Clow Card Magician in Marvel

First, there are two elements in this book Marvel and Clow Card Marvel is a superhero, while Clow Card is a two-dimensional one These two things attract different groups, although there are also overlapping people But there are also many that do not overlap. Those who like Marvel may not like the two-dimensional plot, such as Asasi, characters, and plots that are as ordinary as water And those who like the two-dimensional may not like it. I like the Marvel series, especially the Clow Cards, which have magical girls in the background, but they still tend to be daily dramas all day long. Those who like daily life will not hate the fast pace of refreshing novels, but those who like the fast pace of refreshing novels will most likely not be able to accept the slow pace of daily life I have seen a rather outrageous comment so far, saying that they directly ignore the original Clow Cards, let them lose them themselves, and then create new ones What if the Clow Cards are regarded as elves? It's not difficult to understand that the elves have independent personality and thoughts Although he is the protagonist, he is not the dragon and the tiger. There are some things that I didn't handle properly when I was writing the plot (Although I personally don't think the problem is big, if you insist on talking about it, such as the latest Mirror Song, you can actually send a letter to tell the protagonist about the matter, use the first-person perspective to tell the story, wait for the story to end, and then the Mirror Song will show up and ask the protagonist Can you help her? Will it make the impression better? Maybe not after all, I'm just messing around.) Finally, it's a matter of choice As two completely different audiences, the author must know how to choose and stick to his own ideas. If you want to write a story, you should listen to the voice in the comment area After all, you still have to be right But one piece of advice is that blindly following it will only make you lose your uniqueness Just like the one who said that the original Clow card will disappear. . . . Originally, the Clow cards were all gone, so what else could I read about Clow card fanfics? . . . Don't worry about some middle-aged uncles who read books! ! ! ! I hope this book gets better and better as it gets written.

A Clow card without a staff has no soul.

