The Adventure of Dicuo

Hiss... It's a bit like a book. You join the Loki Familia, practice with the Sword Queen in the early stage, and then team up with a character. The character is the same and encounters the same crisis... In the early stage of the book, the protagonist needs to learn the ability, so it's quite logical to practice with the Sword Queen who is not a high level at that time. In this book, the protagonist, who has outstanding abilities in the early stage and is more of a mage, finds someone to practice with, and she happens to be a swordswoman. It's a bit of a waste of time and effort to develop.

I feel like the author is not a newbie, he looks like he was reincarnated by an old man. His writing style is not bad, at least the sentences are smooth and there are few poisonous points. However, it is still not suitable for writing a novel. The whole story is as straightforward as a running account, with no characteristics and no sense of expectation. The plot is quite boring, and the content can be understood just by looking at the title. And the character design of the protagonist is also unremarkable, just like a passerby on the street, without any personality characteristics, and he does not look like a time traveler. The character design is not well grasped here, making people unable to have the slightest sense of substitution. In general, there is nothing outstanding about this novel. I can't find the motivation to continue reading it. I still suggest that the author find a serious job.

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​: It's just inexplicably awkward. The writing is wrong and the ability to grow so many anime characters can't be learned? Learn from other people's at least a small peak or the kind that is not crooked. You have to gain other people's abilities and then grow strangely? (Including many wrongly written ones) The whole book just dragged on.

So far, it's very consistent with the atmosphere and style of the original work. I just don't know how you plan to get in touch with the real protagonist, Bell? Kind-hearted senior? 😆

What I wrote before was okay, but what are these latest ones or two about? Was it written without thinking? You just made it up, is that okay? They also attacked the Loki Familia. The second design shouldn't be too outrageous, right? Is it okay to just change it into a mess? Shen Nong tested the poison, and it was extremely poisonous, and the new ideas were introduced deeply.

Already poisoned, he is unable to taste new grass. It's up to you.

Can't you customize some small iron beads? After using full control of attack in the early stage, you can learn the invincibility of the golden lion.

I can't stand it anymore, it's so awesome, the protagonist has no brain at all. What he developed on his own in the front will make others want to kill him, but he doesn't know how to use it anymore. Good guy, forget it like this. When someone else shoots at him, he uses the space to turn around and shoot back. When he shoots back, he opens the door directly in front of him and shoots back. The setting and writing of Chun Chun are outrageous, but the actual purpose is just like a weakling who wants to write with passion, hoping that the protagonist will make a comeback and be happy, but if the writing is not good, it will just make people watch awkwardly.

A battle between the clans came out of nowhere. Although the author said it was included in the original work, there was no need to spend so many chapters writing it, right? Does the protagonist have the pretense? Have you learned new abilities? Do you have any sweet daily routine? Did it advance any important plot? If you were to say that Freya saw the protagonist's brilliance and insisted on accepting him as a member of the family, you could use this to push the plot forward, but there is no one. Freya met the protagonist, but in the end she was only slightly interested. She did not fall in love with the protagonist as she did in the original work, so I can only say that it is inexplicable.

This is for those who have never read the original work or played the mobile game. Freya and Loki are the successors to Zeus and Hera. As the inheritors and heirs, driving them out is just a way of saying it. The two families of Zeus and Hera suffered heavy losses due to the failure to defeat the black dragon and were no longer able to maintain the task of opening up the dungeon, so Freya and Loki left the city through Loki. Ya and the others have gained a lot of experience and reputation. The premise of Loki and Freya's play is that there will be no chaos within the city. The stability of the city is the premise. Because they are gods, they can be willful; because they are gods, they cannot be willful. Including later, the little aunt came back to experience the death battle between the dark factions, and was also looking for a qualified heir, but she did not expect that Justice died so unexpectedly.

There are only so many Dicuo fandoms available on the Internet. I didn't expect to find another one. It seems to be very good so far.

Emm, we came here to see the wrong place, why did you go to hunter after just a few chapters on the shelves? Forget it, abandon it, I hope if it is seen, it will remind others after me.

I haven't been looking for it for a few days, but there's a book in the wrong place.

It's really a pity to drive high and go low.

Shen Nong died after seeing the poison in Chapter 60. He drove high and went low. There are no big problems in the previous chapters. In Chapter 60, the protagonist upgraded without reaching the upper limit of his ability. He was not the kind who was close to the limit for several days and could only increase single-digit points and decided to upgrade while still improving violently. This kind of thing is extremely poisonous in the background of this novel. The wrong background is originally a kind of birth that determines the end point. Except for miracles,

Pure two-dimensional text, focusing on a house smell

Upgrading before it's full, it's forcing you to suffer from obsessive-compulsive disorder!

