Liaozhai: Above Shinto

Too impetuous! I'm afraid your new book won't be as good as the last one! Just learn from ordinary people, the most important thing is to persevere...

I feel like the plot is a bit dragging. It's been more than ten chapters and I still don't know what the plug-ins are for. It doesn't give readers much expectation and sense of involvement.

This is a model worker

Updates are too slow. One of the two major acts of reducing intelligence is that ancient people did not eat delicious food. One is that modern people travel to ancient times to write poems and test public names. After seeing this, I will most likely give up the book. But the author's writing is very good and he is not ready to abandon the book, and he can't see any problems for the time being.

In ancient times, calling someone by their full name was equivalent to greeting their mother. If they were not elder brothers, they would be called by their baby names.

Can't you post both chapters together? Separately, it's painful to watch. It's short and only one chapter. It's particularly troublesome to follow the reading

Times have changed. The most important indicator of new books is to follow them and read them effectively. So if you like it, don't read it anymore. Read two chapters a day. It is comfortable and nutritious. Please, please! If you have any comments or suggestions, please feel free to leave a message, but avoid swearing and nonsense!

I just voted for the monthly ticket and the next chapter will be mailed. . .

It's coming, it's coming, it can't be too short this time

Okay, it looks pretty good, I'll keep reading.

It is recommended that the author communicate with the editor and revise the outline and details. Your writing style is good, but the book review section is so deserted mainly because the structure is too scattered. In the early stage, small plots such as the recognition of ancestors and the corpse puppet disrupted the rhythm. You can just start with the Thirteenth Duke being frightened by the Thirteenth Duke who was doing the wake-up call and leading to the ancient bronze lamp. Next, a series of small plots are inserted, such as becoming a disciple, upgrading the ancient lamp, poetry meeting, getting to know the fox girl, giving a dowry, practicing secrets, Taoist Wang talking about spiritual practice, and finally revealing the clues of the corpse. As for the family line, it can be transferred to after the poetry meeting: to attract the attention of the family, and then conduct an assessment to recognize the ancestors and return to the clan. Weird things appear in the assessment, which leads to suppression by the family. Chekov said that if a gun appears, then the gun must go off in the third act. The original plot was like hanging a gun but not firing.

The writing is okay, he solves the uncle's problems, he solves the teacher's difficult things, it's too fresh, the supporting role, there is no supporting role. I suggest that sometimes pig's feet are good, and they are highlighted by supporting roles.

This plot is pretty good. I've read two or three of your books. They all involve imperial examinations, but the subject matter has changed slightly. Come on.

Are there any cultivation novels that are classical and ancient with a touch of romance? I have seen a few results and most of them are eunuchs. 🙂 Don't upgrade all day long. Rocket upgrade, don't fight all day long, doing this and that! Plainness is the truth 😭

Whose vest is this author? A plow with a knife? Southern Chen?

