1992: The One-Punch Man of Tokyo's Entertainment World

Dragon Ball represents an era. In the eyes of those who have seen and understood that era, it is an insurmountable mountain. Maybe One Punch Man may not have surpassed the peak of Dragon Ball in that era, but what we want to see from this book is the exciting scene of the melee between gods in the comic book world!

One Punch Man is a cool novel in the animation industry. It can be popular, but it has certain bottlenecks.

It's all empty and pale language. And clumsy and childish inner descriptions that want to incite the audience's emotions. It's all just talk on paper, and the author doesn't understand comics at all. He may have seen the video report on the second creation, but the author definitely doesn't understand comics. It is a bad idea to try to cover up one's own ignorance by relying on brainless and contrived plots that only show off. Authors who only want to influence readers through various childish designs without digging into their own stories will never improve. In fact, the author's description of Ruoran seems a bit bloated, but it still has potential for growth. If you want to write comics, you have to understand her. This will at least be worthy of my own work. I suggest you read the comics section of an old book: The Birth of a Reborn Family. Although the book is slightly stylized and has various shortcomings, it can be seen that the author carefully understood the comics before copying them. I rarely write such a long review. If you're fascinated by a good book, you won't comment on it, but if you read a bad book, you'll just complain. This book seems to be neither good nor bad, so I have to say so much. That's all.

The Japanese yakuza also has unspoken rules. The Japanese yakuza will never dare to offend social and cultural celebrities such as writers and cartoonists. Unless there is something that can make the other party win or lose.

Brother, I really can't stand it anymore. What are you writing in the latest two chapters... The previous chapter about the underworld is to pave the way for comics, and then Go is to promote the spirit of chess, and the food is for the Chinese little boss, but are you writing high in the latest? There is no emotional foreshadowing in the first chapter, so I just push the girl, me? You were so serious in front of me, I didn't come to see you suddenly push a girl. If you recommend this, you might as well recommend the comic assistant from before. At least the relationship is a little foreshadowed. This cosplay seems baffling to me. You signed the contract to shoot a live-action drama later, and then came to the show. You just appeared on the show. She was very serious in front and didn't look like the heroine. She felt like a passerby. The protagonist signed her to make money, not to fall in love. The latest chapter was suddenly pushed, and I said: Huh? After pushing, you encountered a mudslide. I really, what did you think? The title of your chapter is so serious. I thought you were pursuing a career, but the whole chapter is devoted to pursuing women. It's so sudden. That Duke is having sex with women on the train, so you should follow suit, right... This chapter is really... After that, you will be in a mudslide, echoing the title, right, and it made me laugh. I thought you were going to write some story about people uniting as one, encountering a mudslide, and the captain of the rabbit country, but it turned out that you were messing with a woman. In the next chapter, I thought you wanted one side to be in trouble and support from all sides to show off the government, but instead you got me a South China tiger and gave the protagonist cubs. Mudslide, brother, you write about a South China tiger and give tiger cubs to the protagonist. What do you want to embody? Do you want the protagonist to raise it or something? People are trapped and affected by the disaster. They don't know if there will be landslides, and they are waiting for rescue. You wrote that the South China tiger gave cubs to the protagonist during the mudslide, instead of harming the protagonist. What did you want to express? Protagonist halo? ? ? Did you write high? Does it have anything to do with comics? Does it have anything to do with showing the power of China? What did you want to write about this extremely blunt plot? I didn't want to post this comment originally, but I feel like you're not done yet, so you won't want to mess with me in the future, right? Everyone comes to see you draw cartoons, not to see you. As a cartoonist, nothing happens when you encounter a mudslide. There are wild South China tigers, and no one notices them. As soon as you encounter a mudslide, they come out. They won't eat you, but give you their cubs. This is not what everyone came to see. Don't you think this is too forced? Don't be so forceful. If you want to talk about protecting animals, and then write about three or four chapters, then I really can't stand it anymore.

There is no distinction between primary and secondary, and too many branches are written too far.

A few years ago, during the Japanese Academy Incident, Torishima Kazuhiko, an old Japanese soldier who advocated not admitting his mistakes, was not a good bird. Even though he looks like Hayao Miyazaki, this old devil is not left-wing at all.

It's not to your liking. I'm here to see the transcripts, not your business intrigues. The first few dozen transcripts are not much, and there's a lot of mess. It's tasteless to eat, but it's a pity to throw it away. It slipped away.

I saw more than sixty chapters, almost on the shelves, and the main character comic has not exceeded ten chapters. It's a confrontation between the underworld, and a gambling fight begins again, it's all messy. Why is the author so slow in his career and so anxious to write something that will slap him in the face? At least, serialize a few more chapters of comics, and let the industry stabilize first before starting to write these plots. Have you ever read it and told me where to start drawing comics seriously? I'm afraid that I won't be able to retain readers even with the three golden chapters. The author has filled these dozens of chapters with outrageous plots.

You have to have bad drawing skills to create One Punch Man. It's hard to make the protagonist have normal drawing skills.