Reborn in the New Millennium, I’m a Director

The first web drama was released in 2008. At that time, it was all dial-up Internet access, and the Internet speed was crazy. Isn't this bullshit?

1. Don't look at reality For example, spending $100 million to photograph Mars will be the cost of filming in the United States ten years later. How can it be so expensive in China? In particular, there are not many special effects scenes and not many actors. One hundred million US dollars is equivalent to 800 million yuan. What kind of concept is this? Later, more than ten years later, the cost of wandering around the earth was only more than 300 million yuan. There are so many heroes and stars, and the big scenes only cost 30 million US dollars. There is still 10 million US dollars to shoot the moon. How can we need so much? The cost of shooting in the United States is expensive, one is labor and the other is special effects. Finally, how much cheaper can it be to switch to China, especially if you don't take a break throughout the week, it can speed up the speed and save costs. There were also domestic prices at that time, etc. How could it be possible to use so much. Then I filmed an online drama in 2002. Isn't this funny? At that time, the network bandwidth was very limited. Not to mention online viewing, downloading speed was not very fast. How could you let the audience see a clear picture? Moreover, video websites are a bottomless pit of money. So many websites have been losing money for many years. Where does Tencent get the money and energy to do it? Two, being too self-proclaimed Hero spent a lot of money and channels on advertising, gathered so many stars, and brought many people into the theater, and it only had a box office of 250 million. You want a box office of 250 million for a feature film, but there were only a few theaters at that time. Feng Yun Jue and The Moon that followed were even more outrageous. They were a two-dimensional animation, a dull film, and had a box office of 300 million, without considering the market at all. Domestic two-dimensional animation has always been weaker than three-dimensional animation. The 30 million box office of the original film was already considered the ceiling. Later, every two-dimensional animation was released, and it was not until the Pleasant Goat movie that it began to exceed 100 million. The peak was 560 million in Big Fish and Begonia. The same goes for the box office in the United States. Some of the movies are too outrageous, especially the Chinese version of The Martian, which cannot possibly have that much box office. Third, I don't understand business Especially in Tencent, it was a bit funny. At that time, there were many competitors in domestic instant messaging, and later it was a war with MSN. You are not the leader, so how can you have the energy for entertainment? Then it's not that Tencent didn't make games, it just lost money. Later, it relied on board and card games to save itself, and then gradually entered the game area. The part about mobile phones is also a bit funny. Tencent initially made money by relying on mobile QQ for mobile phones. It only started to make profits by cooperating with China Mobile. You didn't let them rush to develop mobile QQ, but actually asked them to wait for Apple. It is also said that the user growth is 0, which is completely impossible. There are new Internet users every day and people register every day. How can it be 0 growth? At that time, Tencent's biggest goals were to make profits and to defeat its opponents and occupy the market. I was kind enough to let them spend money to buy the film and television rights. I knew the copyright would be valuable in the future, but I didn't buy it even if I had the money. Instead, I asked Tencent to buy it, one with 100% control and the other with only 20% of the shares. Moreover, he clearly opened a copyright company, but instead pushed out important film and television copyrights. There are some pitfalls in investing in Wanda Cinema. The same logic is that if you have money, you will not do it, but rely on others. The last thing is to counterattack Japan. This is also purely self-indulgent. The Japanese don't care at all about animation from other countries. However, publicity is possible, but it is unlikely to be the first. Four. How to use some names Some common names look awkward if you use them directly in conversations. For example, heavenly immortal, national master, great power, etc., They read very strangely. The first part was pretty good, but in the middle it started to look awkward after I went to the United States.

Single heroine or multiple heroines? If it were a single female protagonist, I wouldn't be fooled.

The protagonists are all written in a very bad way, and their attitude is too low, so that they lose all their B qualities. It's a bit like licking a dog.

Web Drama: My head hurts a bit. In 2002, the dial-up telephone line used for Internet access at home did not have broadband. The Internet speed was terrible. When listening to music, you have to cache it. To watch movies, you need a computer with a CD-ROM drive.

I don't know if this author has any common sense. He started a web drama in 2002. How come his brain circuit is so big? I really don't know whether he is stupid or not.

