The Witches of Liaozhai: from Lanruo Temple to East China Sea Dragon Palace

It smells like a literary youth. There are hundreds of millions of wealth waiting to be inherited at home, right? You don't need 996. You want to go back even if you don't want to live forever.

Not all human beings are good people. Big investors deserve to be killed more than monsters. The author remembers this.

Witches only have the power of blood. For example, standing with both feet on the earth, the turbid air in the earth will continuously provide warmth and nourishment for the blood. The laws of heaven and earth are originally a skill that evolved according to the witch clan. Those who resemble the protagonist can only be regarded as human witches. According to blood, they can be divided into human witches, witches, witch soldiers, great witches, witch emperors, ancestral witches. The biggest difference between human beings and witches is that there are no three souls and seven souls. They turn into giant mountains after death. The dividing line between great witches is the law itself.

The witch is so passionate, what you wrote is not a witch, but Gong Xinsuoyu. Literary youths are literary youths. It's great to write in a campus style. It matches your painting style very well. It is a very literary and youthful painting style to describe roughness and heroism.

Not to be confused with the witches of modern online novels. Those who stand upright as witchcraft should stop starting another clan. According to the actual beginning of human civilization. Sacrifice; the process in which people face all kinds of natural and man-made disasters, sum up their experience in fighting natural disasters, and their understanding of all things, and finally endow them with myths. Reflecting on the sacrifice in the novel, "man" dyes the heaven and earth, turning him into a personal god, so that the heaven and earth gradually stabilize from a state of chaos. In general, it is man who created God. Also, the author lacks descriptions of human nature and sophistication, which directly drags down the painting style of witches, which is not pure. The witches in Zongwang next door are also among the literary youth. If you learn from others, the style of witches will be written very well. Why are there so many dialogues and characters communicating so much? It's very awkward. If you want water numbers, you can write them from the side. Raise your perspective of literary youth and write from a bird's-eye perspective. Write about the various states of living beings caused by the influence of witches, the changes in society, the joys and sorrows of the characters, and the passage of time in the mountains and seas.

It doesn't look good, pig's feet should be used to gratify and rob the rich and give to the poor.

The setting is a bit embarrassing. I have just read more than ten chapters, and there are signs of the prehistoric witch clan. The Taoist system is both a foundation-building elixir and a silver-colored flower. It's so embarrassing. Who would read this kind of setting now? We already have culture and common sense, okay?

To find my way home, I really want to go back to Vietnam and work as a cow horse. . .

What a peculiar name. Reminds me of Zongwang's The Witch: From Azeroth to The Book of Mountains and Seas

The beginning is like the blood background of the witch clan in the prehistoric era, and then it is based on the earliest witches and wizards of the human race in mythology. The author mixed the two settings together and did not explain clearly. According to the witch clan and the human race in the primordial novels, they are basically two races. According to the most traditional witches in the human race, they do not have the personality of the witches in the prehistoric novels. Even if the author writes according to his own setting and clearly explains the background and setting of the witch, he will write about the novel background and mythological background at one time. The actual combat power itself is not judged by pure realm. I think this setting is quite good, but coupled with the author's description of the protagonist's strength and the witch, it feels like a very high level. In fact, It's very common. Anyone can have a meeting with the protagonist. He is said to be from the prehistoric witch clan, but he doesn't have the directness of fighting in the world like the prehistoric witch clan. He can chat with anyone for a while, and he still has to take the time to convert a few female ghosts to be reincarnated. He is said to be a human witch and doesn't have the wisdom of a human prophet. He fights for a long time and finally goes up to him. The plot is written in a sophisticated and literary style. The witches in ancient times represent roughness and heroism, and the human witches in mythology represent wisdom and inheritance. Neither of them should be indecisive. If you want to go home, you should work hard to find a way, and you should not always be immersed in it. In the past, the author always wrote that the protagonist wanted to go home, creating a depressed character trapped in memories, which made the protagonist's character seem artificial. After traveling through time, he wanted to go back all day long, but he didn't work very hard. You said that if you want to go home, then you should take the initiative to improve yourself, but the current plot gives people the feeling that if something happens, you just deal with it, and forget it if it doesn't happen. It has a sense of aimlessness. Joining the imperial court is of no use to the plot at all. It is just to find a bunch of scumbags for the sake of word count.

When writing about witchcraft, you need to be more open-minded and wild. Although it is a new era of witchcraft, it is not as crude as the ancient times, but witchcraft is pure after all.

Someone else wrote your introduction for you, right?

Go home and work as a social animal? The boss has said that if you don't come back, your salary will be deducted this month. You are unorganized and undisciplined. The company is your home, and you must love it!

The writing is quite good, but the core is too vulgar. . The old story of a tadpole looking for its mother. Really boring. . Don't think that just because someone before you has written something so popular, you can write it yourself. It's like the same stock goods from the assembly line, nothing new. . (The tadpole is looking for its mother series, looking for its mother, looking for its father, looking for its sister, looking for its younger brother, looking for its grandfather, looking for its older brother, looking for its wife, looking for its girlfriend, looking for home...)

Witch clan? Not a wizard or a goddess or something? Liaozhai is not a prehistoric novel, nor is it a fairy tale. The content tends to be local and strange, and the writing style is strange. It is mostly written in the form of strange people and strange things, and folk secrets, such as the resurrection of the dead, the strange case of the wronged soul, the fox ghost scholar, the mortal immortal, etc. Among this type of book, Ke Qiyuan is currently the most comfortable to read

It feels a bit similar to the setting of Zongwang's Wu Na book.

Going home is just a dream and life is still in the present! Do you understand, can you stop mentioning it all the time? It's so disturbing to see, you know you can go back without having anything?

The picture of the second grade is coming to my face!

The Great Witch from Zongwang is better looking and even more awesome.

He has a successful career, both parents, and a girlfriend who is about to get married after dating for many years (I guess the main reason why the protagonist got married after dating for so long was because he was saving money to buy a house and wanted to give his girlfriend a home.) In the blink of an eye, he was transported to the ancient world where he wanted everything and didn't have anything. Who was there and who was confused.

Too little, not enough

There is no sense of immersion in the system flow. Time travel, rebirth, and the aura of the Golden Finger protagonist are nothing else.

What have you been doing in the last few chapters? A sentence here and there

I have seen the first three chapters of yours in other books

How can the Jiuli clan not raise iron-eating beasts 😃 We strongly recommend Huaju as the prototype 👍

I wrote about Sichuan, but I'm not allowed to raise a panda?

Why can't I connect the story? It feels so uncomfortable that the chapters are separated.

The road is long and far away, I will search up and down😁

The protagonist of the author can use the Dinghai Divine Needle and the Kaishan Protector to fuse into a treasure of acquired merit and virtue, the Fangtian Painted Halberd, which kills people and does not stick to the cause and effect. Then he goes to Yuan Hong to learn the Eight-nine Mysterious Gong and gets an indestructible Vajra, and then he goes to grab a jade unicorn mount. It's perfect.