When I'm in Tokyo, I'm Their God!

This author is really good. He has written everything in the introduction.

The monthly ticket gave me a quick update

Takeshi Kitano once said: "If I have one lover, then we have a triangle relationship; if there are two, it is a four-corner relationship, and three, it is a five-corner relationship... So the more lovers we have, the more our relationship is like a circle, with fewer edges and corners, and less friction."

My personal thoughts are that it can be like One Punch Man, where the protagonist takes out the big boss and the more powerful elites. At the same time, other characters clear out the weaker elites and miscellaneous soldiers. Give the protagonist a role to play in the camera so that the protagonist does not lose his B-level, and then give people a sense of security.

With such ridiculous strength, things that can be solved easily have to be delayed for so long, and they still haven't come forward yet. That's it. You can say that the male protagonist doesn't want to cause more trouble, but it depends on the plot you arrange. The identity of the adoptive father is not simple, but he also has a strong network of relationships; the Great Lord Akutsu has a high status and has a good impression of us; in addition, the other father-in-law is in a high position, and the Yuki-onna and her original owner also have followers. The forces and strengths are there, the demon side is strong, there are no external or internal troubles, and the plot of the Yuan family has been suppressed for so long. Now the reader's feeling is that I can blow up the opponent with one punch, and he will immediately kneel down when I reveal my identity. As a result, he slaps me and I kindly say that you are wrong and let's talk about it. If you arrange for the male protagonist to have nothing but strength, it will be much more logical, because there will be a lot to consider. But the current situation is really uncomfortable and confusing. Furthermore, when the demon form came out, I probably knew that after reading too many novels, there would be a plot that said he was a demon. Couldn't the male protagonist think about it? The male protagonist was already extremely powerful before he changed. What was his purpose in taking this form? What's the driving force? I wanted to complain at the time, seeing how he turned into a monster for no reason. The male protagonist came back unchanged without considering the hidden dangers, without considering whether he would explode, without considering whether he would explode. He made such a choice without pressure or strong enemies. Of course, all interpretation rights here belong to the author, but this has become a point of conflict now and it has not been written well, which of course becomes a problem. The writing in other places is okay, that's all, but this is an important point. It may be better to push the front to rewrite than to continue to make do with it. For example, it will be difficult for me to follow it, which is really uncomfortable. Things that can obviously be easily solved still make the people around you feel wronged, and let your ugly face shine for so long. If reality can't kill them all with one blow, why can't it be done in novels.

I only saw the ending of Hundred Demons, and I already felt more and more bored 😂, I was speechless =_=, and there was also the interruption of Dian Zhongdian's old father. Looking at the whole story, I feel that the biggest problem is actually whether the protagonist will appear, or the description is not from the protagonist's perspective. Then the second is the invincible strength of the protagonist. The author doesn't know how to solve it and can only make the old-fashioned choice to let the protagonist go on his way so that the plot can continue. . . Since starting like this, the protagonist should not be invincible (invincible style does not necessarily mean that the strength is invincible from the beginning, as long as it remains relatively invincible during the plot), the more miko there are, the stronger the protagonist will be. Then the protagonist's strength level at the beginning is slightly worse than Shuten. It is better to let the heroine become her own miko and then improve her strength on the spot, than to play like this (hindsight). 😂

It is recommended to skip Chapter 104 to Chapter 123. This section is very dragging and Qian does not have the protagonist.

You have traveled through time, traveled to Tokyo, Japan, and are a student so far. But your luck is very good. You have the power of plug-ins and the three Naruto Bleach and One Piece anime You initially thought that there was nothing extraordinary in this world, so you did not practice these three powers too much at first. You obtained the Zanpakutō, Chakra Extraction Technique, and the Six Marines. You relied on these three basic things to continue to practice        ，，，，，，，         I know that you met a paranormal society in school. It is said that the president of the paranormal society is a girl with special abilities. You only heard that it was not until he met you once that Killing Monsters realized that he was a girl without talent. It turned out that you knew that in this school, this college, half of the students are those without talents, and those with talents are in the supernatural academy. Because of this incident, he got entangled with you. For the sake of your future life and to prevent him from getting entangled with you, you gave him the chakra extraction tree and let him practice by himself. However, you didn't expect that he actually practiced it. In addition, there are kendo girls in the entire club,  My ancestor was once a famous warrior, but unfortunately, all his martial arts skills have been lost. Now he can only practice in the academy, and this girl is particularly good at eating, so you will hand over the Sixth Marine to him. In addition, there is also the supernatural girl in the dormitory, that is, the ghost girl. You dramatized your Zanpakutō, and then gave her Zanpakutō to transform into a Shinigami In this way, some people who have no talent in the entire academy heard that you have abilities here, and they all began to learn your abilities.

