I'm a Mage, So What If I Love Farming?

This is not a farming story, it is clearly an adventure story You can find treasures when you go out, you can find treasures when you eat, you can find treasures when you poop, you can find treasures when you sleep, you can find treasures in farming, you can find treasures in trading, you can find treasures in practicing medicine, you can find treasures in fighting monsters.

(Only a personal suggestion,) I have read Chapter 31 so far, and the novel is in the middle and upper reaches of my reading. Generally speaking, I like it very much. The creativity is very good, the world view is also quite big, and it can be seen that the author has tried his best to avoid those poisonous points There are a few small suggestions at the moment 1. Character carving In painting, people have seven emotions and six desires, as well as morals and values. In novels, these things are like the flesh and blood of the character. Only when these emotions are expressed through the character's words, deeds, actions, and psychology will they appear full Of course, there is a shortcut to this kind of characterization. The author only needs to portray this character. Just treat it as a living person. For example, if the legendary mage is portrayed by thinking that he has these abilities, these statuses and what kind of character he should have to do these things, it will appear one-sided If the author treats him as a living person when portraying him, thinking about his story (From being born to growing up to becoming a legend, he had many friends, many moments of life and death, and many honorable statuses. He had different emotions and changes at each stage.) If you understand him through this story and describe it, it will appear very vivid. Everyone has a story, and he is not there to promote it. Plot service 2. The author seems to like to use third-person descriptions to describe the intentions behind the protagonist, but this method not only reduces the readers' thinking about the protagonist's behavior, but also biases the train of thought and affects the ability to substitute (it is actually better to let the readers figure it out, because everyone's ideas are different. This kind of explanation is actually equivalent to forcibly correcting the reader. Although the reader does not have some inexplicable negative thoughts, other thoughts will also be reduced, and any good or bad is relative. What you think is good will always be considered wrong.) In fact, it can be compensated with action description and environmental description. For example, where the protagonist goes When examining servants, there is no need to use the third person to describe the strengths and weaknesses of those servants. You can describe the servants through their behavior, appearance, and respectful attitude. Finally, add a heartfelt message from the protagonist to express satisfaction with them. This not only fully expresses all the content, but also increases the sense of substitution. It also leaves a lot of Big blanks for others to fill in their minds 3. The character of the protagonist can actually be more cheerful, because the tone of this book should be a farming novel, so he is more suitable for a protagonist with a comfortable temperament. The author's portrayal of the protagonist is still okay. If it is placed in a fairy tale, the protagonist's character will definitely be sought after, but in a farming novel In it, the character of the protagonist can be more laid-back, and there is no need to put interests first. After all, there are many ways to make money and obtain resources in farming novels. There is no need to put money first and regard everyone as interests (the most essential factor of interest first is the lack of money. When there is no shortage of money, feelings are more important). For example, the butlers and knights who accompany the protagonist are, after all, considered relatives of the protagonist. They have grown up with the protagonist and are loyal. There is no need to keep worrying about how much benefit they can give and how many benefits they can bring. They are like a boss treating his subordinates. After all, as the protagonist becomes stronger and stronger, what he is pursuing must be more. High-level satisfaction, if it is still based on material interests, is a bit narrow-minded (from the text, the legendary mage is almost invincible, God needs to pay attention to it, various items can be obtained with a wave of his hand, and he has a long immortal lifespan. The protagonist will definitely reach this level in the future, so when the protagonist reaches this level When you are at a high level, talking about some material interests can only create more powerful objects and more powerful people, but in essence this is no different from starting over). They are all one's own people. The most important motivation for a person to strive forward is to satisfy his own desires, but also his responsibilities, his emotions, and what he cherishes. However, in a farming novel, fighting and killing is not as interesting as farming. Interest can be an incentive, and family affection can also be used, and the two do not conflict. Family affection can be the main factor and interests can be supplemented. If it is just pure The binding of interests has no effect. The protagonist is still alone, but has some more useful tools (and as a time traveler, even if the protagonist does not want to reform and make a revolution, he must not be exactly the same as those nobles. Take the essence and discard the dross. You can enjoy the enjoyment of the nobles, but those meaningless noble etiquette , treat others with class eyes, distinguish yourself from others, and can be completely discarded) Farming plus comedy is a bonus, and farming plus darkness and deep disability, it is not that it is impossible, but it is quite conflicting, especially if you don't want to be light and funny in the front and dark and dark in the back. The author can look at "The Necromancer Just Wants to Plant Trees" Because the style changed midway, the readers were almost pissed off, and they finished it all. However, his writing in the early stage was still okay, but in the end, it was completely irritating These are the conclusions I made after reading Chapter 31. I really like this novel and am optimistic about its potential. I hope your writing will become more and more refined and the novel will get better and better.

