Rebirth in 1981: Hunting and Fishing in the Northwest

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I've reached chapter 600 and can't watch anymore. Let me share your thoughts. First, the heroine's sense of presence is too weak. She is a vaginal ejaculation machine and a fertility machine. If you really don't know how to write about emotions, don't think about it. This is not a big problem. I don't care about this when reading farming novels, but don't hold back all the time. Second, what is the use of keeping 10 tons of your antique dog-headed gold and jade in your house, waiting for the protagonist to be worth tens of billions to sell them out? Thirdly, I can understand why you like to give away things so much, including meat and jade, but it's not a bit too frequent. You just give away things here and there. If you care about favors so much, why do you still do it alone until now? According to your monetary value, it is 10 yuan and 8 yuan at the beginning. Later, when you have enough money, you can give away hundreds of yuan. Doesn't that mean you are giving away tens of thousands? A tractor can also be given away for 5,000 yuan. According to the current price, it is about 500,000 yuan. Come on, give me a try. You When Liu Qiangdong returned to his hometown, he didn't give it to his family like this, right? Qi Tongwei's version of the era, right? You can lead them to become prosperous together with your own wisdom and labor. This is still a cool point, but don't give it away without thinking. You are still repeatedly emphasizing the importance of friendship and hatred. Fourth, every time you send something, you have to repeatedly emphasize how I was and how you treated me. You only have to write it once or twice. Every time you have to write whether you are cheating on the word count, it is very disgusting. I really want to give it away once and then it is over. For example, if a person helps you once, and you bring something to thank him once a month, and say the same thing every time, if you hadn't helped me back then, what would the person think? Either you are criticizing him, or you have a weak IQ. Fifth, is hunting too easy for you? It is a very dull novel to begin with, with a slightly ups and downs and exciting plot, or a twist and slap in the face, and then the rest is hunting. The protagonist is fully 360-degree transparent and has self-aiming and even has foresight. The prey is like an NPC who appears to provide meat and fur to complete the mission. It is designed with some snacks to create ups and downs and exciting scenes. Only then can the protagonist grow up. Why can't I stand the mountain next door? The protagonist is already invincible in the mountain. I don't know what else he can't fight. Put a Godzilla or give him a few dogs. It's no problem. Sixth, the villains in your story are pure tools. They appear suddenly when you need to write a slap-in-the-face plot. They have low IQs and are arrogant. They are inexplicably bad. One or two of them are jealous. Then all the villains have no brains. Can you write a character profile for someone? Unless you can't live, there is no pure bad guy. He is not bad enough, he just disgusts the protagonist and disgusts the readers. The villains written wonderfully can provide resonance for the readers. Seventh, the protagonist has grown up so smoothly without any setbacks. Xiao Yan is still thirty years in Hedong and thirty years in Hexi. He wants to advance but suppresses first. Your protagonist is just reborn, not cheating. In his previous life, he was a very ordinary, ordinary and even failed old man. He is not the rebirth of Lei Jun and Ma Yun. People are not saints, and no one can make mistakes. Appropriate setbacks and failures are conducive to the growth of the protagonist. We are both from Xinjiang, and it is rare to see a good Xinjiang novel. I have also given it to several friends, but the more you write, the more outrageous it becomes. The economic system and growth system of the novel have completely collapsed. It is too long and you can no longer control it, right?

⑴ "Return to the 1980s, hunting in the mountains is also a kind of life" The gunfight between gangsters is based on northeastern hunting; Dog Wai; ⑷"Rebirth of August 1st Fishing and Hunting in the Northwest" Adaxi, an ethnic minority in Xinjiang, arrives for fishing and hunting; ⑸"Rebirth in 1984, starting from beekeeping in the mountains" beekeeping; "The Beginning of Colonization" Hunting in the Qinling Area; ⑺ "Return to the Small Fishing Village in 1982" Fishing in Fujian; ⑻ "Return to 80: Getting Rich from Wong Tai Sin" Shandong Weasel Hunting, Experts Rubbing Firearms; ⑼ "199 2 Small Village, Raise a Car and Become the Richest Man in the Village" Repair an excavator; (10) "Return to the Leisure Life of 1982", "Rebirth in 1983 I Hunted in the Mountains to Make a Fortune" and "Return to the King of Mountains in 1985" These three books have no new ideas and are not a return to the past in terms of technology.

What is the meaning of writing about a female protagonist being a teacher? The male protagonist is busy making money, but the female protagonist cannot help the male protagonist with his career, nor can she take care of the family. She does not do any work, but instead requires the male protagonist to cook, wash dishes, and work as a cow or a horse. Is this a woman who has endured hardship in the countryside? The household expenses are all paid by the male protagonist, but it is the same as in other places. The male protagonist lives in the mountains or in the village, and the female protagonist lives in the county town to work. The male protagonist also supports the female protagonist to get a higher education, hoping that she will be promoted to the city or province soon, right? This is not a pure injustice. Prepare to wear the cuckold.

