I'm in American Comics, and I Just Became a Substitute Messenger

The writing is good, and it can be seen that the author is a fan of the JOJO series.

1. D4C. Moving between parallel universes is completely professional, and there is no law of annihilation in DC. It is fun to be a gangster at a small level or to link different universes to create big events 2. Underground world. You can call out the land [records] within a city, such as summoning Solomon Grundy, shaking out a batch of sharp claws and claws, and you may be able to reproduce Superman or something in the future 3. Civil War. Let people who have abandoned their past be critically hit by their dead memories. It is a complete instant kill ability to deal with villains such as the Joker. You can still resurrect yourself if you are killed Thinking of this for the moment, don't always use the ancient stand-in from the third part to open up the land, and give Gotham City some big work.

You'd better be stable. I hope you've conceived the general structure. Don't write a paragraph until you can't continue. A copy of Eunuch will be your practice. If you're on Eunuch, I suggest you change your account.

DC has gods and more destiny. Although you can use the sword of the previous dynasty to prevaricate with the officials of the current dynasty, if you don't want to cause a fight, it is best to use the character's mouth to popularize science when writing, and let the audience understand it before it is put on the shelves.

Please help me, I voted for all the monthly recommendation votes 🐉

Except for a few stand-ins that are strong enough, such as Beyond Heaven, Love Train, Miracle on You, The World, Requiem, etc., Most of the stand-ins are second-tier or third-tier hero-villain level, and there are even a few more rubbish stand-ins that can't even get into the third-tier, such as Cheap Trick, Hey, Buster, etc., So in various major events in DC, the strength is definitely not enough. Only the emergence of new stand-ins can compete with and defeat all kinds of monsters and gods in major DC events. Otherwise, they will be errand boys, auxiliary boys and cannon fodder. There are many ways for avatars to evolve, whether it is insect arrows, climbing to heaven, or merging avatars with each other, or merging avatars with powers and items in DC, or through awakening evolution (such as platinum evolution into platinum world, echo second stage evolution, D4C third stage evolution), as long as you have a good mind and design a few very distinctive avatars, you can completely defeat various superheroes.

No, I haven't been here for more than ten days, and I'm a eunuch again? You really shouldn't trust an author with a criminal record....

Does JOJO's combat power surpass that of DC as a whole?

I really don't know what there is to argue about 😅. Doesn't the comparison of combat power across works depend on how the author sets it? It's really unnecessary to say that JOJO's combat power is set low. Made in Heaven can restart the universe according to the settings. If you haven't heard about it, you should know that the Flash sacrifices to heaven and the universe restarts. The priest is just a human being. He already has this ability. What about the insect arrows? What about the possible owner of the Insect Arrow? Where is the god in Kishibe Rohan's Stillness? There's really no need to argue, just let's see if the author's settings can be justified. If you can't, there's no need to argue. I suggest you just go directly to the cpu author and be done with it 😏

You should stick to your characteristics here, that is, the protagonist takes the political route, and secretly uses the power of a substitute to create another dark force. On the other hand, he is engaged in politics in American comics, which is basically no one has written about. The cool thing is that he can use his power to make a group of superheroes obey his command, and he must do his best to protect the protagonist. This is the characteristic of your book. On the other side, the more common substitute ability is used as the mastermind, but because of the existence of multiple substitute abilities, more tricks can be played. Since the stand-in ability is inherently geared towards wits, and combined with the protagonist's political career, there is no need to worry about whether the stand-in ability will be ineffective in American comics. The direct confrontation is left to the main characters such as Superman and The Flash, and the protagonist is responsible for fighting wits and using the rules of the stand-in ability to solve problems. I had a good impression of this book in the early stages, until the part where the protagonist uses a white snake to hypnotize the three policemen who protect him, and then goes to destroy the gang alone, it completely changed. It turned into a featureless and traditional American comic book, fighting and killing, which completely deviated from the point of view of the prosecutor, and also abandoned the refreshing point that is completely different from traditional American comics.

It's not that Batman hasn't tried hard, it's that even though he tried hard, it's still useless. Gotham is still bad.

