Only I Can Do It: the Characters in the Play Help Me Become a Fairy

All your stories tell you that you are a thief, and a thief who wants to be a good person. You are not called Goldfinger, you are just a thief who wants to be a good person and be reborn.

Goldfinger is all in vain. The protagonist can't play without pressure. He forgets the skills when he doesn't use them. And there are always people trying to lure the protagonist into the casino. It's too difficult.

The author really restricts the protagonist and follows the protagonist's ideas. The protagonist has already ascended! There is a majestic road but you don't walk on it, you just walk across the river with your hands and feet restrained! ! Either don't open it so much, just open it like this, that's it!

He has an unpleasant personality. Every day he narrows his eyes and says he wants to take revenge on this person and that person, but in the end, he doesn't see who he is actually taking revenge on. Once or twice may be okay, but if he does it more times, he will look like a clown. The old saying goes: Those who have a will, things will come true; those who have no will, always make an oath. Who do you think this protagonist looks like? Then the setting is also very strange. At one time, it was said that Internet cafes had just emerged in 2010, and the games were only for red and white consoles. At another time, it was said that the technology in this plane was slightly stronger than that on the earth. Tsk, in the 2000s on Earth, Red Alert/StarCraft/WC3/CS were all popular. Internet cafes were overheated. MMOs became popular. Wow has reached the level of Lich King. The game console PS2 has been eliminated. The classic model iPhone4 is about to be released. As a result, you said that the technological level of this red and white machine is slightly stronger than that of Earth. It is really outrageous. Without any planning and purely relying on luck, it is outrageous to act in an idol drama and involve aliens with high martial arts skills. To be honest, normal people encounter this kind of situation. If they want to play a high-level martial arts fairy to gain extraordinary inheritance, they have to go in the direction of martial arts. With the ability to avoid shaking, it is easier to get into the corresponding crew. Then they have to find war scenes/fighting scenes. With a certain amount of force, it is also easy to get into the fairy and martial arts crew. This guy almost turned himself into a professional thief/magician. If you are really stuck in this framework, I am afraid you will never get a suitable role in your life. Finally, there are plug-ins, and the pace of getting improvements is getting slower and slower. In the beginning, the inheritance of the Big Thief series was included, and even reverse fights were included. As a result, the improvements later became smaller and smaller. If the results were not achieved, they would start to get stuck and write about women. No wonder the results were not good. People will get stuck in a good rhythm before they are put on the shelves. For example, after playing a peerless master, I don't know if I can get the inheritance and how much improvement it can have. People who are curious will spend money to pursue the paid chapters. You are trying to fish out women. I can follow the plot closely without having to watch it. I fished out a female star. The girl gave the protagonist resources, and the female agency made things difficult for her. In the follow-up, the female felt that the protagonist was unusually attracted and it was a bit ambiguous. Then she was embarrassed because of the scandal. The villain chased the girl and felt that the protagonist was an eyesore. After a tug, the female was taken care of by the protagonist. Tsk, nothing new.

This is what I see. As a film and television person, some of the things in the book that are inconsistent with the film and television industry can be ignored by a few book reviews. However, the film and television adaptation of Tian Long Ba Bu has Xu Zhu and Qiao Feng acting alone. This is pure nonsense. First of all, why should we choose the protagonist? Because the acting skills and box office appeal of the protagonist in film and television dramas are the most important. The acting skills of the protagonist in this book have not yet reached market recognition. Even if he can reach the pinnacle of fully fitting the role and experiencing the performance due to the use of plug-ins, whether the market recognizes it and whether the audience recognizes it is the key to whether he can become a starring role. Has he achieved it so far? Why is he qualified to win the role of Miao Tianxia? Are all directors idiots? Are the producers idiots? Are the employers stupid and have too much money and no place to spend it? Secondly, is it okay for the first male and the second male to be the same person? Yes, but it may need a reasonable explanation. It needs to be modified at the script level. Whether it is blood relationship or something else, even if there is no blood relationship, the appearance must be made a fuss about. But with this change, a lot of plot content will have to be drastically changed. Change Tian Long Ba Bu? Let me tell you one thing, as for Tian Long Ba Bu, no normal director would do this. It is child's play to let one person play Qiao Feng and Xu Zhu at the same time. No actor would dare to accept it, and no management would allow such an operation. If a director does this, he can get out of the film and television industry. To really make a film or television drama is not to imagine playing house. You have to write about the crew. You must at least truly understand the film and television production process and get to know one or two directors and producers. You can cheat on the protagonist, you can make the protagonist magical, but you should not insult the director, actors or even the entire film and television industry. There are many ordinary people in this industry who are serious about working hard for their movie dreams.