I really don't understand the male protagonist's thinking. In the early stage, the male protagonist took the initiative to show affection to the female protagonist. The male protagonist has a mental age of 60 or 70 years old and was married in his previous life. It's really hypocritical to be so coy with the female protagonist. Seeing the female protagonist take the initiative to make concessions. The male protagonist proposes marriage. I don't want to delay your future development when the male protagonist comes. Haha, this is a big poisonous point for me. First of all, this is a period novel and a male character period novel. So the best setting for the female protagonist is to be a good wife in the family, or A partner who has progressed in his career, or he chooses not to easily start the male protagonist's relationship line. In the end, the old man is reborn and comes back to fall in love. He has neither the innocence of young people nor the calmness of the wisdom of old age. The highlight of the author's book is the interaction with a few nomadic people. From it, you can see the most simple people of that era. The beautiful hearts are more touching than the beautiful scenery. But other than that, it is really a mess. The human world is very ordinary, and the parents are short-sighted. OK, the career development pattern is too small, especially the first house I bought, which is both mindless and exaggerated. The house is full of treasures, including copper coins and French currency. The fish sellers are more than a hundred kilograms of fish every day, and they are bought in one or two hours. There is no plan at all, and they are always procrastinating in making decisions. The consequences of such people's previous lives are extremely real, which makes people look down on and makes them difficult to live. Originally, a common problem with this kind of period literature is that it either becomes dull and the readers are no longer interested in pursuing it, or they are no longer interested in pursuing it. Suddenly a poisonous point is abandoned. After all, there is no way to escape. This emotional drama between the male and female protagonists is really blind. Either you write a Bai Yueguang female protagonist from the past life, and the male protagonist has always missed it, or you set up some obstacles to the female protagonist's identity, such as being older. Seven or eight years old, it is not easy for the public to accept. These can make the emotional drama longer, and it is more beautiful than the dragging out now. They also got engaged, arranged nm twists and turns, who was not a wealthy family in those days? Who was so ink, ugh, what a failure.

In his previous life, the male protagonist died of his beloved brother, and his sister-in-law's family broke up with him. He was an old bachelor and married a widow with a child, and his life was miserable. The reborn male protagonist fishes, sells sheep and wild boars, etc. To give back to his brother and his family. This is good in itself, but it's a bit unpleasant to find a fool to betray him once. Here comes the poisonous point. The woman Gu Ermao found in his previous life is now the male protagonist, and Gu Ermao seeks the male protagonist's ex-girlfriend as his girlfriend. It feels really unpleasant and a bit toxic. What's even more vicious is that Gu Ermao reported the male protagonist twice. The first time he let it go easily, but the second time it was the junior official and the eldest brother who took action. The male protagonist was bullied in his previous life and was bullied in his rebirth, so couldn't he fight back harder? In addition, I met two murderers on the mountain, and the male protagonist actually didn't kill each other. They are enemies of life and death. Once the other person is alive, can you guard against them every day? You still have family and friends. What else are you talking about being ruthless? I'm really speechless. Two such dangerous murderers wanted to kill you, but they actually gave you medicine. You considered that if you missed it, you would die. In the early gray areas, ruthless people were successful, and the male protagonist's success was mostly just the halo of the protagonist.

This author writes in a petty style, and the main character is a loser.

It's more ridiculous than that book about mountains. At least other villagers also hunt in that book. In this book, the protagonist himself knows everything, and other villagers have no information. ,. The protagonist knows how to smash ice to catch fish, but others don't know. The protagonist knows how to catch sparrows, but others don't know. The protagonist knows how to go to the mountains to chop firewood, but others don't know. . Isn't this nonsense? If you were all rich, I wouldn't say anything, but if the whole village is poor, wouldn't they know how to go to the mountains to chop wood and hunt?

When I first saw the title of this book, I thought to myself, there are occasional small oases in the northwest or the Gobi Desert or desolate mountainous areas. The water sources and rivers are precious and drinking water is difficult. Since ancient times, it has been herding and hunting. How can you fish? So I skipped it. Recently, I read a book by chance and found that it was quite well written. Fishing can also be done in the northwest. Therefore, the title of this book is not absurd, it is reasonable. This changed my stereotype of the Northwest, so I read more. Then I discovered that the protagonist is not only brave and smart, but also kind and hardworking, which suited my taste very well, so I continued reading. I also found that the style of this book is not exaggerated, not brainless, down-to-earth, serious, almost realistic, and my impression of this book is getting better and better. Then, I couldn't help but come here to express my feelings and share them with everyone who likes this book. I also hope to share it with book lovers who have the same misunderstandings as I did before. I wish this book a great success and I wish everyone a wonderful reading experience.

There is a very serious problem. After reading 200 chapters, I don't even know how much money the protagonist earns. I can imitate a small fishing village and have to settle accounts every ten days and a half. If I don't have money, I won't be happy. I have to pay but not get anything in return. This can't be written.