He is a lawyer, speaks politely to officials, is clearly distinguishable from gangsters and villains, and practices Ripple Qigong, a hymn to human courage. This character is very strange. It is neither Giorno, who is firm in his goals, strong in execution, and no nonsense, nor Diego, who is extremely greedy and resolute. It is more like Dio who wants to be the boss of Gotham... How does Dio look like Dio in life? (Annoyed) The three major charms of JOJO: There is no popular stand-in, only a copycat and a blind man; there is no exciting battle of wits, and the ability to abuse the speed A ripple is questioned; there is no collision of the character's consciousness and concept of life-threatening, and the protagonist's idea of ​​ruling Gotham now is too general, and there is no interesting development at all. Taking the latest enthusiasm as an example, the Gotham version of enthusiasm should = a boss-level protagonist + a structure with dozens of stand-ins performing their respective duties + actual control of all the fat men in the city. If the protagonist wants to be Diavolo in Gotham, he needs to win over all the Twelve Families, the Wayne Family, and even the Court of Owls. Can he do it at the current progress of 100 chapters? Not to mention the infinite vastness of the world beyond Gotham.

🤓

Let me give the author the most shameless setting of Ripple Qigong. Because the corrugated gas function produces bioelectricity. Therefore, if people who use Ripple Qigong have relevant knowledge, they can use Ripple Qigong to convert it into bioelectricity and directly probe the opponent's nervous system, causing the opponent to be paralyzed with a punch. If the protagonist wants to capture the opponent alive, this is a very useful skill. As long as the opponent does not have relevant defense offset, one punch will theoretically paralyze the opponent. Even because it is a direct attack on bioelectricity, even if the opponent is covered in sinews, No. Because this thing directly attacks the human nervous system. That is to say, if the protagonist is skilled, generally, without relevant knowledge, and without innate defense, if he is hit by the protagonist, he will be killed instantly. Because the human body mechanism determines that he will be killed instantly.

The most annoying thing is that when I travel to DC, when I see Batman, I am afraid of this and that. I don't know but I think he is some kind of awesome character. If I am the first person to worry about, it will be this zombie guy.

I've read Chapter 6. Let's talk about a bad point. The head of the Riley family didn't die in Chapter 4. What does the protagonist have? Home (protagonist's home), ripples, and avatars. What did the villain do? Breaking into the protagonist's house at ten o'clock in the middle of the night, how would the average person deal with this happening in Great America? It's just like an American-style home. Who can talk to you? How does the protagonist deal with the situation when he has super powers? Fight with a killer after chatting? What the hell? It would be outrageous not to directly fight the boss and minions, causing back and forth. Although the protagonist wants to create a powerful boss, if the boss you create lives longer than 20 characters, it is an insult to the reader's IQ. Shape it like this and see how you "follow..." Before he finished speaking, a bullet hit the center of his eyebrow. The head of the Tangtang Riley family, at ten o'clock in the middle of the night, his imagination was wide open. Cause of death: Trespassing into a private house" Of course, my writing skills are insufficient, but his operation Tsukuru can only live for so long. If he wants to keep the boss alive later, it can be said that he kills a double or something. However, the protagonist, the home field, the advantage, and the first show, letting people go and making it more difficult for themselves were considered very poisonous a few years ago. jojo and American comics, this subject matter is eye-catching, and it may be because of this that it has raised expectations, so when I see the poisonous points that I personally feel, I am not upset, but I still hope that the author will work hard.

The author takes everything about Batman for granted. From the very beginning when the protagonist behaves abnormally, surveillance has already been placed around the protagonist. If you're talking about someone who just debuted, forget it. Batman, who has been around for several years, has already monitored the protagonist throughout the whole process.

In the latest chapter, the new stand-in is a cheap trick. I hope the author will not be stupid and show some unspeakable things in front of book friends.

You also wrote "Phantom Thief". It's hard to bear to send two copies.

I believe you again, this eunuch will blacklist you

I'll come back after 100,000 words, remember to kick me