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Popular recommendation: This is a seedling work of classic Hong Kong entertainment writing. The novel opens up the Hong Kong entertainment landscape by writing songs for superstars. It has a very smooth start and a relatively exciting story. It is a classic formula novel. The author's plot settings are quite innovative and worthy of recommendation. Work panel: [Author] Linyuan Buxi Xiaoyuer [Bookmark] Time travel, system, memory rebirth [Rating]🌸🌸🌸🌸 Content review: I will test the novel, and review good books here. Hello everyone, I am Jiang Liuer, an ordinary book friend. Let's get back to the book. What I bring to you today is a new book with 110,000 words on the new book list. First of all, the author was attracted by the introduction. This book tells the story of the male protagonist who is unexpectedly reborn in Guangdong in the 1990s. Faced with the unexpected encounter between his brother and Anita Mui, the male protagonist takes the system in hand, starts a strong life, and enjoys Hong Kong entertainment. Secondly, it can be seen from the above plot that the male protagonist returned to Guangdong in the late 1990s. Facing a world that had some origins in the original world, he relied on copying techniques to start writing songs for Hong Kong stars, enter Hong Kong entertainment and go global. The novel is a typical Hong Kong entertainment novel. Faced with this mature routine template, the author holds some songs of the original world in the hands of the protagonist, and enters the world of Hong Kong entertainment to dominate with the dual blessing of memory and system. From this part of the plot, it can be seen that the author is not a new book, at least he is familiar with all the routines of Hong Kong entertainment literature, so he chose such a setting that is not a different world but a different world. But the author personally believes that the system is actually of little use. At least in my personal opinion, the system does not mean much. It is better to dominate the world with the golden finger of the male protagonist's memory. However, compared to other writing methods where newcomers just follow the rules, I would like to call the plot of this novel silky smooth. The author did not write how to copy, but kept describing the results. That is, everyone's reaction after the song came out. Although this can be lazy, there is also a certain degree of wisdom. But this kind of treatment can indeed omit some embarrassing hydrological plots and improve the reading experience of the novel's plot. In terms of the characterization of the characters, the author personally feels that they are more of tool people, including the male protagonist himself, who are just a tool of the system and a tool of the plot. However, as a current Hong Kong entertainment novel, such a description is nothing, and the overall story is qualified. But if the author wants to make some achievements with this work, I still suggest that the author switches from plot to characterization. Three to five vivid characters are much better than writing a copy to earn subsistence allowance. Of course, the plot does not have to become a running story, but for now, there are no characters that can be remembered freshly. This novel is difficult for people to remember and recommend. This is the fact of entertainment literature. Finally, the author knows from the known content that the work is a classic Hong Kong entertainment novel with no outstanding characters. Although the plot is very smooth, it can still be watched if a different set of characters are changed. {"TopicId":"804728532092780544","TopicName":"Book Famine Terminator"}
Most Hong Kong actors disdain to speak standard Mandarin, but they just look down on the mainland. Even if they make money in the mainland, they still look down on the mainland people. It's okay for the protagonist to be mixed up in Hong Kong circles. How to deal with this conflict? Most of the friends the protagonist knows must look down on the mainland.
Don't brag about Anita Mui, she's really not good.
The heroine is fat
Why are you bragging about people with the surname Mei? Publicly mocking people from the mainland. Don't you even watch the author's videos?
Author, you know you entered the Hong Kong scene in 1999 and went to China to make money. Now you go to see those movies that promote Hong Kong? It's pure slander to criticize current Hong Kong movies. For people in the entertainment industry, I just watch their works if they can. I don't need to say more about their character. In my eyes, the current Hong Kong industry is no different than dead.
The last one who wrote about Anita Mui has already entered the palace.
There have been a lot of white-washed entertainment articles lately.
The two award ceremonies of Luan Koufa and Anita Mui directly discriminated against Li Zhi. I don't know why so many people licked them. Luan Koufa has made so much money in the Mainland. Have you ever seen him do charity in the Mainland?
Come have a sister
The heroine is chubby and Chen Hong is also beautiful
The beginning is very confusing. Dadi released 1988, and you started in 1999. In Hong Kong, a song has been released for 10 years. Can you still create a new song?