My Life Has a Talent for Growth

It's well-written, and the pacing of the scene where it's pulled out is also fine. I'm a little worried that this might be a comeback by some veteran author. They subconsciously wrote plot points that were enjoyable a few years ago, which was fine then, but now it's the kind of plot that's toxic.

Reading the first few chapters was a pleasure, but after the turning point in chapters six and seven, I felt a constant nagging feeling, like a fishbone stuck in my throat. It felt forced and contrived.

The characters in this book are very well-developed. It's rare to find a relatively good mother (which is quite rare in the Seven O'Clock Orphanage). The characters are vivid, realistic, and three-dimensional. The female lead is also well-developed, and the other supporting characters are also quite good.

So, you're supposed to be the founder of this genre, but your book doesn't even have as many words as those who follow the trend. You might lose that founder status by writing better and more extensive work.

I was walking down the street when I saw an American spy killing someone. Then the spy held a knife to my neck. But suddenly she didn't want to kill me anymore? What kind of logic is that?

What dragon form? It's directly an ultimate life form!

You won't revise Chapter 6. There's no point in you writing a book; you'll never amount to anything.

That's brilliant. If you don't want to eat this, then don't blame everyone else for starting. Let's get this topic going.

It was fine at first, but then it felt very strange.

The first five chapters were very well-written, building anticipation and making you want to keep reading. But then Zhao Linglong suddenly appeared in the sixth chapter, and the plot took a sharp turn. All the protagonist and heroine's efforts seemed to be for the sake of fighting Zhao Linglong later on, completely destroying the anticipation and making the story lose its appeal.