THE WINDY Symbolizes: a hint of progress, enrichment, and expectation. Wind Introduction: One of the four elements, it has the magic to control wind. Source: Animation version, Episode 1; Comic version, Chapter 1. Reincarnation: Episode 53 of the anime version; Episode 33 of the comic version. THE FLY Symbolizes: The opportunity to challenge and leap. Xiang Introduction: Wings grow from the end of the magic wand, possessing the magic of flying. Source: Episode 1 of the animation version; Episode 2 of the comic version. Reincarnation: Episode 51 of the anime version; Episode 32 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Sakura uses the "Wind" card to form a blocking wind, surrounding the "Sho" card to conquer it. Manga version of recovery method: Sakura discovered that Xiangpai was injured under the prompts of her precognitive dream, so she caressed it and finally recovered it. THE SHADOW Symbolizes: the unknown part, the occurrence and elimination of problems. Shadow Introduction: Has the magic to control one's own and other people's shadows. Source: Episode 2 of the animation version; Chapter 10 of the comic version. Reincarnation: Episode 59 of the anime version; Episode 38 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: With the help of Xiao Ke and Tomoyo, Sakura uses the "Wind" card to grab the "Shadow" card and conquer it. Manga version of recovery method: Sakura uses the [Thunder] card to create a powerful light, then uses the [Sword] card to scratch the shadow's clothes, and finally recovers. THE WATERY Symbolizes: coordination, the power to open the hearts of others. Water Introduction: One of the four elements, it has the magic to control water. Source: Episode 3 of the animation version; Chapter 3 of the comic version. Reincarnation: Episode 63 of the anime version; Episode 44 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: With the help of Tomoyo, Sakura used the "wind" card to introduce the "water" card into the freezer to freeze and conquered. How to recover the comic version: Same as above Tree Card (THE WOOD) Symbol: Symbolizes their respective growth and development. Tree Introduction: Has the magic to control trees. Source: Episode 04 of the anime version Reincarnation: Chapter 42 of the comic version Possessor: Kinomoto Sakura Conquering method: Under Xiao Ke's magic, the docile "Tree" card was successfully conquered. Comic version recovery method: not mentioned THE RAIN Symbol: It will get better in the end. Rain Introduction: Has the magic of rainfall. Source: Episode 04 of the animated version Conquering method: Sakura uses the "water" cards to surround the "rain" cards and conquer them. THE JUMP Symbolizes: display of strength and best condition. Jump Introduction: Grow small wings on its feet, possessing the magic of high jumping. Source: Episode 5 of the animation version; Chapter 1 of the comic version. Reincarnation: Episode 51 of the anime version; Episode 32 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: After the "Tree" card blockade became invalid, the giant "Jump" card tried to fight back, but accidentally fell and was conquered. Manga version of recovery method: Sakura uses the [Wind] card to form a chain of blockade, and finally recovers. THE ILLUSION Symbolizes: the desire to escape from reality. Illusion Introduction: It has the magic to make the opponent think about what is in his heart and create hallucinations. Source: Episode 6 of the animation version; Chapter 5 of the comic version. Reincarnation: Episode 66 of the anime version; Episode 40 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: The "phantom" card disguised as Nadeshiko was conquered after being seen through by Sakura. How to recover the comic version: After the phantom card was seen through by Sakura, it dived into the water. Sakura used the [water] card to find its location and finally recovered it. THE SILENT Symbolizes: deep thinking and charging period. Jing Introduction: Has the magic to eliminate the surrounding sounds. Source: Episode 7 of the animated version Reincarnation: Episode 69 of the animated version Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Sakura uses the "Shadow" card to reflect herself to conquer the "Static" card. THUNDER Symbol: If you can not lose yourself, you will have lucky development. Thunder Introduction: Has the magic to control thunder and lightning. Source: Chapter 8 of the animation version; Chapter 10 of the comic version. Reincarnation: Chapter 67 of the anime version; Chapter 42 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: After Syaoran reveals his true form with "Thunder Emperor Recruitment", Sakura uses "Shadow" cards to surround the "Thunder" cards and conquers them. Comic version recovery method: Sakura rushes to the front of the thunder card and recovers it directly. THE SWORD Symbolizes: true search, reward, and sometimes destructive power. Sword Introduction: The magic wand itself becomes a sword, and its power depends on the magic in the user's heart. Source: Chapter 9 of the animation version; Chapter 8 of the comic version. Reincarnation: Chapter 50 of the anime version; Chapter 30 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Sakura uses the "Fantasy" card to confuse Rika, and then takes the opportunity to take away the "Sword" card in her hand to conquer. Comic version recovery method: Same as above THE FLOWER Symbol: A period of high results, rewards, and goal achievement rates. Flower Introduction: Has the magic to create various flowers. Source: Chapter 10 of the animation version; Chapter 7 of the comic version. Reincarnation: Chapter 54 of the anime version; Chapter 34 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Under Xiaoke's instructions, Sakura conquered the "flower" card. Comic version recovery method: Same as above THE SHIELD Symbol: Protection, a means of defense in order to maintain harmony. Shield Introduction: A magic that can defend against attacks. Source: Chapter 11 of the animation version; Chapter 13 of the comic version. Reincarnation: Chapter 58 of the anime version; Chapter 44 of the comic version. Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Sakura uses the "Sword" card to cut the "Shield" card to conquer. Comic version recovery method: Same as above THE TIME Symbol: The training of various experiences and self-reliance. Time Introduction: Has the magic to control time, but it can only control one day. Source: Episode 12 of the animated version Reincarnation: Episode 64 of the animated version Conqueror: Li Xiaolang Possessor: Li Xiaolang Conquering method: The "Shi" card that wanted to escape was restrained by Xiaolang's magic and was conquered by Xiaolang. THE POWER Symbolizes: the fulfillment and expansion of wishes. Power Introduction: Magic with powerful power. Source: Episode 13 of the animated version Reincarnation: Episode 52 of the animated version Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: With the help of Syaoran using the "Time" card, Sakura pulls down the "Power" card to conquer. THE MIST Symbol: Determine the situation and decide the direction. Fog Introduction: A magic that has fog and is corrosive. Source: Episode 14 of the animated version Reincarnation: Episode 61 of the animated version Conqueror: Kinomoto Sakura Possessor: Kinomoto Sakura Conquering method: Under Xiaoke's instructions, Sakura used "Shadow" cards to surround the "Mist" cards and conquered them. THE FLOAT Symbolizes: liberation and freedom from bondage. Float Introduction: It has the magic to float people or objects and can move at high speed. Source: Animation Chapter 15 Reincarnation: Animation Chapter 57 Table of Contents Broadcast 3 TA said Share

I read a lot of comments asking for this book to be a good read. . . Why is this? Aren't they readers attracted by this casual style? This book can be considered an invincible novel. There is not a single bad thing from beginning to end. It can even be said that nothing bad happens around the protagonist. The personification of the cards itself is what attracts many readers. Some people may think that Marvel is important, but there are so many Marvel articles, but there are not many Clow cards. I think the author still needs to carefully write about the interaction with the Clow cards and make the cards more interesting, rather than writing a cool article as some readers say. This can be seen from the previous description of the battle. Writing about battle requires spatial imagination and the ability to realize the imagination. The author is obviously not good at it at the moment.

