Huilang 1978, My Trouser Pocket Is a Blind Box

I have finished reading Chapter 12 now, and I have a little problem that I want to chat with the author. The language of this book is witty and the plot is light-hearted. Although some plots are too coincidental, they are not too abrupt. In fact, it seems quite interesting. There is only one thing. The villain is severely reduced in intelligence. The first villain, Director Li, is quite satisfactory. Let's not talk about it. The other two villains Yuan and Gong really make people want to complain. As the top leader of the county committee, Gong is normal for reporting and cracking down on whistleblowers recognized by his superiors. But will a top official directly give orders to non-direct subordinates across several levels to crack down on whistleblowers? Not at all. He just needs to praise the protagonist, "He is a good person and things are good things, but the protagonist's method is not conducive to unity." His secretary and confidants will have a tacit understanding. Yuan's approach is even more outrageous. He only needs to reduce the number of people in the department and then naturally clear out the temporary worker, the protagonist. He does not use such a labor-saving and non-offensive method. Instead, he explains to the protagonist that the top leader wants to kill him and he cannot keep it. Is he worried about offending the protagonist? Isn't he worried that this kind of backstabbing of leaders will not offend the top leaders? The villain created in these chapters is too mentally retarded and full of traces of rushing to work. I hope there will be outstanding villains in the following chapters to reflect the protagonist's abilities!

The quality of the book is 7 points. It has an historical background but the overall reading does not have a period flavor. The plot arrangement is a bit stiff and there are too many coincidences. The settings of Goldfinger lead to more exciting points. Unfortunately, the cool points in the text are quite bland and have no effect. What worries me most is the situation where Goldfinger gave the work but did not have any insights into the work. The protagonist can talk about it in front of literary giants just by reading it. To understand the work, I looked down on the big guys who were engaged in literature at that time. The background setting of the protagonist did not mention that he was also a big literary guy in his previous life. It is okay to talk briefly, but it is more likely to reveal the secret when talking about the work in depth. It is unreasonable. The subsequent writing felt very rushed and chaotic to me, with a kind of impatience to throw out various works, and it already has a tendency of harem novels.

Just like writing a story or a script, the details are mentioned in one stroke. Can anyone read it?

No, buddy, why are you doing so much pinyin? Look at your peers, what do they write? Others can write but you can't? If someone writes casually like this, it won't be blocked at all, and there's nothing sensitive about it, so don't scare yourself, okay? Putting aside the content of your book, it really affects the perception.

When you write a book, write it well. The thank you words before each chapter are really laughable and generous. It's just a licking dog💩

The author is afraid that others will persecute him and it will be boring and ugly.

I highly recommend this book, it's really a good book

Snow

The dialogues are all in written language, which gives me a headache. Without any real-life things to underline the characters, it seems fake and hypocritical.

The characters are too imaginary, the protagonist's personality is too flamboyant, and the dialogue is empty. The protagonist in a period novel cannot be flamboyant, as it's easy to get into trouble 😅

You are so good at picking up some points. Once they are put on the shelves, they are all the essence. My wallet can't bear it after seeing them. You old thief.

This book is so beautiful that it makes me want to put it down. I read it in one breath and still find it unfinished.

Damn, it's really embarrassing for a writer to become an actor.

You write your novel and make your literary film. How about you make Mao Ye Wen? In the early days of reform and opening up, many people were still very conservative in their thinking. When you write a script, first of all, you need to know who this character is before you write the script? Who is its prototype? You want to make the first Chinese commercial film. After it is released, you will definitely investigate who the character is based on. In the end, he must find out that he is a traitor. You say you are dead or not. Your novel has been published in many newspapers and won awards. You are now favored by the country. Then you made a movie about whitewashing traitors. You have blocked the way of many people. You said they are not going to correct you. You can't write novels blindly. You can't whitewash traitors in that era, when it is not fully open. It will really kill people.

Author, your foreshadowing is longer than this woman's zipper

It's pretty cool, why isn't it updated?

Books are okay, but why are there so few views? Is the progress too slow?

I finally wrote about going to college, and the three women started to fight each other. It looks good, but you have to wait until it is on the shelves to show the best part. I paid for it and I feel angry. What do you think I should do? You must cum for me

It always looks familiar, but of course I mean there are no new routines.

Hurry up the update, it's all set, why don't you try harder?

I'm afraid you have a problem with your understanding of self-defense? Times are different. In the past, it was always the victim who could not be wrong. Whoever is weak is justified!