Mystery: Child of the Red Moon

The protagonist is too arrogant The protagonist has always said that he has no golden finger, and has always felt that he has to choose between bad and worse. In addition, he also feels that the current sequence path is an old antique and will be eliminated by the times. The question is, in a world where existence is inherently sacred, why do you still think that "the times are developing"? In a world with the myth of God as the background, the old antique God is the strongest, and the path he has set to accumulate merit and become an angel is orthodox. In a world with the ancient world as the background, Pangu is the boss, and killing three corpses in trillions of years of development is the strongest way. Now, the protagonist has not even gone up to the sequence, and his understanding of the extraordinary only comes from the books he reads and "observation of the sequence as a non-sequence", just like "one glance at the programmer typing code from a distance and concluded that typing code is outdated." What gives the protagonist such arrogance? If it's not a high-sequence method, don't judge the advantages and disadvantages of drinking magic potions, especially since you don't have a method that can be compared with drinking magic potions. It's like if you take a walk outside for a few minutes and say "the existing methods of training Olympic champions in gymnastics are outdated and unscientific", if you really have the arrogance of Goldfinger, you can still tolerate it. The protagonists in current descriptions really have nothing to rely on and are just being arrogant.

My brother's writing is good and his ideas are clear, but you are a bit worried about how much water you have in the early stage. I saw your reply earlier that you drank the potion in two days too fast, so do you want to reflect on why it only took two days to run more than 30 chapters? At best it's delicate, but at worst it's just watery. I've read more than 30 chapters and it's like a fog. The protagonist is really fearless and sometimes his reasoning is so confusing and reckless. With just a word from the Fool, he concludes that the opponent is not a true god and then acts recklessly. Why is it that your household registration is wholesale? Moreover, I have been emphasizing various magics before, and I have been instilled with knowledge by the Hidden Sage. Don't you know what the Hidden Sage is like in the original work? I want to give the protagonist a more reliable cheat, or just leave it alone. Wouldn't it be good to follow the sequence honestly? If all kinds of magic are so powerful, guess why the original book goes back and forth about which kinds of magic are commonly used, let alone people who don't know how to do it. From sequence five on up, you just watch and don't learn. When I was reading the novel, I was also very confused. Why did the author write this book? If you are doing it for love, I have nothing to say, but if you are doing it to make money and to shine, then aren't you just trying to dissuade most readers in the first thirty chapters? Eighty percent of it is psychological description. I'm here to see if you are mentally nagging? If you are so concerned about those magics, you can completely expose the mystery. Everyone came to see it for the mystery, and now you want to take advantage of the mystery and promote your own magic theory. Then I can only say that you have to bear the consequences.

The more detailed the writing, the better, otherwise there would be no word called "appropriate detail". In my opinion, the two most common problems for newcomers to writing are: one is a large amount of inexplicable environmental descriptions (common in female channels) The other is a large number of setting and background descriptions (common in male channels) A person shows off his not very good "writing style", piling up rhetoric, and showing off the synonyms he knows like a nouveau riche. To show off the perfect setting that you have worked hard to come up with, you must break all your settings into pieces and tell them to readers in a popular science way. This book is obviously the latter. A large number of interpretations have been made through the correspondence of reality and mysticism hidden behind the mysterious setting. But, with a feeling of superiority. Your writing fits the setting of your protagonist very well. A three-dimensional visitor, a time traveler, a high-dimensional overlooker. From your article, I can't see any respect for the occult or the Cthulhu-like setting. There is only one kind of arrogance. It's your arrogance towards your so-called "knowledge". You think that everyone else is an uncivilized curly-haired baboon, and that you are the only one who has mastered the true mysticism. But you have forgotten one thing. We who read your novel are also high-dimensional overlookers. Your occult sciences are of no use if they are not put into novels. Readers want to see and understand, there are many resources in various places on Zhihu and Zhiwang at Bilibili. Your novels are filled with various top-down perspectives. It's so great to be a teacher. Not only do you like the character "Occultism" in the teaching, you also want to show off your ability to copy three-dimensional mysticism to readers. I want readers to think that your writing is detailed, powerful and reasonable. You even have to teach readers how to read novels. Readers say your pace is slow, so you open a single chapter and analyze the timeline with readers. I can tell it from various occult analyzes and between the lines of your words. You dislike the potion sequence. Because you feel that the potion sequence is not pure enough, contaminated, and dirty. Drinking the magic potion is also forced to make a choice. Even if you have to choose, you have to study Russell's diary and choose a sequence without gods. Because those NPCs in the nether world cannot block the way of your great protagonist. As for why the process of selecting the protagonist is written in such detail, instead of the author taking the initiative to place the protagonist in a sequence without gods? It's definitely not because the author is bad, but because the author writes reasonably and well, but readers can't understand it~ tui! Your arrogance makes me uncomfortable.

It's too slow, more than 30 chapters and I still haven't drank the magic potion.

It's very interesting to read so far, and the descriptions are also very interesting. The key point is that this book is single, multiple, and non-existent? To be honest, this kind of world and the character of the protagonist are not suitable for a female protagonist. Don't be like the last book where Su Xiaoqiang suddenly appeared in the Dragon Clan. I almost wanted to abandon the book when I saw that.

There are dozens of ink stains and I haven't gotten to the main topic yet. I thought it was written by some master.

I laughed so hard, I don't know if the author has read Mystery or not. He said he hadn't read it, and he knew that there was no oil in the protagonist's era. He said he had read it, and the protagonist's family could still dig oil out of the ground.

In Chapter 3, didn't you already infer that Roselle was a time traveler? Why did you doubt it again later? Besides, why didn't the protagonist read the emperor's diary? It's impossible that the protagonist's family didn't have the original diary.

It is simply unreasonable to want to study and understand the potion system. The mysterious world potion system is already the most gentle and extraordinary system.

Who taught you how to write the beginning of 😅 You keep talking to yourself