I Create Copies of Monsters Around the World

What's the ancient fun of playing behind the scenes and showing off to someone, running a dungeon, setting up a company or establishing a force, and just killing monsters and upgrading?

There are too many setting problems. There is no need for the extra woman with the child in the dungeon, and it is directly connected to the country? ? Can't it be leaked behind the scenes? ?

Don't be fooled by the title of the book. The man behind the scenes who was promised silently develops the ability to collect copies. The result is that he is a good man behind the scenes and opens a GM account to buy equipment and sell it for money. The funniest reality is that a rich second generation sells him equipment face to face... I can't think of such a plot with even a little bit of brain... This kind of behind-the-scenes lingering can't grasp the key points... Sooner or later, this kind of urban behind-the-scenes flow, it's the rise of losers, and the battle of wits and courage with the FBI... Now I feel like the author is 💩

Can you write less about the protagonist? We watch the protagonist making copies, not watching the protagonist fight.

If you have enough poison resistance, you can enter. Personally, I think the poison points of this book are equal to the creativity. Also, it's very hidden behind the scenes! It is not recommended for behind-the-scenes reading, as I'm afraid you won't be able to help but spray. Personally, I think there are several signs that a behind-the-scenes story should have: high quality, no heroine, no connection with the official, no virginity, and preferably neutral, etc. After reading it, the only impression this book left on me was the plot of the copy and Jiang. They are all unattractive plots. (When I personally read it, I skipped the protagonist's dungeon and glanced briefly at Jiang Nu's plot. The only thing I thought was good was the description of the chapter about the changes the dungeon brought to people.) The plot of the dungeon is boring and cliche. Everyone is not here for this, and their mentality is different. And it accounts for a really large proportion. I estimate that it takes up at least more than thirty chapters (it gives me half the impression). In addition to the protagonist's perspective, the most important one is Jiang Nu's perspective. She appears very frequently, which makes people tired. She is always against the protagonist, exposing the protagonist's shortcomings and various flaws (also, to be honest, looking for dungeon bugs and other things, I don't find it cute at all, I just find it annoying, the kind that lingers), which is very unpleasant. I personally think that in addition to the perspective of the protagonist, write more about other players. There are many dungeons. Almost everyone in the country knows that the dungeons exist. Are there really no geniuses or resourceful characters? There's just one ginger jumping around, which is annoying. She alone stole all the players' perspectives, and she really had no desire to watch. The copy is not her world alone. The group portrait was completely eaten. In fact, you can write about the changes that the dungeon has brought to a certain city, the changes it has brought to some people or a certain person's life. You can now start to describe a few relatively fixed supporting characters (who will be the bosses among players in the future), but there will still be other geniuses emerging to expand this "fixed player boss" or kick one of them out. It is recommended not to focus all the plot on Jiang. If so, I think this book is completely useless as a behind-the-scenes copy stream. When writing a dungeon, you can enter the dungeon from the perspective of a certain player (mostly the boss of the player you want to portray, and occasionally other players), which can not only shape the character, but also introduce the situation of the dungeon, and also describe the detailed impact of the dungeon in a subtle way. It is not recommended to write from the perspective of the protagonist. Let's talk about a few major poisonous points: 1. The landlord directly uses the key to open the house rented by the protagonist without saying hello. This way of turning the story around allows the protagonist to get to know Zhang Fei, and the intersection between the two is very abrupt and abrupt. At that time, I saw the landlord directly opening the door, and the protagonist had a lot of equipment in the hall. I was completely shocked. I didn't expect such a plot at all. 2. Cooperation with officials. During direct dialogue, the pressure is greatly reduced, but we still maintain regular contact and meet at a fixed time for dialogue, and the pressure is almost non-existent. Seeing this, I am about to ascend to heaven. There are many ways to cooperate. This kind of face-to-face dialogue is the lowest. If you want help, you can come in secret. Why should you respond? 3. The protagonist downloads the copy personally. I saw that the author said he would change this, so I won't say much more. 4. The heroine problem. I won't say much about other novels, but this is behind the scenes, right? I saw the label coming in. Behind the scenes scenes are not suitable for female leads, especially newcomers. In ordinary novels, it is already difficult to write a female protagonist, let alone this kind of behind-the-scenes drama that is not suitable for a female protagonist. Taking a step back, the most promising heroine in the film right now is Jiang, but to be honest, her portrayal is not good. She is strongly developed with the protagonist, and it looks like she has a big head and is forcibly embedded. The sudden and genius-like setting at the beginning is awkward (not harmonious and smooth), and the various bug-finding behaviors are also speechless. No matter how good the idea is, it will be defeated by shortcomings sometimes, not to mention that the author's idea is not so good that the flaws cannot be concealed. These are the biggest poisonous points, not much to say about the other minor poisonous points. For these suggestions I made, the author can refer to them if he is willing to refer to them. It doesn't matter if he doesn't want to, he just can't help but feel unhappy. But looking at the whole article, the author has chosen → single female protagonist/multiple female protagonists. In cooperation with the official, the male protagonist must become the number one player and embark on the road of appearing holy (frequently) in front of others. I apologize for my somewhat confusing words. In fact, being willing to post long posts or complain is also a kind of affirmation of the author. After all, if there is really no merit, everyone will just delete it from the bookshelf indifferently, too lazy to type and say more.

