
Siheyuan: The Sneaky One Arrives, and the Neighbors Are Stumped
四合院:老六登场,众禽麻了
- Status
- Completed
- Length
- 884k Words
- Genre
- Urban
- Subgenre
- Urban Life
- Updated
- 1y ago
- English
- Request a translation
Synopsis
Stats
224Chapters
4.1kRecommendations
76.8kFans
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Reader comments 20
Google Translate

Have you guys noticed this problem? Before transmigrating, some people were screwing screws in a factory, decided to write a novel, died, and then transmigrated. Others have good starting points and even a system, but end up still screwing screws in a factory. Isn't that a waste of time?
I recently heard about a TV series called "Love in the Courtyard," a sister series to "Love in Nine Bends," directed by the same person. It's absolutely amazing! Another drama that will send your blood pressure soaring. It's a perfect match for the courtyard house; the courtyard house is played by Sha Zhu, and Nine Bends by Sha Mao. I reckon it'll start a new trend.
Zhu Lin
Zhu Yingxue
No one is perfect. I don't think there's anything so great about "Full House of Love". It's just human nature. We walk through life step by step. Many things look disgusting in the end, but the process is often harmonious. Don't think of people as so bad, but don't think of them as so good either.
The recent plot feels perfunctory and bland.
It's good to take inspiration from the novel "Who's More Shameless Than Me in the Courtyard House" for its humor, but the later plot becomes too repetitive and uninteresting! The early and mid-game is quite good, surpassing 90% of other "Courtyard House" games.
The system collects emotion points, which is a real problem. Each chapter describes various schemes and plots within the courtyard; consistently writing about courtyard houses like this is very selective in its readership.
After reading 114 chapters, my overall feeling is that the male protagonist's modern mindset, social interactions, and behavior are too jarring and incongruous with the 1950s and 60s…
He actually got involved with Yu Haitang. Goodbye.