The spell to summon the Clow card is just a seal release. It is not pure at all. It should be like this: "The key that hides the power of darkness, show your true power in front of me. Now in the name of your master, Su Heng, I order you to lift the seal." Then there should be a star magic circle under your feet, and the key pendant around your neck becomes a key magic wand.

It has a strong Japanese flavor, but you are talking about Marvel. It's like you put soy sauce, spicy salt and soy sauce in the tofu in front of the sweet party.

As soon as I saw Magical Boy, I remembered: the waistband that hides the power of darkness - Silver Broken Dragon Fang! !

The first is to use the word "wry smile" less frequently. It appeared too frequently in the first few pictures, and it is not a female channel. This word is too discouraging now. There is also the time line. Traveling through time to perform up and down closed loops is too cliché. It can be reduced or reduced.

This author, if you don't know how to use idioms, don't use them. Indestructible is used to describe sharpness or destructive power. Is the indestructible shield used to hit people? He has written it so many times so confidently. Isn't it awkward when you write it yourself? The shield is indestructible

I have read dozens of chapters, and I have always felt that although it is Marvel, the style is actually that of Japanese comics. After reading it, I gradually accepted it, but occasionally there are some scenes that often appear in it, and I feel awkward and awkward. For example, I saw a sigh coming from next to Gwen, and then I saw a man in black coming and saying a sword flower or something. Yeah, I understand very well what the author wants to write, it's pretentious, but the author really didn't write it well, and the writing makes the readers not feel happy, but rather embarrassed. I only read a few dozen chapters, but I think the rhythm is pretty good, but there are always some strange little problems, until I saw the author's name, I suddenly felt relieved.

Looking at the comments, I can see that most of them are book lovers of the Clow card book. I hope that my sins will be extremely evil.

It's a bit outrageous. In a world where Thanos snaps his fingers and wipes out half of the people in the later stage, you don't want to take the initiative to find cards, but just passively wait for the plot to advance. How can you just lie like this?

I've just watched the latest chapter now. Except for the details that have been said before. There are still some problems with this book. The subject matter is interesting enough, but the time between each event is too short, which makes people tired. Trouble appeared one after another, and the protagonist came to the rescue time and time again. Trouble started to appear again before even taking a break for two days. The protagonist is still belatedly arriving. There are too many things to sew, the content is too complicated, and the things that should be written are not written well. The article lacks description of daily life. The protagonists, Gwen and other characters appear stereotyped and single-minded. Some situations and scenes are swallowed up by a large number of elements, and the characters are entirely supported by the impression of film and television dramas. The protagonist of this book goes with the flow and solves problems when they arise, like a tool man. There are too many events in this book and too many characters, resulting in the protagonist not having a life of his own (all he does is sell desserts, and I don't see him making tea, basking in the sun, reading books or even traveling. You can even take a nap for a while. The labeled lazy character is not convincing). His relationship with the heroine Gwen is neither salty nor light, and he always puts on airs and thinks of himself as an elder. Not to mention that he is only two years older than Gwen. Moreover, in the previous chapter, when the protagonist was brought back to New York, it was already mentioned that the protagonist lost the Clow card and had no power to fight back. He was just an ordinary person with magic power. Iron Man loses his armor, but he is still Iron Man. When the protagonist loses the Clow Card, he has nothing. His character is not mature and steady, and his strength is supported by the Clow Card. Why should he think of himself as an elder? He talks about Gwen girl, Gwen guy. Isn't it strange? Fortunately, the protagonist has recently begun to call Gwen by Gwen (I want to laugh when I write this sentence). At the same time, due to the lack of polishing of details such as language address, and the fact that some plot protagonists have no sense of existence, a lot of useless work has been done, and the portrayal of the protagonist is really not outstanding. In addition, the supporting roles are gradually being divided. Peter Parker has very few roles and is marginalized. The description of Gwen is also not strong, and her relationship with the protagonist is neither good nor bad. In various major events, the protagonist always comes late to turn the tide, and too much pen and ink is not devoted to her, lacking brilliance. At the same time, the language and writing style are relatively immature and the sentences are simple. For some emotional words, the author only uses the form of "emerging...". Hatred is hatred, but it must be written with the meaning of hatred. Joy is joy, but it must be written with the meaning of joy. When different people speak, the language, grammar, and tone are almost the same, and it doesn't look like different individuals are speaking at all. Everyone's interrogative sentences end with "Is?" Although I understand that this is the author's writing habit, but are you banishing the word "Is" to a different dimension? Different characters have different tones and ways of speaking because of their different personalities and experiences. There are several times in the article where different people say basically the same sentence, like a repeater. For example, a sentence pattern that often appears in articles: A said: ×× happened. Then B said: Did something like ×× happen? A said: I know Mr. Carter. B said: Do you actually know Mr. Carter? Not to mention that the word "surprisingly" in the article does not appear in the context of surprise at all. And what do you want from what B said? Similar problems also occurred during the battle, emitting... And sensing... Breath. That's just people on the magic side, but I have the impression that there are also people on the science side who can feel the aura. For people with the same magic side, is the only way to perceive life is breath? In addition, there is also a hydrological problem. Based on my memory, I can only think of this problem. The subject matter of this novel is okay. I endured all aspects of the writing and details. I did not abandon the book until I read it. However, it became boring because the content became more and more complicated. I didn't want to comment on it for such a long time, but it really felt too regretful.

