Beneath the Black River

Is this still the starting point? Where did you come from?

The introduction scared me off! Mental illness!

Prepare it for movies and TV series! I don't have the skills to waste this introduction. Let's see what I can write.

I have read Chapter 33 so far. The story of Fu Feng and their children has completely made me wonder what the case is, and the overly intimate description of women also makes me wonder if this is a love story. 00-10 is about the persecution of women from a male perspective. 11-20 is about my family's ethics drama, in which the father who left home is cold and the mother is abused. The writing of 21-33 has evolved from the love story of Fu Feng to their next generation: Xia Yunkai and Shen Qing, Shen Qing and Qin Jiajia, Shen Qing and Wang Shuai... Not only satisfied all kinds of CP at once, but also really started to write youth pain literature. Based on the approximately 400,000 words of this article, this early foreshadowing is a bit too slow, right?! Fu Qiurui's character creation undoubtedly refers to Cao Qiqiao from The Golden Lock, but Fu has no sympathy for Cao Qiqiao at all. Instead, she is wanton and vicious, and the more pitiful she is, the more satisfying she is. Feng Yalin's portrayal has completely transformed into Wei from the Battle of Two Cities - the stronger she looks, the more cowardly she is, wanting everything, and then suddenly going crazy and abandoning everything, leading to all the bad consequences. If the author's purpose is to make me hate the two protagonists, then I want to applaud the author: the portrayal of the true villain and the hypocrite is really penetrating. The highlights of the full text are endless, and there are countless memory points from the bottom of the water to the broken belly. However, the fragmentation of the story is completely unconcealed. Perhaps the development of more stories later can bring out some of the author's hidden thoughts and use a boomerang on me. —— But I am really a little disappointed now: The dual-line narrative that the author is proud of has not been put into good use. Large sections of memories can be broken up and put into the "main line" (I guess it is solving the case) for a fragmented narrative, which will feel better. Now the large chunks of memories have completely squeezed the solution of the case into small branches and fruitful results, and the overall context of the full text is unclear and makes people scratch their heads. Perhaps the full version will be interesting to read. But in serial mode I just feel dizzy.

Carve out a literary path in the online literature platform

It's probably a call for essays, for film and television rights.

Man, this introduction shocked me.

Homosexual hatred has always been something that I think is very difficult for creators to write about, but it is something that they have to write about. Including "July and Ansheng", "My Genius Girlfriend", "Xiao Yan and Wu Aili" in the past two years, including "Ku Jin Gan Comes to Meet You", which has become an extremely popular topic on the Internet. The relationship between mother and daughter and female friendship have always been content that creators on the Internet are very persistent in writing one by one. I especially like "Xiao Yan and Wu Aili" here. Because I love you, I bear the crime of wiping my father. After meeting you again, I chose to leave because I couldn't stand you. In the end, I used your name to tell myself that I just don't want to hate you anymore. Including Ferrante's "My Genius Girlfriend" and Teacher Qianbi's "Under the Black River". I think the reason why I like these works is because they are no longer obsessed with writing a static relationship. Love and hate are an existence similar to Schrödinger's cat. They never tell you what they are before they are solved. Although I would like to discuss some of the plot here and talk about my views on the story and understanding of the characters, the story is still being serialized and I don't want to spoil it too much. This is just to express my admiration for Teacher Qianbi and my expectations for the story. From the current wedge, I am already looking forward to the development of the story between Shen Qing and his mother. Finally, I especially want to quote a sentence from Ferrante, which I also feel is very consistent with the theme and title of the story: "Our initial appearance is just a blur of color that we see when we look back on the opposite bank of the river after experiencing vicissitudes of life."

It's still the same old routine, dumping all the tragic experiences on Fu, and then insisting on letting Feng be the savior. Feng's image is completely that of a young man who is dazzled by love, and the contrast with his strong character is even greater. And the more Fu suffers now, the more hateful she is in my eyes - A noble, stubborn and unreasonable person, of course this can be good. But I despise this man who, after having the power over his daughter, exploits his own daughter in even more vicious and ridiculous ways. I can understand the author's fascination and some myths about the Golden Lock, but I have pity for Cao and only disgust for Fu. In the end, I was actually very reluctant to talk about some sensitive points, but I couldn't help it: This is no longer a relationship between besties. The writing is completely based on youth love novels - this is "".

It has to be said that "tough guy" Zhang Yong's "Garbage Heap Classification Method" is undoubtedly his "valuable experience" from his many years as a police officer. But such words are harsh - especially in the ears of the women he attacks. Feng hated his biological female characteristics the most. This was undoubtedly the lowest day for Feng in his career as a police officer. The long-tongued police officers who were chatting in the room really made people's blood pressure soar, and secretly criticized Zhang Yong's "female police theory": Feng's compassion is certainly harmful to the identity of the police, but does the prejudice of male police officers help the police in handling cases? Gender narrative is the most ridiculous lie. Everyone's own personality characteristics are the first responsible party for the accident. Back to the story—— In the interrogation room, two women who were not understood had their first intimate contact. Fu Rangfeng in the memory was unforgettable.