Which father-in-law is this? His style should look like Nan

The setting was not done well and the plot was complicated. If it were me... I would write the plot of the protagonist recognizing his ancestor and returning to his clan as follows: The protagonist has a grudge against a peer in his family. If the protagonist wants to recognize his ancestor and return to his clan, he must accept three conditions. The first condition: The villain of the same generation is secretly causing trouble. Hearing that the temple on the mountain was haunted recently, he asked the protagonist to spend the night in the temple, threatening to test the protagonist's courage and courage, and sent people to guard the mountain. Then, strange things happened frequently in the temple in the middle of the night, and the protagonist was scared to death. The real protagonist appeared on the stage, used wicker to subdue the statue, and the vision disappeared... At dawn the next day, the villains of the same generation came to see if the protagonist was dead, and the protagonist interacted with him to attract hatred. Second condition: The protagonist is transferred to work in the family industry to test his ability to do things, but the villains of his generation come back to act as monsters, and are eventually resolved by the protagonist one by one. Instead, they are humiliated and continue to accumulate hatred. The third condition: The protagonist recognizes his ancestor and returns to his clan, and he needs to burn incense and worship the family spiritual tablet. This matter was originally very simple, just a formality. However, when it was the protagonist's turn, as in the original text, he realized something was wrong and resisted directly. In the end, all the ancestral tablets fell down, shocking everyone... The villains of the same generation felt that they were good again, and confidently suppressed the protagonist. Many elders present did not listen to the protagonist's explanation, thinking that the protagonist must be the reincarnation of a demon, possessed by ghosts, etc., And they also talked nonsense and insulted their ancestors. Afterwards, the protagonist was disheartened and returned home, but the family held a meeting to capture the protagonist and burn him alive. Finally, the protagonist's younger brother came to inform the protagonist and asked the protagonist to pack up his parcel, leave this sad place, and go to another map for development. Before leaving the house, the protagonist was intercepted by the villain of his generation. The protagonist was angry and killed people. Finally, he killed the villain and his great revenge was avenged. In this way, the protagonist told his younger brother that there was a problem in the family and he would come back, and finally left to start the next plot...

The protagonist is not aboriginal, the time travel is not time travel, and the most basic positioning is not clear. Under normal circumstances, this is innocuous. Generally no one cares about a small poisonous point at the beginning. But it's not good if you always mention this on purpose. You don't think this way of writing is a selling point, do you? Why do novels generally like to write that the protagonist travels to the past? It's very simple. First of all, it resonates. The protagonist's thinking logic is in line with the thinking logic of modern people. It is easy to write and easy to substitute. Second, many objectionable bad habits in ancient times can be avoided and will not conflict with the protagonist's behavioral logic. Of course it doesn't mean that you can't write about indigenous people, and there are even people like you who write about indigenous people awakening to modern consciousness. But people either write about simple indigenous people, or they awaken their consciousness based on the logic of modern thinking and weaken the sense of existence of indigenous people. Let the protagonist's personality be clearly defined. You focus on modern consciousness at the beginning, and repeatedly emphasize the original indigenous people in the middle. No matter how good the writing is, the rest will basically be eunuchs. Because every time you write about the original indigenous people, there will be a sense of fragmentation. Many authors have noticed this. Some even write about taking over the responsibilities of the original person, and some simply treat him as if he does not exist after the second chapter. Of course, there are also those that are dominated by indigenous people and have some modern memories. No matter how good the writing style is, this kind of writing will die the fastest.

The writing is really good and has a sense of imagery. Although the story is old-fashioned, it is layered and logically clear so far, and it is quite comfortable to read.

This book is quite good. Why did you cut it? Too impatient!

Wouldn't it be better if the author didn't use the name Liaozhai?

Looks good, come on

I stayed up all night to read the latest chapter at 3 o'clock, and I still haven't finished it. I thought it was a new work by some great god. I seem to be a new person after getting married. I collected it to follow up 🌹

I just started reading it and sent it, 😩

. . . To know, read the comments first

I read a similar book before. I forgot the name. It also had ancestors and ancestors offering sacrifices to their spirits and so on.

The latest chapter has been sent. Taoist friends stop

I just saw the latest one, why is it gone?

Can't the author hold on? Classics all start from crazy updates, and online articles only make sense after they are written 😁

This historical text of the late Ming Dynasty, "Xi Ming Li Huo", writes about Sichuan's resistance to the Qing Dynasty in the Southern Ming Dynasty. The writing is good, the plot logic is online, it does not reduce intelligence, and the details are real. There are no common time-travel routines, and the cheats are not big, but the details of the war are very solid, especially the war planning, army organization and equipment, battle plot, command, formation, and marching details are very real. The plot is roughly divided into two lines, one is to resist the Qing Dynasty, and the other is to deal with various warlords in Nanming and Sichuan. Currently, there are two female protagonists interspersed with the main line. In addition to the plot of war and strategy, there is also a harem. Finally, I wish Guibao Di a great success!