Don't rush to the Sorcerer Supreme or become the Sorcerer Supreme as soon as you write it down. The main thing is that every time you read about beauty or Marvel's basic protagonists are related to magic, you should be the Sorcerer Supreme.

I have long wanted to read something with this theme, but it has never been available. I hope the author will work harder.

I just came here. When I read the introduction, did the author fail to distinguish between the Clow card and the Sakura card? 🙂

Ahem. During the new book period, I would like to ask all readers to help me click and read (that is, click to the last page of the latest chapter of the new book). Because only if you read it to a high level can it be recommended so that more readers can see this book. Only when more readers see this book, the author will be more motivated to write a plot that will greatly satisfy readers. Never place Play! Putting Play or something will only make the author more frustrated, depressed, and ultimately starved to death in front of the computer~~~ So, I leave it to you to read it!

I can't say that this novel is not good, but it is a bit different from what I imagined. I thought it turned the cards into my own abilities, just like a magician, who can release different magics. But now it seems a bit like a summoner, directly summoning cards and letting the cards fight on their own, which feels weird.

Japanese-style Asashi protagonist, you decide whether to watch or not.

By the way, why are there still people bragging about Furuichi? The protagonist is set to be the male version of Sakura, right? The Scarlet Witch's magic power potential in the MCU universe is not as high as that of Sakura. Do you understand the magic power of the first-generation Moe King? When Ancient One saw that Sakura had any luck, he ran away overnight and handed over the position of Supreme Mage to Sakura. In the ranking of magical girls, except for the Madoka of the multiverse, Sakura's magic level is one of the three. In the main comic universe, she is enough to compete with witches. The most important thing is that Sakura does not need to borrow magic power. She is regarded as a growing magic dimension. Even the snap of the Infinity Gauntlet can only defeat one loneliness.

I don't know when, "IQ Online" became a dispensable label and the choice of a few authors I don't know when, looking at the choices of most authors, you came up with the idea of ​​writing yourself At every moment when inspiration strikes, you write down the creativity, looking forward to using this creativity to add to your own work Every time At a moment when you are not understood, you open your book and look at the protagonists and supporting characters, as if you have become them, and they have become your close friends And one day, you suddenly find this comment in the vast sea of books, and suddenly encounter this book, you may get a friend, get an understanding, and get some ideas...

The plot is okay, but the details are lacking and a bit rough. The names and behaviors of the characters, and the names of some supporting characters all have a strong sense of violation. An obvious example is that for a long time, the protagonist's dessert shop sold everything without names and called desserts. For example, the daily terms of address, whether in movies or in life, the normal social terms in Britain and the United States are Mr. So-and-so (surname) and Miss So-and-so (surname), instead of calling them by their first names like in this book. Including the protagonist Su Hang, Guan Gwen is always screaming like a bastard, which is really not immersive and a bit eye-catching. Another example is the behavior and logic of doing things. Some problems were indeed pointed out in the comments, such as the commonplace problem, which has been improved in subsequent chapters. Another example is that some agents seemed a bit stupid. For example, Cole told Su Hen to leave materials for research when the Destroyer attacked. At present, I haven't read much content. I have only seen a few chapters that have just been released. Some of the free chapters lack details, which is really uncomfortable.

The start is too slow, how can this make me feel happy?

It's been eight days. I guess I went in. I'll run away.

I hope that after conquering and converting the cards into my own, I will make my own cards, preferably healing aids and the like.

Just one update a day is not enough to watch, it's boring

Is this the end? The monthly pass is free, if I had known I wouldn't have subscribed

No, are you done now?

Recommended by others. Look at it with the attitude of giving it a try. It's really good, and the author's updates are great. Naruto also operates like a god.