The golden finger of the protagonist is so invincible that there is no need for any conditions, as long as the character he has played can draw out his skills. Do you need any other golden fingers like this? Not needed at all. For example, in Journey to the West, there is a scene where the Jade Emperor holds a meeting in the Lingxiao Palace. There is no problem in giving a hundred or two hundred to the group of actors in charge of this drama, and playing a background with gods standing below. As long as I pick up any skill after the performance, it will already take off.

Take the one-on-one approach and write it into a bloody short drama about cerebral thrombosis. It's also pretty cool. 😅

He obviously has the skills to appraise treasures, but he doesn't want to make money. They keep saying that this crew is short of money and that crew is short of money. They keep performing stolen tricks and being spotted by the director in a cycle. Which one can better acquire skills, group actors or investors? Or join someone else's studio, which one would you choose, one director or a group of directors? ? ? You are not a native, and it is not like the Memory Palace cannot recall the memories of the previous life.

Currently, he died of poison in Chapter 130, warning those who come after him not to fall into the trap. . . . .

Go to bed with a girl you've met twice and then you almost become the heroine. And that woman was almost picked up. Well, I said you, the author, are awesome. The trouble can be tolerated, but I can't help it. I have to complain about two points in the reward. It really feels like someone else has written it later.

After leaving the plot in the mainland, the author must have sold his account to the studio. This is just a bad money book! ～～(ಡωಡ)hiahiahia

This book is indeed free online. I wouldn't be happy to read it for free.

I've read Chapter 84. The protagonist has too much inner drama, and the description of the protagonist's appearance is inconsistent. At one point, he said that the director was dissatisfied with the protagonist's image, but later he said that the protagonist is good-looking. Even though they are all good-looking, why aren't you satisfied? Looking good in the entertainment industry is half the battle. Also, the character positioning of the protagonist is inappropriate. Isn't it contradictory to want to become a fairy and also want to be a salted fish? Also, is it said that the protagonist has many ways to make money without trying to earn it? I still want to act in a fairy tale drama. Isn't this inconsistent? You can't act in whatever you want when you have money. If you have money and cast yourself in a drama, don't you just act in whatever you want? There are various descriptions of the protagonist's inner drama, some of which are inconsistent.

Shi, if you write about the entertainment industry, don't use the title "I'm the only one", it's just disgusting.

It was written by elementary school students or high school students at best.

It's all about Chelugluan... A few hundred words, and the same meaning can be said over and over again. In fact, it can be explained clearly in twenty words... I must have been a genius at sentence expansion when I was in elementary school.

Is it too much? Such a powerful golden finger was played like this by you

It's too long-winded. It's explained throughout the whole process. One chapter of "A Batch of Water" has been deleted by one-third. I can still read it.

I don't know when you got into the topic. It's almost time to charge. You're either stealing magic or pretending to be a Japanese devil. What are some of the inexplicable dialogues about?

Relative! First of all, the number of words about water is not so low. If you want to use auxiliary words to describe the number of water words, at least the auxiliary description must be logically and self-consistently linked with the normal plot. You, the protagonist, get beaten and then act psychologically... Then you turn your head and give in, and then mentally...! What a show! Secondly, if you want a smooth logical structure, you have to make early settings. For example, if you are afraid of opening the "Golden Finger" too much, you can make flexible settings in the early stage so that you can relax when you want to give the ability, tighten it if you don't want to give it, instead of giving the protagonist the ability and just not using it. Then we have to figure out whether we have the ability to have a "main line"? Is it entertainment? Is it to make money? It is necessary to distinguish the priorities before arranging the plot. Finally, figure out the logical relationship between the "background setting" and the plot. You have set up an older age time travel. Then please add the plot and auxiliary description according to the mentality and ability of "older people". This time travel experience, experience, and ability will be directly reset to zero. Do you think this is appropriate? The protagonist was "confused" throughout the whole process after being beaten. Was the decades of his previous life in vain?

It's okay before chapter 180, a little flawed but still readable, but after that it's just a mess... I guess the book is for sale.

I just started writing the first picture without thinking.

Become an immortal every day. After a chapter or two, I will talk about it. Everything has to do with becoming an immortal. I'm so excited.