Super rubbish, especially after it was put on the shelves

There was no time to mourn for the strange beasts in the previous Book of Mountains and Seas, so he rushed to the starting point immediately! Tokyo god

Author, you really are, what do I say? I didn't do what I said! When we set out for the Yuan family earlier, we kept saying that we would show our strength to scare others in exchange for a peaceful life. What was the result? When you arrived, you didn't want anyone to know that you were out of trouble, and you tacitly agreed not to tell anyone you knew, and then you started fishing. From the beginning to the end, others were beating you to death in the open and "quietly dedicated" in secret. I even doubted that you had any special hobbies. Isn't this a replica of the first Hyakki Night Parade? It's not as good as the seal in the sea. There at least shows the strength of the great priest level. What about here? Hidden throughout. Don't tell me that all the goals were achieved or even special gains (further devouring alcohol and increasing spiritual power) or anything like that, I still haven't achieved what I said before. I admit that I really liked the theme and daily life parts of this book, and I ordered them all, but when it came to the combat part, it started to fall apart. The good guys were passive throughout the whole process, the villain kept making various little moves in secret and openly and even mocked her face. On the protagonist's side, Chiyo kept taking action and then the hero secretly wiped his ass, and the credit was handed over to others (he captured the general, tied him up and threw him down). Do you really think this is a peaceful life? I finally found out that if others can't fight, they can only partially make up for it with their daily lives. The more you make up for it, the less you can do it. The longer you live in peace and quiet, the less likely the hero will take action. Then others will have less awe, and you will be even more depressed after a long-awaited battle. I'm not saying that you will transform into a demon and kill people right now. Even if you show that you are stronger than a great priest in human form, others will not dare to cause trouble for you, right? If you have any questions, tell me, what's wrong with my talent? Shuten is on par with you in terms of strength (on the surface) and even got outclassed in Hyakuki Yakou, but you still can't seem to scare others. Even if you show that you can compete with him in human form, how dare others say anything? Just hide it till the end? The previous readers also said that you don't listen to advice, so you can do it yourself. I like this book, but it doesn't mean that I will tolerate your behavior again and again.

Brother, it takes too long to write a climax every time, right? Can it be changed? I haven't made any progress after reading three chapters. You're not writing a group portrait article. You just disappear at every turn.

This book is suitable for stocking. A copy of Junyuanjia can last more than 20 chapters before reading half of it. I decided to stock up on it for another 30 chapters and then come back to read it.

I accepted your first time🤓🤓🤓

I just read it, and I have a question for the author. The male protagonist is not an ordinary person, so why would he be bumped into by someone casually? Not only this one, but many novels have this kind of plot. I really don't understand how a person with good cultivation will be hit by someone. Just like a martial arts master who is hit by an ordinary person while standing on the street, what kind of thinking would lead to writing such a plot. I'm really curious. If you are a cultivated person, ordinary people can bump into you. With your reaction ability, there is no need to fight monsters. Think about it. Is this true?

The battles are exhausted, the daily routine is skipped, the harem is on fire, I feel like this book is going to be cold.

The writing is so confusing. There are almost no emotional scenes for the protagonist. They are all pretending to be giving out welfare benefits. The supporting characters who have nothing to do with the protagonist start to have a lot of psychological descriptions of emotional scenes. The pace is already slow and dragging.

The Night Parade of One Hundred Demons is really a piece of shit 😰, I want my money back

Generally speaking, it's pretty good, but the two-dimensional flavor is too strong and the concentration is too high, which makes it a bit too greasy. I saw the classic fox miko making a pile of obviously inedible food for the protagonist to eat. The protagonist ate it and then fainted. It was really difficult to eat. It really dampened my desire to continue watching. Why would she give something that is inedible to others? Why wouldn't she eat it herself? Why would the protagonist have to bite the bullet and eat it? Why could the protagonist, who is already considered a land god, be knocked down in one bite? I have experienced too many similar unreasonable plots before, and I really can't help but feel unhappy about them.

Is the new heir to the Yuan family dead? I have saved forty or fifty chapters. Looking at the title of the table of contents, I feel like I haven't talked about the Yuan family yet. It's so slow.