The plug-in needs to come into contact with the original characters to be effective. It makes it seem like these worlds cannot function without them. The whole world only has value for a few characters. The feeling of the brain in the vat is too heavy. It is better to set it to explore the world and grow stars. If you are wrong, you can explore dungeons. Hunters can explore the dark continents of various countries. It is more meaningful and reasonable than contacting the original characters.

The hunter roll is a nanny for the whole process, so you can skip it.

Did you start building a new world when it was released? Moreover, the protagonist was changed. The new chapters were boring to read.

If I can float, I will first make a batch of extremely dense iron balls like a black hole. When hitting, I will start with a ton of iron balls, and then some of them will rotate from 1 meter to a radius of 50 meters on my body for endless impact. The remaining iron balls will be hung next to it for single target attacks. The essence of floating is force. I can make objects float. The essence is to give an upward force. OK, what will happen if I give a downward force and an upward force on his body? I give him a forward force on his back and a backward force on his chest. Will the two forces meeting in his body flatten the organs in his body? This is just a rough control. What if part of the body is directly levitated? I feel that the author's imagination is not good enough. You can say that the protagonist has tried it and still can't use it. Floating magic is more aggressive than space magic. The essence of floating is force. So can I give an object infinite force so that its atoms will not separate like water droplets? And how is contact determined? Was it my hand that came into contact? If so, does it count as contact with the molecules of my hand? If so, the atoms of the hairs on my hands are separated and come into contact with the air. Is this what my hands are touching? If yes, take off directly. But I know that the author will not write the protagonist in this way. If he writes it this way, it will be too strong. You can give it so much strength, but you have to make the readers feel that the floating development of the protagonist may not be inferior to fancy space magic at all, such as the manipulation of fire at a microscopic level. For example, the essence of fire is high temperature, which represents the thermal motion of molecules. The following is the original text from Baidu: "Every molecule of any substance is undergoing irregular thermal motion. Because matter is composed of a large number of molecules, and the molecules are constantly doing regular motion. The higher the temperature, the greater the thermal motion of the molecules. Violent, so in physics, this kind of irregular motion of molecules is called thermal motion of molecules. "In turn, if you manipulate the thermal motion of molecules, you are manipulating fire. If you directly make the movement speed of molecules reach 6000 degrees, it will produce high temperature. Substances must burn at 6000 degrees Celsius. Needless to say, if you have this ability, you can directly walk a nuclear bomb, or completely on the contrary, directly minimizing the movement of molecules to minus 200 degrees Celsius is ice magic. What is the difference between this ability to create earth, wind, water, and fire and God? What the hell is this? This is the son of the fucking version! ? Space magic? I don't even need to put rubbish on a dog, but I can use a horse to directly add heavy hydrogen to high temperature and high pressure and then walk on a nuclear bomb. With such strength, who can play with it? Do you ask the reader if the reader agrees? What is the strongest in the real world? The most powerful nuclear bomb! The sun knows, it's essentially a super-large hydrogen bomb. In the end, if you directly draw A, it will be like the sun. This author really doesn't know how to play, and the readers are really small-minded. In the early stage, the iron ball rain started, and in the later stage, the nuclear bomb directly tied A, and it was the god of the world. I know what you are thinking. You are thinking about other people's attacks, right? I thought that you only need to make one ton of iron ore into Chinese armor, but the density is ten times higher. Is it too heavy? Floating is not a problem. Then, add a layer of air walls inside and outside the armor that is a hundred times denser than the outside air so that the enemy's attacks cannot hit you. This way you will have smoothness, both strength and smoothness. If you want to cause harm to me, you must hit my third layer of defense before you are qualified to hurt me. Otherwise, you can't even touch my clothes. If the author plans to go to the universe in the future, he can manipulate objects to become huge until they reach the planet level. If it is on the earth, then go to atoms and molecules. In my humble opinion, I will give the author an idea, and you may not use it.

Let me talk about the reasons why I gave up the book. I really couldn't keep reading. Let me just talk about the big problems I felt in the first few chapters: 1. There were so many typos that affected the reading experience. It was obvious that the author was not serious about this book. 2. The protagonist is a mage auxiliary account. It is not impossible for the author to arrange for him to fight in close proximity, but can he find a suitable reason? For example, you can use the barrel theory to explain that he needs to exercise. In order to avoid fatal weaknesses... He needs to practice melee skills. 3. No ideas! If I were the protagonist, I would be an archer in the early stage. I would have unlimited arrows! Just practice throwing stones if you can't! Wait for the enemy to get close and then summon boulders or traps to trap the opponent... The melee weapon is a means of protection and must not be used as the main means of killing the enemy!