The protagonist just needs to be a tool, so why does he always end up causing trouble😥

This kind of book is mainly about the behind-the-scenes. You make your own equipment and sell it in bulk. Unless you are a fool, I will definitely doubt you.

I'm very interested in reading this book. I'll read the comments first. The good guys are behind the scenes and showing themselves to everyone. This is too poisonous. I suggest you delete it and start the book again or reorganize the plot and change it.

First, in terms of writing style, it is a little above average. There are no irregularities in the sentences and there are few typos. It is more friendly to old bookworms like me. Secondly, in terms of plot, it can be seen that the plot has not yet unfolded, and there are very few characters overall. The only ones who can come into contact with the protagonist are Zhang Fei and the boxing gym. There are only women on the team in the dungeon, and there is the Dongting Group. The protagonist spends most of his time brushing and creating dungeons. I suggest that the author develop the plot as soon as possible. The protagonist should participate in the game and interact with the players. Even if I go out to pretend to be B, I am willing to watch it, but not too often, as it is very easy for visual fatigue. Third, in terms of the emotional line, for the time being, Jiang Chuci may become the heroine. I don't know whether the author will have multiple heroines or a single heroine. I can only make a suggestion here. The heroine does not want vases, not too many, just create a few that are likeable and memorable. The other female characters can also be friends to carry out the plot without delay. That's all I want to say for the time being. Now I'd like to make some suggestions about copying. If the author likes it, just use it. If you don't like it, you can just pretend you haven't seen it. I caught up with the latest chapter and found that most of the author's dungeons tended to use traditional upgrades to defeat monsters. I think it can open up my mind and not be limited to this mode. We can create a fun dungeon that allows everyone to experience something they have never experienced before, such as extreme sports, surfing, skydiving, diving, skiing, wingsuit flying, etc. The team will receive rewards if they complete the challenge. If the team fails, try again. (Can I say that these extreme sports are also my dream? It's a pity that I work every day and don't have the time and energy to do these) In addition to fun copies, you can also create some copies of movies and animations to allow players to interact with their favorite characters. This can also satisfy many people's wishes. I like to watch happy endings and chat with my favorite characters. It must feel good, so authors should not hold on to original copies. These two types are what I pay more attention to. In addition, you can also create some different types of copies. For example, in the strategy category, you can enter the dungeon without fighting monsters and command thousands of troops to fight, satisfying the player's dream of becoming a commander. For example, in the sports competition category, you can enter the dungeon without fighting monsters. We race cars, compete with monsters in long-distance running, shooting, weightlifting, etc. There are also hero battles and competitive copies like DOTA and LOL. Finally, I have another thought. I think there are too many people around the world playing these dungeons. The dungeons should not be completely free. It is best for the author to design some restricted dungeons, such as requiring money to enter, or spending gold coins in the game to enter. In this way, all the money or gold coins received belongs to the protagonist, which can solve the problem of funding sources, but the disadvantage is how to pass the state and bank. There are some remaining restrictions: Copies specially prepared for men or women. Specially prepared for couples or families. Specially for graduate students and above, undergraduate, junior college or junior high school students. (Isn't this a bit discriminatory?) A dungeon specially created for police, doctors, scientists, and soldiers to help them learn better skills and contribute to the country. (Isn't it a bit taken for granted?) That's all I have to say, it can be regarded as a great introduction to the author.