After raising it for a few days, the plot ended. It was handled very poorly. There is no problem with the female protagonist. It cannot be said to be watery. The key point is that it is a very disappointing design for the male protagonist to directly make arrangements for the gods to hide. The plot does not need to be single-threaded. Each chapter can be arranged with some plots that the male protagonist promotes as an adjustment, so that the protagonist has a chance to appear. Invincible flow does not mean that the protagonist needs to solve everything with one blow. In addition, the reason why everyone is so disgusted with these supporting characters is because they are all strangers - they have no previous interactions with the protagonist, and the story lines are completely different. Do those so-called families have anything to do with the protagonist? When I was laying the groundwork before, I stole a lot of the protagonist's scenes and wrote some plots that had nothing to do with the protagonist. For example, there are several chapters of "The Head of the Plane", but his identity is just a passerby. Does who he loves have anything to do with the protagonist? Why not write about the main character of the family directly but create this kind of unlikable male supporting character? Saying it has something to do with the heroine actually has nothing to do with it at all. On the contrary, important characters like the heroine's brother don't have any role. Their appearance in "Hakugui Night Walk" is very sudden. I don't blame everyone for thinking it is unfair. The lines of Tsuchimikado and Yukionome should also be placed after Hyakki Yakou as an adjustment. Isn't it a great pleasure for the big monster to tease the Onmyoji? Why do you put it in the Night Parade of Hundred Demons? So I think the structure of Hyakki Yakō is very good: Ibaraki appears and is given a direct shot, and then the protagonist fights with him and is killed by the protagonist. At the same time, the heroine saves people and fights the mini-boss, and other characters related to the hero can appear in the scene. Then Shuten appears to hold the protagonist back. This is much better than the protagonist being easily ejected from the battlefield by an elite monster. Similar routines are used by many invincible genres. It is a formula. It is to bury the female protagonist in the highlight of the male protagonist. She is also pretending, the plot is there, and the relationship is logical. To put it bluntly, some authors handle it very well, so it doesn't feel too bloody. Now that it's like this, I can't become invincible, I can't pretend to be cool, I can't feel cool, and the plot can only be ended hastily. To put it bluntly, all the supporting characters in Invincible are designed to serve the protagonist's pretentiousness. When this pretense is high-end, it is high-end and cool, and when it is low-level, it is traditional and cool. It has nothing to do with the protagonist, no matter how touching the writing is, it is still watery.

This broken system is so lenient? How about playing with chicken feathers?

Suggestions are not listened to, hydrology is a must, logic is absent, routines are ancient, and emotions are protracted.

I can't stand it for no reason, it's so strange

This writing style looks a bit like a wine treasure 🐱🙂🙂

What I read should be Wudiwen, right?

The author's writing style and character setting are really good, but the plot is too dragging. I couldn't help but complain about it in the middle of the night after watching "Hyakuki Yakou". I suggest the author to read "I Inherited the Shrine in Kanagawa"

The downfall is the supporting role (personal opinion)

Damn Pu Street, what a waste of time😤

"I have played with guns on the throne of Khorne, drank soup at the cauldron of Nurgle, shared spoils in the house of Tzeentch, and sold songs in front of Slaanesh's bed! This is me, the founder of the empire! The slayer of orcs! The resister of demons, the emperor of mankind, Sigmar!" Sigmar introduced himself to the banquet with his warhammer, and by the way told all the guests how bad he was. "Fellow prophets, who can tell me the future destiny of the human empire! Can it suppress all races and be glorious forever?" The muscular man asked arrogantly. The prophet of Ulric the White Wolf came out first and said: "I see that the future of the empire will be filled with bald priests. They have scriptures in one hand and hammers in the other. They chant the name of Sigmar and brutally surround and suppress Ulric believers. After the civil war, the empire was destroyed." "Heresy! As a devout believer in Ulric, I don't believe your sowing discord!" Sigma was furious and smashed the White Wolf Prophet's head with a hammer. The Great Necromancer stood up again and said: "I saw countless warriors fighting with muskets and giant swords. Soldiers were cut down, priests were bewitched, and the empire was destroyed. Only the world of undead and bones will last forever." "Bastard! Humans will never accept a dead world!" Sigma smashed the bones of the Necromancer with another hammer. The rat prophet took a step forward, and the green crystal ball in his hand projected a picture of the bliss of the world: humans and rats coexist harmoniously, and the future will be prosperous; they provoke wars and sell military disasters, but criticize normal trade; they eat chicken and shoot each other in American style, but they are called They love life; their hands are full of blood, but they claim that they are the victims; they party together on the island, but claim to be human role models who take care of Luo Li... "This future seems pretty good. How can we realize it?" The big golden man asked humbly. "We lie, we cheat, we steal, and we have a course to teach these. With such continuous exploration and progress, the glory of the human empire will surely be realized." "What a wonderful future, I really want to see it with my own eyes." Sigma sighed happily. "Yes, when the empire is about to be destroyed and the last emperor, Karl Franz, dies in battle, you can be resurrected in his body and experience it all for yourself."