Earth's Only Wizard

Why is it that only the protagonist knows how to improve his own brain, intelligence, and memory? Are other wizards fools? Can't he do better spiritual research to improve his intelligence? The part where the protagonist's hidden bloodline absorbs earth creatures feels unreasonable. You didn't explain the principle. I mean, ants and the like. Insects do have many incredible abilities, but you have to know that the reason why ants can lift things hundreds of times themselves is because they are small enough. If they were as big as humans, with their body structures, they would not be able to survive at all. The NB of tardigrades and jellyfish is that their structures are very simple. There is no problem if some parts are missing, and it will not have much impact. The various resistances of the tardigrade are in hibernation, that is, suspended animation, and the body functions are reduced to a minimum. What kind of resistance can there be? The fish in the deep sea and the squid can withstand stress because of their unique structure. The protagonist has nothing, how can he do it? With so many characteristics The most important point is that the earth is not extraordinary, but it can refine something like bloodline. What is bloodline? Is it the same as the wizarding world? How is it different? How is it different from powers? If you don't explain your bloodline clearly, the earth will collapse without demons.

A woman can't accept the protagonist's behavior and break up. The protagonist strengthens his brain after gaining extraordinary power, but he still can't control his brain and body and wants to lick her. You should be an extraordinary person.

Women are a bit deliberate, and brain enhancement is also a bit deliberate. If they can't control their own enhancement, is it still considered enhancement?

Let me ask, is the protagonist the only extraordinary person on Earth?

I was poisoned in the first chapter. How stupid and ignorant it is to travel to another world to find an embassy and find a mobile phone. First of all, you were almost stabbed to death. Shouldn't you be wondering how you are still alive? Secondly, the most poisonous thing is that you don't look at the surrounding environment when you travel to another world. Even if you don't look at the surrounding environment, You should immediately notice something is wrong with what people say and dress, right? Just like a person who has never been abroad suddenly wakes up in the United States and appears in an unfamiliar environment with a language barrier. How can you tell that something is wrong? What's more, the language and environment of a different world have even greater changes in race.

Saw a similar one a few years ago. I guess it was cut later. Because there is no extraordinary in the main world, it is not easy to balance. I only remember some general plots: the protagonist can double-cross, wants to change things from two worlds, and develops knowledge. However, that is the setting of the classic wizard civilization. Therefore, in the world of wizards, the magical ancient times that the protagonist initially thought were just scratching the surface. When he comes into contact with even the lowest level of wizard apprentices, the protagonist is frightened by the verifiable attempts - translated into a language that technological civilization can understand, wizard civilization is actually a high-level interstellar civilization across stars. In comparison to the human civilization of the main world, it is like a monkey compared to a Predator. All the force in the world combined is not enough for a middle-level wizard to fight with his younger brother. Except for entertainment, all other technologies have been completely crushed by the wizard civilization. Moreover, the wizarding civilization does not recognize universally recognized morality. To put it bluntly, it does not regard mortals as human beings. It has instinctive cold-bloodedness and cruelty in its bones, and... It is very aggressive. If the protagonist takes out any entertainment products from his original world, he may be traced back to his home world by a high-level wizard. And wizards have mature time-travel technology... As long as they track the time and space of one world, they can reversely travel to the other world... That is, launch an interstellar fleet and occupy the target planet. Under the colonial rule of high-value planets, the indigenous people can only be slaves. Perhaps after a few generations, when formal wizards appear, they can be assimilated into the wizard system. Most low-value planets are directly dismantled into resources (disintegrating planets), and the only result is the extinction of the indigenous people. The protagonist simply does not dare to show off any information and items from his own world in the wizarding world. The result is completely out of balance. The protagonist pretends to be a stallion in the main world, the wizarding world... The apprentice is the official wizard's dog, and the protagonist is the big boss, but on the other side, he is the servant of the apprentice...

