I'm the Mastermind in Tokyo

I'm obsessed with this behind-the-scenes scene in Tokyo lately. The writing is okay, but there is too little 😭

Stop being lazy and be diligent.

For novels like Tokyo, I admire the group of people behind the scenes, because they are really conscientious in doing things, while other types of Tokyo novels only have beautiful girls, beautiful girls, beautiful girls, falling in love, falling in love, falling in love, no matter what the name of the novel is, whether it is in Tokyo, writing novels, drawing comics, or singing, etc., But in fact they are selling dogs on top of each other, except for love, it is love. Do all those authors have love brains in their minds!

Why don't you go big and slaughter half of the human race to shock the world, and then ask the remaining humans to pay taxes? Let humans pay the eldest son tax. The first child born must give his life and soul to the protagonist.

First of all, I am not sure whether the world I travel to has superpowers. Then I will first go to the intensive care unit of the hospital, ICU and other places to get the first pot of gold, make the first props, and detect whether there are people with superpowers nearby. Since the funds are limited at the beginning, the props may not be able to detect a few kilometers nearby. Then I will go to the city center of a first-tier city in a world power to use it. If there is, then there are two consequences. One is that if you are found to be so cowardly, the props should be handed over and collected. The second is if they are not discovered, then they can go home and develop in a low-key manner. If not, then there are either very few supernatural phenomena in the world, so rare that they are not even found in the first-tier cities of a country. Or there is no paranormal activity. Then you can create three or five props that will make big noises and move and give them to others, so that they can test the waters to see if there are any supernatural phenomena that are rare but particularly foul. While slaughtering a gangster den, make a prop that can automatically harvest the life and soul of those who are about to die (among more than a billion people, tens of thousands die every day, just kill them one second before they die). You may not be able to harvest the whole world at first. One city is enough first, and you don't need to monitor it all the time. Scan once a day to predict the time of death, harvest at the time, and then slowly upgrade. While making pregnancy props, people can become pregnant, parthenogenetically reproduce, give birth in three months, and the child becomes sexually mature in two years (it can be strengthened to directly transform into self-dividing reproduction, and the spores will automatically divide when they grow up, and they will automatically take root and grow when they fall to the ground). Develop cloning and artificial human technology, and you can also try to create subspecies of humans to see if they can be harvested. If there is a supernatural being to stop it, then use all the resources to catch up with others, and later divide and harvest yourself. If not, then keep all mankind in captivity.

This kind of Tokyo behind-the-scenes writing has a very low point, that is, it always stays in the corner of Tokyo. The layout is really low, and there is nothing we really want to see. For example, nuking Tokyo to make the bright sun rise again over this land, or setting fire to the ghost toilets of Yasukuni, assassinating the prime minister, capturing locusts alive, and then rushing directly into the mold base to beat up the mold resident in Japan. These are the things we want to see behind the scenes in Tokyo!

It is best for the behind-the-scenes protagonist to be an orphan, otherwise it will become increasingly difficult for you to write later.

Don't turn it into a nanny article. The behind-the-scenes article is most afraid of seeing all kinds of people showing up to the saints and all kinds of nannies halfway through. I will almost be frightened by this kind of poison.

Behind-the-scenes Tokyo streaming is very popular recently? I have several books on my bookshelf, but whenever I go to Xiaoli to cause trouble, I will definitely help, 👍🏻

It feels like it's full of tricks. What kind of transcendence do you want to test? I don't have any idea about the test object. If it is the original extraordinary from ancient times to the present, I should just read the history books.

Many people die every day in the world. Why not create an illusory extraordinary virus that parasitizes in people's souls, relies only on a little soul energy of the host to sustain it, and then infects everyone crazily. In this way, the souls of those who have passed away can be safely harvested, and these viruses can be upgraded later, such as forging spiritual energy recovery, inducing their souls to mutate into various talents, building a huge soul talent network, and directly reaping the benefits.

The writing is a bit immature, but it's still readable, and it's pretty good among newbies.

Don't you want to have a knight battle with this protagonist's name? 🙂🙂🙂

For the protagonist's ability to create things, I think we can refer to the Pinball Elf or Yu-Gi-Oh cards to create some mythical beasts or monsters, which can also be integrated with the owner and share abilities. For example, the elemental elves sealed in the card. Or create extraordinary blood potion, and after drinking it, you will turn into a vampire or a snow girl. Or make something with a stone ghost face

If ability directivity is so convenient, the most useful thing in the early stage is concealment, a treasure phantom that can absorb vitality or soul. It will be fine if everyone absorbs less. Just do a range of absorption

Suddenly I felt that the author's setting was very suitable for a magical girl system. First of all, make a biological path similar to the Q ratio, which can sign contracts with people to gain strength. As we all know, Mahou Soju will not kill people, and being defeated by them will only weaken or knock them away. There is a reasonable reason to absorb the life and soul power of the defeated without killing the leeks, so it can be continuously used. And Mahou Soju is an idealistic system. At critical moments, the protagonist can also give them temporary reinforcements to control the outcome of the battle depending on the situation. Even if a magical girl suddenly becomes super strong, it is very reasonable, and most of the power can be taken back afterwards. Let's create an opposing witch with similar power to a magical girl, fall in love with them and kill each other. As for those who are completely hostile, just engage in monsters. The power system of sustainable development. You can also develop a consumable card armor system, as long as the card power has a limit on the number of times and can be recovered later, and the monsters that are killed or defeated will become cards or crystals that can be recycled. If you add a few more systems, you can have a big melee. The protagonist is responsible for fishing in troubled waters.

Chakra can be produced by consuming life energy and spiritual energy.

With the protagonist's current power, there is no need to pretend to be a ghost. All he needs to do is create a catastrophe every few years, or throw a bunch of weapons at it.

Is it all behind the scenes in Tokyo and not behind the scenes in America?

I'm looking at a few of them, and I'll give you a monthly pass💪

Come and see

Come and see

I don't know if brothers have watched Armor Warrior. The setting of Kaiyi is that the summoner can summon armor because the summoner has the blood of the Five Elements. If an ordinary person travels to Kai Yi's world, how can he summon armor? Does blood refer to blood? If an ordinary person exchanges blood with a person with the blood of the five elements, does it mean that an ordinary person can temporarily have the ability to summon armor? I hope this can clear up the confusion.

With this ability, the first thing that comes to mind is sustainable development. To achieve this, either the protagonist has enough time, which is the life span, or there are enough resources, which is the soul. There probably aren't many time protagonists, so a better way is to increase lifespan while creating wormholes, so that you can have more resources.

There is a theory. When I read your book, I was inspired by "2077 Cyberpunk". What kind of story would happen if the High Table in the movie John Wick appeared in Night City? The High Table has single-handedly established the dark side of Night City and even the entire world. The beggars on the roadside, the wanderers in the wasteland, the NCPD in the city, and even some employees in various giant companies may all be members of the High Table. When all the giant companies and even Saburo Arasaka thought they owned the world, they discovered that the world has a dark side and huge forces that make their scalp numb. By the way, John Wick, Johnny Silverhand's twin brothers, it feels like it is an interesting subject to start with.

With New York doing this, the protagonist can speak freely, so why is there any need for obscene development?

It's okay, as long as you don't pay too much attention to the details, you can still read it. There seems to be more behind-the-scenes articles like this recently 😎