Tokyo: the Real-Life Strategy Starts with Picking up a Beautiful Girl

The plot of the eldest lady shouldn't be called annoying, but compared to several other characters, it is really uncomfortable. Although I don't quite understand how the trend of having a eldest lady character in this type of plot became popular, but so far, this character is still a dispensable character. She has no characteristics. In other words, the status she was born with is her characteristics. From the first meeting to the so-called "emotion" later, she is essentially using her own status to oppress another person, whether it is forced entry into the club or the subsequent emotional transactions, it is one-sided coercion from beginning to end, which brings out an even more ridiculous protagonist image: a person with no character tension. He clearly thought that his relationship with the eldest lady was the worst before, but he was tied to others after being given some benefits. The author used the eldest lady's brief departure to avoid a series of subsequent conflicts, but if there was no forced offline like this deus ex machina, you can probably guess what the subsequent plot direction will be. The protagonist will still habitually retreat, habitually paralyze himself with the benefits given by the eldest lady, and finally cut off from the so-called "people closest to love", "family" and "comrades" around him step by step. Anyway, when others are angry, he will endure it by himself and not cause trouble. If the eldest lady is unhappy, she really needs to train the dog. It's because others don't regard feelings as a transaction, but in the eyes of power, everything is a transaction. An even more ridiculous thing came to mind: the protagonist has a deskmate and a teacher in the class, and has two roommates when he returns home. Even with such a close physical distance, after the eldest lady appears, the characters are still outnumbered by the eldest lady. So sometimes a dog just lacks a chain.

It gives me the feeling of dreaming back to 10 years ago and watching Niqing The characters and plot are also classic Niqing I can watch it, but how can I put it, the current market is not suitable for this so-called Asasi.

It's quite cliche, but that's not to say it's bad. When I first faced the eldest lady, I felt a little uncomfortable. Maybe it was because I felt that the protagonist was a bit useless. Her life and death were in the hands of others and she was forced to do a lot of things. I don't think her focus on "desire" is reflected much, and her liking for the male protagonist also seems quite baffling to me. And the protagonist has traveled through time and inherited his childhood sweetheart. Because a large part of the childhood sweetheart's feelings are not actually towards the real protagonist, so I also feel uncomfortable. Then the system has no sense of existence. Maybe it is just a tool you use to temporarily complete the plot in the future? I hope the author will work harder in the future. I think this book is quite good.

If you were a kid, you might be able to watch it. Minamino Yue's interaction with the protagonist is the reason for abandoning the book.

I don't understand why the character of Miss Da is added. Although it's great to conquer later, it will be very discouraging to give up in the front. It's very uncomfortable to watch.

Isn't Qingmei's treatment bad? She probably likes the original body, it feels like an insemination.

The classic Japanese Asashi male protagonist has a sense of déjà vu as if he is watching the show again.

Green Plum

Stupid Teacher

Miss Miko

The dream is to lie down before the age of 30

Missy