It's actually quite interesting. There was "narcissistic rage" during the breakup. I don't think the male protagonist has grown up, but is like a child. Becoming a wizard made him feel that he had become a great person. When facing his girlfriend who was afraid of murderers, he felt angry: "I am so powerful, so great and omnipotent. The extraordinary person who surpasses you ordinary people just killed a damn lowly, incomplete and defective psychopath. Instead of praising me, you are afraid of me." In fact, the male protagonist is more like a psychopath. Narcissistic rage does not regard the "opponent" as an independent individual, but as a part of oneself, and a part that is not under one's control. Sometimes the mere awareness that the other person exists as a separate person from oneself is enough to activate those expectations of narcissistic harm. (Perfectly consistent with the behavior when breaking up with your girlfriend) Narcissistic rage arises when self or object fail to live up to the expectations directed at their function-whether by the child who more or less phase-appropriately insists on the grandiosity and omnipotence of the self and the selfobject or by the narcissistically fixed adult whose archaic narcissistic structures have remained unmodified because they became isolated from the rest of the growing psyche after the phase-appropriate narcissistic demands of childhood had been traumatically frustrated. Obviously, as an adult, the male protagonist behaves this way because of trauma, so what kind of trauma is it? they had been too rapidly, or phase-inappropriately deprived of an omniscient selfobject or had received inadequate confirmation of the phase-appropriate conviction of the perfection of the self. From the first chapter, it has been stated that the male protagonist's family background is not good and he is a single parent. Ha, the reason is here, as mentioned in the above paragraph: they have prematurely lost an omnipotent idealized self-object (a self-object that provides comfort, protection, and soothes anxiety/fear, etc.). Their spontaneous desire for expression, innate talents, and self-confidence have not been fully accepted and appreciated. That is: prematurely deprived of the idealized object (not giving her comfort) and insufficient reflection (not giving her vitality). Those children who are expected to be "sensible" and "good". (The so-called "poor children become rich early") Why do narcissistic and fragile individuals actively launch attacks on others that damage their self-esteem? Classic psychoanalysis transforms passive experience into active experience, identifies with the attacker, and the sadistic tension retained unconsciously by the victim. These three dynamic perspectives can all explain this phenomenon. Kohut understands this phenomenon from the perspective of narcissistic rage: Individuals with narcissistic rage have a complete disregard for logical limitations and an infinite desire to reverse the harm or seek revenge; under the control of this overwhelming emotion, the individual's rational thinking ability is often not only complete, but even sharper, and the combination of the two makes the individual's irrational retaliatory attitude more terrifying.

It's the author's destiny to pursue reading now!

After identification, Pigfoot is an idiot

Can't you write more about adventures? You write these political and religious things that are far-fetched, yet you insist on writing them, and now a little piece of trash is involved in the struggle between the Lord and God, which is very embarrassing.

It's hard to describe in one word. Golden Chapter Three is too confusing. There is no sign of extraordinary power at chapter 10. Why

Author, can you look in the mirror and see what kind of writer you are? Do you have the ability to create a heroine? Everyone is already enjoying reading wizarding novels, but what does it mean when you suddenly add a woman to the mix? You can't live without a girl, right? If you want to write about women well, forget it. If you write poorly, you still write here. Everyone clearly tells you that this is a minefield. If you write about women badly, don't write about women. Don't you know this is a poisonous point? Even if you know it, you still write it, so stubborn

I read a few chapters and it was very boring. I can't stand the rest anymore.

If this woman is the heroine, then the author really can't save her at all.

If you don't know how to write about a female protagonist, don't write about it. If you want to see a female villain killing people, you still want to read it.

Author, your x organization is a very poisonous site

What the heck is it to develop into an undercover sect? Do you think you are not in great danger? Obviously there is a right path and instead of taking the right path, I choose to take the sewer route.

Chapter 81 Ding Zhen, identified as: the first few chapters were too confusing, and I have no desire to read them. Run

What kind of bullshit is this? The article is not fluent?

Don't write about love between women. In reality, most readers will basically not be able to relate to it.

This is not a one-person approach, and the text is not right. It's obviously a trip to another world

This book has a good idea, but unfortunately it is limited by the author's knowledge, vision, and writing skills. Are there any similar books about solipsism?

Submit it quickly

I saw The Cat in Chapter 15 and read two more chapters. Stop watching.

It was very well written, why did it end so suddenly?

The author creates a new power system that is less childish than game-like systems in many novels, but it also seems obscure and difficult to understand.

Can you finish writing it? I won't read it until I finish writing it.

If you keep it, it will disappear, and the flowers will be scattered

Full marks for creativity, there are small flaws but they don't affect the overall

Posting a post, I personally don't think there are any big poisonous points in it. The settings and levels are still very interesting, but the updates are slow. Refute what other book friends have said. Is it only the protagonist who thinks of evolving the brain? I don't mean to say that there is a sentence in the book that no one else has thought of? The author also said that shaping the setting of witchcraft is based on the wizard's current cognition and knowledge, and his own choice.