The protagonist has always been the one fighting monsters😅

I was attracted by the behind-the-scenes flow and saw the protagonist downloading a copy. . . There is no B box anymore. The writing style is also average.

The subject matter is good, but the plot is not realistic

After reading about twenty pictures, I couldn't stand it anymore. I turned around and read the comments. Maybe your outline is like this, so I hope you can add it well.

The writing is quite good and you can read it, but as your subject matter inevitably involves dealing with the state, aren't you afraid of being banned?

The subject matter is quite novel, but it's a pity that the writing is not very good. First of all, it is said to be global, and the magic dungeon is arranged in China, and then related countries are connected, and there are frequent appearances. These are not needed at all.

After reading Chapter 40, the subject matter is okay. Looking at the subject matter, it is obvious that behind the scenes, but the protagonist's participation is too high, there is a problem with income, it is a trap; there is a problem with whereabouts, it is a trap, the strength is too high, especially the part where Qinggong is exposed, it is a trap, there is a risk of exposure; so I can't watch it, because I always feel that the aura of the protagonist makes "no one else knows he is the GM"

I really can't bear it. Although I know it will improve later, I still can't bear it by Chapter 40.

Daily Guide to Poison is really Niu Boyi, and all the eunuchs who have completed more than 70 chapters recommend it to me.

It's a bit boring and I don't know what to watch? There is no interesting plot. I feel that this work will not attract many people and it feels like a eunuch.

After seeing Chapter 15, I couldn't help but post a post. Chapters 14-15 lowered the tone of the book, which is equivalent to feeding poison to the readers. To be honest, it's better to just make announcements directly. Readers really can't handle it. Interactions directly use announcements to give instructions. You have to create such a plot with water numbers. You can see if there are any readers who read it. You have to have readers to read it before you can make money with normal logic numbers. It's not the numbers that reduce intelligence and drive away readers. What the copy wants is absolute majesty. The best way to interact with pig's feet is to use your identity as a participant to show your holiness and promote the process. It's not a big problem to organize all the forces. Then get some female protagonists to write some daily life, conquer the dungeon from the female protagonist's perspective, and give the female protagonist some opportunities. There are so many places where you can make numbers, how can you not be criticized if you insist on using settings and plots to eliminate the flaws? It is better to expand the world view when setting up the dungeon and dungeon strategy. Moisturizing things quietly can make people read it and want to continue reading. To be honest, I now have the urge to remove this book from my bookshelf. Take another look!

I suggest you sort out the plot and rewrite it.

I am a historian, I looked at it, this is history

I also studied a similar book before, with more than 300,000 manuscripts saved, and probably more than 100,000 words published. Because I wanted to expand my world view and could hardly get around the official, and then I laid the groundwork for the future, which resulted in the book disappearing. I came here to learn how the author bypassed the official. There are also many problems with this system, which makes it quite difficult to write. By the way, I would like to see if there are any difficulties that I have encountered before, and learn from them 🤭

In terms of skills, a limit-breaking setting should be added: after breaking the limit, it is mastered by the player himself and can be used even if it disappears from the skill bar. It can be set so that the player becomes familiar with the energy operation during the continuous use of skills, so that he does not need to release it through the skill bar. When he first masters it, the power is relatively weak or even the release fails.

Dear author, can you tell me which editor you submitted to? I also want to write a novel of the same typeヾ(^▽^*)))

It is recommended that the author read the previous novels about the behind-the-scenes genre and games about people traveling through the universe.