Many people don't know much about the film and television industry. For example, if you take our Beijing circle as an example, people in the Beijing circle develop as a team and interact with each other. That is to say, they have a common interest. Offending someone in the Beijing circle is equivalent to offending the entire Beijing circle. Many people think that offending the Beijing circle is just because they don't have the Beijing circle's investment and some artist resources. At worst, they can invest their own money or recruit other people to do it. Actually no, the investment is of little significance, and the influence of artists is even less. The biggest problem if you offend the Beijing circle is passing the trial. If you can't pass the trial, why do you still want to work in the entertainment industry? ? ? You said you also have a backstage? The second biggest problem that offends the Beijing circle is that you cannot use all the film and television bases in Beijing, such as Zhuozhou Cinema, Bayi Film and Television Base, Beijing Film Studio Cinema, Xisanqi Studio, some colleges in Beijing, most of the villa areas in Beijing, etc. Basically, you can say that you should not shoot anything in Beijing, it is so simple and unpretentious. The third biggest problem that offends the Beijing circle is Beijing actors. The actors mentioned here are not just a few artists, but all actors in Beijing including extras. How can a crew film even if they can't get all the actors? Iron? The Beijing circle runs through almost all actors and assistant directors in Beijing. When filming in Beijing, there are no artists, no special actors, no extras, and no martial arts. Are you shooting in the air? You said you're going to shoot somewhere else? Use foreign actors? China's film and television industry cannot avoid the Beijing Circle. You can't avoid Renyi, Beijing Film Academy, Central Academy of Drama, Communication University of China, Chinese Opera Academy, Beijing Dance Academy, etc. Besides, there are hundreds of film and television entertainment companies in Beijing. The Beijing Circle is not just a few small figures mentioned in entertainment articles. Those few can only be said to be a small circle in the Beijing Circle, equivalent to a class in a company. They are members of the company, but they cannot represent the company. The real Beijing circle is the Beijing film and television circle. It did start with Da Yuandi, but after so many years of integration, it has become the entire Beijing film and television circle, including China Film Group. This is the Beijing circle. To put it bluntly, even those in the radio and television industry belong to the Beijing circle, so no one is going against the Beijing circle. Many writers of entertainment novels read the entertainment gossip news and casually mentioned that Wang Shuo, Feng Xiaogang and Huayi are the Beijing circle... They can only say that they are one of the small groups that hold a group and cannot represent the Beijing circle. At first, Huayi was not even a fart, it was just an artist management company, which was equivalent to a shoe-breaking company in the film and television industry. Later, the club became bigger and attracted more big shots. From the 1980s to the new millennium, more than 90% of artist management companies were pornographic companies. Now more than 50% are still retaining business, but they are more private than before. Those who really belong to the development of the film and television actor business are actor assistant directors, and each actor assistant director has at least a few assistants. He knows dozens of actors and hundreds of film and television artist friends, and is an indispensable main member of the crew. His real power on the set is not as good as that of the executive director, and sometimes even less than that of ordinary life producers. However, the actual income of the entire crew is indeed more than that of the director who does not count the share, and he is the top three earners in the entire crew. The most unpleasant thing to say is the middleman who earns money on his knees. Anyone can bully him, even artists can bully him, but everyone has to give the money in place. People who take percentages on both sides. Many writers who don't understand think that the director is responsible for negotiating money with the artists to earn the black money from the difference. In fact, this money belongs to the actor's assistant director. Of course, some big-production directors will have their own actor-assistant directors, and they will split the accounts together afterwards. There are many ways for producers to make money, but they themselves generally do not participate. The bosses of various departments come to give rebates. Each producer has his own team. The biggest ones are usually the life producers and external producers who give the most rebates, followed by the props team, costume team, and the makeup team with the least. Some producers also provide their own actors and assistant directors. Those who are directors of the crew are the worst off. They only have the director's fee and some commissions from inserting their own artists into the crew.

Leslie Cheung appears too much. I feel like your book is about rebirth and saving Leslie Cheung!

Previous wave of pictures

Didn't Zeng Li not marry anyone who was not of the same race? In the past few terms, they did not get married because they were not Manchus, and a TV program even interviewed them. Is the protagonist a Manchu? Didn't you say that before? I always thought the protagonist was Han.