female protagonist and a male protagonist who is reborn. The male protagonist's family is so rich, why don't he start his own company? Work for someone else? I was speechless watching all the dialogues. I didn't see that he was a successful person in his previous life. He has a non-mainstream male protagonist's tone of voice and ability to do things. He has a similar family background and money. Apart from the top directors and big bosses in the industry, there is no need to kowtow to others. Author, you have to come up with the character of the male protagonist in your novel.

The more I look at it, the more it looks like I'm helping Fan Jiuyi clear his name. The art of communication is great. There are people of your comrades in that circle. Aren't those two cultivation systems in the Western Region good?

I mainly focus on Fen Jingtian and Da Liu The others have either poor character, poor ability, poor family background, or a piece of shit. How much a star has experienced depends on the speed of her rise to fame. The longer a star has been struggling below the second or third level, the more hands she has passed through, and the more likely she is to be a bad product. Why do stars fight so fiercely with each other? It's because the higher your status, the more human rights you have. When you reach the top, capital chases you for investment, and the hierarchy is clear. Whoever is popular has more resources. There are basically no unspoken rules for first-line stars (of course, this conclusion only applies to the large-scale penetration of Internet capital into the entertainment industry).