Cursed

Let me start with a technical summary. I personally can give a full score of 7.0-8.0 Out of 10. Personally speaking, I would first give a score above 7.5. However, from an objective point of view, my personal standards can only be below 7.5, So I finally gave a score line that is relatively large for me. Based on the 10-point scale, let me simply talk about the works that I can give 10 points to: The Heroic Epic of Fog, Blood and Hypocrisy, The Bizarre Detective Agency, The Plague Doctor, The Amber Sword in the early stage, The Bone Boat Chronicle that is not sure when it will be completed, etc. Based on this standard, the familiar routine novels such as Dou Po and Douluo 1 are rated as 5 points, while the overbearing president's face rolling over the keyboard is zero points. After talking about the scoring criteria, let me talk about what I think the author does well and what is not good, which is my personal reason for scoring. First of all, what I did well is that I can see that the author has unique ideas in every copy design. To be honest, compared to many supernatural and supernatural infinite streams that simply design a dungeon and put a ghost in it that kills according to the rules, the author is using a dungeon to tell a story that is both a ghost and a human being. This is not good enough, but it is interesting enough. At least now that supernatural literature is rigid, this way of writing can attract me and has enough sparkle. The second thing the author does well is the character design. Although some people criticize Aning and other characters, the author has worked hard on the character arc. Whether it is the God of War of Pure Love or Teacher Bai, even some small characters who are killed, there are more or less characters in it, and overall it is much better than those stories where the characters are pure tools. However, the author's shortcomings do exist. Currently, there are two major ones. The first one is that the author's dungeon design idea is very flawed, which is also my main deduction point. It is also a common fault of many supernatural infinite flow authors. That is, the author creates entirely from the perspective of the creator, without considering what the story will look like in the eyes of the reader. The result of this is that the design of the dungeon is unreasonable, and the reader cannot lead the protagonist to think about where to survive. Or to put it another way, the dungeon is completely reduced to a tool to set off the protagonist, and if you change the dungeon for another person, it will be stuck. Let me take the first dungeon as an example. Without the ability of last words, ringing the bell would be basically meaningless. The protagonist would even get stuck in the first reincarnation because there are no variables to stimulate a new reincarnation. Another problem is the confusion of the ability system. To be honest, the second volume is interesting to me, but there are too many things that pop up at once. It gives me the feeling that the author has designed a very awesome boss, but the strength of this boss completely exceeds the limit set at the beginning, so I can only keep adding Dao and magic robes to balance it. To be honest, the career + talent + prop system was very well designed at the beginning, but now it is both a Celestial Master and a Taoist. Instead, it destroyed what the author wanted to avoid at the beginning - that is, not to develop in the direction of spiritual cultivation.

For example, the protagonist's feelings for the character Hui Ling are quite inexplicable, and Hui Ling's attitude change before her death is also very awkward. There is no foreshadowing and it suddenly seems very touching 😥 Also, the protagonist's thinking logic should be clearer, at least it should not look so stupid. Sometimes I feel really anxious when watching it.

I've just read a few chapters and it's okay so far. I hope it's not an invincible novel. I really can't stand a horror-type invincible novel.

Didn't make it to Chapter 3. There is no sense of horror. Why do you want to set the protagonist to be an rz? There was no response after receiving the text message or seeing the computer screen. Even when he saw the note, he didn't react. Not even an inner description of doubt. . . The most important thing is. The writing is really hard to describe. . . There is no reason for poor grades. Author, please come on

I got hooked after just reading a few chapters The protagonist knew he had skills but didn't believe it The surrounding supporting characters acted like idiots and exclaimed at every turn The protagonist was brought into conflict with other characters for no reason The character and IQ of other decisions went up and down, which was the result of the author wanting to highlight whoever he wanted and making him suddenly smarter It felt like he was forced to write for the sake of the plot and the pitfalls left earlier.

A relatively interesting horror novel. If you are looking for an orthodox horror atmosphere, you can read it. If you are looking for fun, I would like to remind you that although the protagonist of this book has a golden finger, the protagonist cannot use the clearance rewards to add points to his various attributes. Others can.

When I saw the end of the second dungeon, I originally had a good impression of Sister Ning, but I didn't expect that she would be so frivolous and just save her life and I could sleep with someone, right? I suddenly felt very disgusting. If this kind of person keeps acting in a romantic relationship with the male protagonist, I'm afraid I'll vomit.

F*ck, the eunuch's book was recommended to me. You are invincible from the starting point.

I don't like this kind of thing. I have never understood it. It's all mysterious, and it's still logical. The key point is that many people talk a lot about logic. Mental illness does not require him to be logical in terms of law and morality. When writing about gods and ghosts, you have to put logic into them. How interesting.

When you start grabbing notes, you might as well put the explanation at the front. Although you said that you will explain it when you read the next chapter, the previous chapter was all gone, and the subsequent explanation will lose some readers. Why didn't you bite your tongue later when you need to use blood to summon the female ghost in red? It feels like it was written like this deliberately for the purpose of sensationalism. It was too deliberate to write a bunch of people and kill them. It doesn't make any sense, so it is better to start looking for clues.

The writing is really good. I have been a bookworm for more than ten years. It makes me seem a little bit insatiable. There is something in it.

In the early works of Air Conditioner, the combat power design for high-ranking anchors was a bit high, so that fighting ghosts was too easy to hit people and became the main plot. If you want to write horror without turning it into suspense or even fantasy, it is best not to make some characters too powerful. The Skeletons and Sister Ning in the second copy are too much. It can be said that Li Changsheng designed to speed up the progress of the Skeletons, so that the "inside scene" of the protagonist's attack will appear in the early stage (you will die if you can't get out, and you can only drag the props to hand) instead of the "food and drink" of the first team (just don't move, handing the props or moving randomly may kill teammates). This plot makes the progress of the ghost too fast, and then the human side Sister Ning has to transform, and the protagonist can only run away with a developmental skill. The pace is tense, but sooner or later the protagonist turns into a camera or an invincible devil. There are weddings and weddings outside, and there are cliffs waiting for the protagonist in the dungeon. Now a group of people have died like a revolving door, and several mini-bosses have appeared.

No, brother, why do I have no news at all about your new book?

If you don't make a decisive decision to stop the loss and start a new book, nothing will be smooth sailing. You have to accumulate readers first. In another industry, it is called accumulating customers. It can be seen that the author does have a talent for supernatural literature. You can keep writing a few books and see. Success requires not only talent and hard work, but only with talent and hard work can success be possible.

There is a monthly pass. If you, the author, don't want it, do you know if you want it?