Starting with Summoning a Succubus

I've seen another version of Summon Succubus 🙂

This beginning is truly speechless, so cliché 😥. The original owner was bullied from childhood, the girl she liked was laughing in someone else's arms, and after the protagonist transmigrated, she was choked and lifted up, and robbed. In the end, when she could finally take revenge, all she got was crippled, and then the original owner's words appeared, like "help me get revenge," etc.

There's only one market in the whole city. And only one fishmonger in that market.

Seeing this book title immediately reminded me of an anime called "Summoning a Succubus Turns Out to Be a Stepmother".

The protagonist is too useless. This book implies that a loser is still a loser; changing worlds won't magically make them successful. After all, without the right mindset, even with cheat codes, they're still hopeless. Ambitious but turning a promising talent into a useless mess—what was he thinking?

I think I've seen the animated version; in that version, he summoned his stepmother?

If it doesn't work, let it rest for a while. Wait until the main character is no longer easily mocked by others before jumping back to that point and continuing the story.

Renaissance felt like reading a novel from over a decade ago, complete with elements of the "trash-to-hero" genre, system-based plots, and underdog-to-hero stories. The main storyline triggers are the old-fashioned kind where you defeat the smaller ones first, then the older ones appear; it gets boring after a while. ="#000000">La

This book would definitely have been a great read in 2010. It uses all the classic tropes of that era, including character development and plot. Nowadays, when the protagonist is bullied, they immediately seek help from a powerful backer, unlike novels from ten years ago where the protagonist just had to endure it and use verbal persuasion to get revenge, avoiding any fatal consequences.

A classic trope from over a decade ago: the protagonist is guilty; all the villains are only focused on the protagonist.