Rebooting Myriad Worlds

I just don't understand the logic of this novel. How can the authorities tolerate something like this? Talented people with mental problems are even more dangerous. Wouldn't they take preventative measures? Later on, we see a group training them. Is this the authorities selecting talent for the villains, only to create more problems for themselves? This logic is completely flawed. No normal person would think like this.

Too many veteran authors have started new books these past few months. Qidian's recommendation system isn't what it used to be anymore; if a book isn't good, it really will flop.

A new book has been released, yet there's been absolutely no news about it. Is Qidian planning to abandon some veteran authors?

Is this platinum? There's not a single person here.

Xiao Dao is an experienced author. Very talented. His books are all excellent. I read his novels a long, long time ago. But without exception, I can't get into any of his books. Unsurprisingly, I couldn't even get past five chapters of this one. Maybe we're just not on the same wavelength. Kneeling down to thank someone for saving his life—that's actually quite normal. But it just feels awkward.

They keep emphasizing that the protagonist's country is the strongest, but all they ever write about is other countries causing trouble domestically, killing geniuses, and slapping them in the face—we never see them retaliate! How strong is this supposedly powerful country?

After reading the first five chapters, I deeply realize how wise the orphan setting was. It's not that they're inherently hostile, but rather that the reality is that no matter how you handle things, you can only achieve a state of "non-toxicity"; once they make a mistake, it becomes a major flaw. It's better to set them up as orphans; a little criticism won't affect anything, and it can even fool the chapter comments.

Ignoring the nauseatingly sentimental parts, especially those involving the main character and his mother, it's still watchable.

Actually, if the author had followed the atmosphere of the earlier dream sequence—the perilous secret realm and the compressed human living environment—it would have created a sense of tension. Now, the secret realm is simply treated as a dungeon, which the protagonist enters at will. The theme is unclear, and it reads like a diary entry, with a bland and uninspired plot development. The protagonist just goes through the motions, which feels a bit off.

Your readers are older and more experienced. Yet you're still writing simplistic, childish stories…