As long as you develop the territory steadily, don't cause trouble, and don't have any special plots in the capital, secret meeting plots, fights with hostile forces, love plots, plots where the protagonist goes out to do business, and all other things that may fail, you can write the minimum with the current content alone More than 140 W. Of course, these plots are not impossible to write. In fact, they can be written. Just don't be too bloody. But they are not suitable for writing before the initial development is completed. It also tests the author's writing skills. Too many people and too many books will cause trouble in the early stages. Fantasy is okay. This book is written normally. I wrote 30 0~600W shouldn't be a problem, it's best not to press the progress, the map is huge, go down 1, 2, 3, 4 until you reach the demigod, plant your own house and then plant the royal capital, from human farming to magic energy industry, from the island's richest man to the richest man in the world, just like playing Stardew Valley and slowly gaining 100% perfection, there will be more later You can start the plane invasion, use finance, force, and a bright future to conquer, transform, and industrialize the world, radiate business to more worlds, transform the harsh environment, transform the indigenous people with magic energy, modernize the original residents, industrialize the production of armaments with the power of the world, and become a P Society war criminal (not). Ahem, anyway, the farming subject matter is all dry stuff, there is no need to go into detail at all. Just enriching the background and inserting more details will be enough to write about.

I have read more than 200 chapters, and I can only tell you one of my shortcomings. The overall style of the novel is originally light-hearted, but it is not inexplicable at the end. It is the slave liberation. I think there will be such a plot later, which feels very ridiculous. It is good to have the intention, but can such heavy content really be tolerated? Is it really suitable for this kind of refreshing novel?

You are going to become a god, write quickly, what games to play, what to do on Douyin, what to fall in love with, code, no rest if you don't have 10,000 words in a day. You are just a few words behind Tiancan Tudou, Tang Jia San Shao, Tomato, and Chen Dong.

Hello author. The plot of your book is similar to the novel I published on other sites, and the more I read it, the more familiar it becomes. I now suspect that you are suspected of plagiarism. Please update 500 more chapters so that I can confirm whether you have plagiarized my book. Thank you for your cooperation!

I feel that the writing of this meditation method is a bit too awesome. It has not even had a yellow chapter yet, but it is already so long and powerful. However, this meditation method still has the feeling of destiny. This meditation method is even more golden than the golden finger. It adds a mythological color, but it weakens the fun of farming. What do you think about this?

I would like to ask about the orientation of the entire island, the surrounding geography, the overall size and shape, and even the distribution and size of the buildings inside the island. I remember when I read "The Story of a Mortal Cultivation of Immortality" again, some readers even restored the entire map based on the "footprints and visual inspection" of the protagonist in the article! 😘 If you have read that masterpiece, you should understand that the author uses the perspective of the protagonist, footprints and visual inspection to measure and describe the entire space, orientation, geographical features, buildings and even smaller objects. The reader feels incredibly clear, profound and has a strong sense of immersion. And the more detailed the description, the better. It is like "laying the foundation". Only by making the map/environment concrete and clearly depicting it can the world in the entire book be clear and concrete, just like "realistic painting"! If you have read that masterpiece, you will also find that the items that the protagonist comes into contact with and obtain, regardless of size, shape or even weight, will have a concise and clear description. Going a step further, every supporting character that the protagonist meets, and even some passers-by, will also have a description of their appearance, height and body type... It seems that the author has described a lot, but if you look at it, you will not feel any cumbersome and complicated at all. It often makes people feel that the description is just right. Although the text is simple and not very gorgeous, it feels like it has grasped the essence of writing, and the gorgeous vocabulary is dispensable. I have said too much, but I really want to complain about the current online novels. I can't describe the environment, nor can I describe the characters. It's dry and straightforward, and it just uses a lot of dialogues like those of kindergarten children to advance the plot. There are as many books as there are, and one glance can make you vomit three liters of blood... I personally think this book is pretty good, of course, I just compare it with some so-called works nowadays. , In fact, I still don't know the appearance, height, or even body shape and temperament of the protagonist, nor do I know his clothes, hair accessories, or even his voice. I always think that writing novels is like doing "realistic painting." If you don't draw the characters, especially the image of the protagonist, then the reader will not have the image of the protagonist. Let alone realism now, it is not even an abstract painting... The author of "The Thief Leaves" has excellent writing style. Her description of the characters gives the impression that it is a combination of modern realism and ancient ink depiction of gods. The characters truly have "both form and spirit", which is a step up from the simple description of "the appearance of the characters" in "The Story of Mortal Cultivation of Immortality". It's just that the protagonists in her works are all bullshit, and the sadistic style makes people depressed. ♠

The creativity is great, but the supporting characters, whether they are humans, monsters, or plants, are all like NPCs. They serve the protagonist completely. They are purely tool people and are forgotten after use. The plot is pure fun to watch. The conclusion is that it can be seen, food and grass, there is no obvious logical flaw

The writing is okay, but it's a bit messy and has no main thread.