I Became a Weirdo in Marvel

A common problem with this kind of behind-the-scenes articles is that there are too few characters and no one can die. If it doesn't work, you can use the entire American variety world. You can add some characters from TV series or other movies. If it doesn't work, you can add some second- and third-tier superheroes from comics. Don't just go back and forth with those people like other articles.

The subject matter is good, but the writing is quite rubbish.

So I still don't understand. Aren't you a weird talker? Why should we bring out a native of the motherland?

It's not weird at the beginning, and there's no weird talk later on. It's just a setting that attracts people. This so-called weirdness is just about beating people instead of killing them. It's just trying to sell people like sheep.

To be honest, the protagonist's sense of presence is a bit low later on, right? It would be quite uncomfortable to hide behind the scenes all the time. I just feel like the protagonist is similar.

Drive high and go low, the tune is good, but your hands are tied! Others dare to make movies, but you don't dare to write in novels! When you reach a wonderful place, a Teletubbies pops out! It's better to watch the original movie than watch this thing!

The level has plummeted from around chapter 60, and now it is below the passing line. Before chapter 30, the protagonist was focused on becoming stronger, and then he completely downplayed the protagonist and turned into a group portrait. It is not impossible to write a group portrait, but you don't have any main line. Now it is just hammering here and there. The key is that it is not brilliant! ! ! Each character is so blurry that no image has been established in my mind. I can still remember them because I have seen the movie, rather than the image established by the author. Their changes are minimal, and they are not even as interesting as the original version. Especially for the batch of water that has been updated for the past half month or so, the key is not to feel uncomfortable! No sense in fighting! The conversation is useless! Can't substitute

I want to write about the main character being mysterious and being the mastermind behind the scenes. But the writing is not strong enough, and the plot is a bit abrupt.

If I were the author, I would directly copy the rules of ghost stories, hospital-to-hospital-to-hospital-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-to-supermarket-ghost stories, etc. I could also set it up to absorb fear, and then even if I was infected by the ghost story, I wouldn't die. I would just be bound by the ghost story, become someone other than myself, and then be controlled by the pig's feet. Anyway, it's in Marvel and abroad. Not a hundred times better than your bullshit Japanese weird talk.

The protagonist is a villain. In order to improve his reputation, he directly kills people on a large scale.

What the hell is Storybrooke? It's foggy and foggy. Is it necessary to go to Wakanda and dig so many holes? It's really not as good as making trouble in the early stage. Reading those chapters of Storybook Town really wasted my money and digging some stupid holes. It's not necessary. It's not enough to make trouble seriously, but a flirtatious girl can do it.

It's fun to start imitating Jigsaw and prank Stark. It will be better if you stick to this line. The protagonist's participation is getting less and less.

It can only be said that the previous plot of Tony Stark exposed many problems, and the plot was very inferior after I watched it. The author created Jigsaw to play the game. In fact, it can completely replace the original plot and let Tony transform into Iron Man, let Tony self-mutilate, save Pepper, and then break through the level to save the brothers. Here, Tony can self-mutilate or both of them self-mutilate to save the brothers. Finally, after rescuing Obadiah, poison gas or some mechanism appears, Obadiah rebels, and Tony himself is the only one left alive among the three Tonys, but he is also permanently disabled in several parts of his body. It is natural for Tony to embark on the path of Iron Man. Obaday is also the first villain. The protagonist's jigsaw has become an eternal shadow in Tony's heart. Although this writing is cliché, it still creates new ideas compared to other fan fiction. As a result, the author was timid and made the protagonist the nanny of the main Marvel characters.

I don't know what the protagonist wants to do, he's not a fun person. It only teased Tony Stark once at the beginning, and then it was just messing around without any purpose or sense of existence. I feel like the author, like the protagonist, doesn't know why he does things, and the writing is a mess.

The Akatsuki organization has come out, and the evaluation is that it is better to play the game xdm, it seems like a waste of life.

Many people say that the front part is good, but the back part is not good. I think the front part is not so good, and the plot only picks up later. First of all, this is behind the scenes, why does the protagonist have to appear all the time? Besides, those who ask why the protagonist never comes out, Osborne has been taken away, he is the protagonist, okay? It is said that the back part cannot be understood. Why can't one map or one event be understood? Although the "fake" captain and the Winter Soldier of Fairy Tale Town have not yet explained the reason, it does not affect the back view. It is just a foreshadowing. It also has some shortcomings. You need to read some movies to understand some abilities and jokes, such as Banner who combines the Angry Archbishop and Green Lantern. Personal feelings: The character of Osborne, the warm-hearted uncle and good father after taking over the body, is quite good. I also like Harry, who is from the motherland. I hope the author will not blackmail the two of them. Harry should wake up and give him a boost. He can't keep up with the version.

Didn't Goldfinger rely on ghost stories to enhance his reputation? What are you doing to improve people's abilities?

. . . Most of the recent ones are about people from the motherland, but what about weird stories? Are you digressing from the topic? What I want to read is Kaitan. You can write about the people in it to deal with Kaitan.

The first few pictures were still barely related to the kaidan genre, but the more I wrote, the less I wanted to be in the kaidan genre, and it became a behind-the-scenes genre, but it wasn't purely about the main character having his own avatar and ending up in person. I entered it because I wanted to read an authentic kaidan novel, so I couldn't accept this hybrid and it's been withdrawn. If someone can accept it, you can check it out. At least I didn't find anything poisonous about the plot when I saw it.

In order to avoid talking nonsense, the abilities of the protagonist and avatars in the book are regarded as whatever they want, unless it is necessary to specifically list the relevant abilities that need to be given to a certain character. What kind of capabilities do you want to see? You can leave a message here and reply as soon as you see it. Everyone is welcome to speak freely!