The Mysterious Emperor

There is still one tael of silver and one hundred kilograms of rice at home. In order to welcome the protagonist through time, this physical body starved to death of its predecessor.

The protagonist is the master of one view. When he sees an old man, he calls him uncle. When he sees an old man, he calls him grandpa. This is funny

The writing is very good, but the progress is too fast and a lot of it is not explained clearly. The skills of the protagonist are not mentioned, and the surrounding information is not mentioned. Then suddenly it is discovered that the protagonist knows this information, and some knowledge about cultivation-related things is not mentioned. Suddenly, it is discovered that the protagonist already knows it? In addition, there is a big crisis at the beginning, so the author must find a way to super-speed up the protagonist's strength. Later, he blindly guesses that the author will give the protagonist a halo, and the halo will super-speed up the protagonist's strength one by one. It would be much better if it were written as a farming article. There is also the derivation of the protagonist's spiritual ability. The ghost aspect is okay. The ghost turns into a yellow scarf warrior and is equivalent to the lowest level Western fantasy angel. The believers do not mention it. The believers should give some magical skills like the Western Fantasy Shinto text. Moreover, as time travelers, they should find ways to develop modern functional magical skills that are easier to operate and use them to develop their power, such as communications. Spiritual writings should focus on power management, with the protagonist managing the power to provide training supplies, and then developing something that will in turn accelerate the development of the power and improve the strength. The big crisis at the beginning was a failure. It was done too hastily and there was no time to develop one thing after another. Either the enemies were killed one by one, or the protagonist was crushed all at once. It was difficult to control the intensity in between. If the enemy is super strong, then the author can only rely on the author to create a halo for the protagonist to survive the crisis. If the protagonist crushes the enemy all at once, it means that the enemy's combat power is so great that he does not have the strength to make things such a big deal, and he does not dare to be so unscrupulous. And if the enemies kill one after another, it will appear that the supporting characters have lost their wits and the arrangement is too rigid and deliberate. In fact, apart from these problems, I feel that the writing is quite attractive.

After reading it, this novel gave me the feeling of "gold and jade on the outside, but ruins on the inside".

It's crazy. Suddenly, the male protagonist discovers that he is in a virtual world. There is a big crisis in the real world. The male protagonist runs away and starts over.

Why do characters appear so often out of nowhere, with no background, no introduction, and which book the author copied them from?

The previous chapter doesn't quite connect to the next one, and the plot is interrupted from time to time. Which novel is the author copying from? Introduce

It's just that the more I read, the more I want to complain about the pantheon of gods. I've never heard of the saying that there are pantheons of pantheon in China.

Poorly written. . . Obviously he has the all-powerful magical power, but in the end he just rigidly conjures up an earthly god and slowly follows the divine path? It is not as good as the God of the Internet, or the dream world that connects all living beings and absorbs the desires of all living beings.

It's rubbish. Goldfinger is rubbish. The protagonist is being plotted against from the beginning to the end. People and ghosts can plot against the protagonist.